What you have to say about ‘naga’ (snake god) worship in Hinduism. Which scriptures mentioned about ‘naga’? Please provide some detailed explanation. Any books to read to get more details?
The serpent lore
In the ancient Indian symbolisms, the tree and the serpent are twin spirits. And, the two have close association with the mountains*. The big trees that populate the hills are the natural abode of the serpents that move around freely amidst the branches and the foliage of the giant trees. The seals of the Indus valley excavated from the sites in Harappa and Mohenjo-Daro also depict close association of trees with the serpents.
[*The Sanskrit expression ‘Naga’ has a dual connotation as: serpent and mountain. Naga is also a word that is often used in Indian literature to denote a distinguished person (nagadhipati); a city (nagara); a precious stone (nagamani); a flower (nagamalli); and, Indra’s elephant (nagendra).]
Apart from the trees and mountains, the domain of the serpents is also said to be the enchanted underworld, the realm of the Naga-loka or Patala-loka, ruled by King Vasuki, the Nagaraja. It is described as an immense province , with its Capital at Bhogavati, crowded with palaces and mansions; and, filled with precious gems (nagamani), jewels, gold, other treasures and with various other types of riches.
Srimad Bhagavata Purana (5.24.31) describes the nether land known as Pātāla or Nāgaloka, where there are many demoniac serpents, the masters of Nāgaloka, such as Śankha, Kulika, Mahāśańkha, Sveta, Dhanañjaya, Dhritarashtra, Śańkhacūda, Kambala, Aśvatara and Devadatta. The chief among them is Vāsuki. They are all extremely angry, and they have many, many hoods —some snakes five hoods, some seven, some ten, others a hundred and others a thousand. These hoods are bedecked with valuable gems, and the light emanating from the gems.
Tato’ adhastat patale naga loka patayo vasuki-pramukhah; sankha-kulika mahasankha-sveta-dhananjaya-dhrtarastra-sankhacuda-kambalaasvatara devadatta -adayo maha bhogino mahamarsa nivasanti yesam u ha vai panca sapta sata sahasra sirsanam phanasu viracita maha-manayo rocisnavah patala vivara timira nikaram sva rocisa vidhamanti
The serpents are also often associated with bodies of waters — including rivers, lakes, seas, and wells — and are also regarded as the guardians of treasures. However, the favourite place of dwelling of the serpents is said to be the ocean, which is described as the ‘the abode of the Nagas ‘(Naganam aalayam).
They are embodiments as also the custodians of terrestrial waters. The Nagas are creatures of abundant power who defend the underworld; confer fertility and prosperity upon those who are associated with them ; be it a meadow, a shrine, a temple, a person , or even a kingdom.
Thus, the Nagas are, virtually, almost everywhere – below the ground; under the sea; in the lakes and springs; on the mountains; on the trees; and, in the borrows.
Ancient Indians both feared and revered the snakes, as they were seen to be associated with power, fear and deference. The Snakes are always looked upon , in every culture over the generations, as mysterious, dangerous, unseen and unacceptable within human habitats. And, yet there has always been a strange kind of fascination towards those meandering coldblooded reptiles.
Apart from being symbols of fertility, the serpents have deep religious significance. The serpent lore in India is not only vast and varied, but is also very old and persisting.
Even as early as in the first century, Huvishka the Scythian (Kushan) emperor had erected a stone sculpture of a hooded serpent, with the inscription “propitiation to the worshipful Naga” (Priyatti Bhagava Naga). That was to mark the consecration of a tank and a garden dedicated to Bhagavat Bhumi Naga.
The practice of erecting such Naga-slabs, for worship, must have been in vogue even during much earlier periods. There was also the practice of erecting Naga-kastha (a pole with a snake shaped logo at the top), to mark the occasion. There are, of course, plenty of references of snake-worship in the Hindu and the Buddhist mythologies.
That tradition still continues. Hindus worship snakes in temples as well as in their natural habitats, offering them milk, incense, and prayers.
The Snakes seemed to have secured a powerful hold upon the imagination of people, prompted by the several characteristics associated with this creature. There was a great allure towards snakes; the mysteries they hold; and the symbolisms the project. The snake, undoubtedly, is a unique creature. It is decidedly un-human (a-manusha); yet, exhibiting a bewildering blends of human and serpentine uncanny powers. It is also unlike any other animal, because of its peculiar shape and its distinctive ability to move swiftly, in mysterious gliding motion, without the aid of limbs or wings. Further, it is the power of their unblinking mesmerizing eyes that holds one spellbound.
The other characteristic features of snake are its forked tongue; and, the periodical casting of its skin, rejuvenating itself, each time. The practice of shedding its skin, from time to time, suggested longevity or even immortality of the snakes. It also suggested freeing oneself from the evil of ignorance and progressing towards attaining freedom from mundane existence. These fabulous beings are also believed to have the power of speech. Therefore, the serpents came to be invested with divine wisdom.
Brihadaranyaka Upanishad (4.4.7) remarks : ‘Like a Snake’s skin, dead and cast off, lies upon an ant-hill, likewise lies his body; but that which is body-less, immortal and life, is pure Brahmana, is pure light. ’
yadā sarve pramucyante kāmā ye ‘sya hṛdi śritāḥ | atha martyo ‘mṛto bhavaty atra brahma samaśnuta iti | tad yathāhinirlvayanī valmīke mṛtā pratyastā śayīta | evam evedaṃ śarīraṃ śete | athāyam aśarīro ‘mṛtaḥ prāṇo brahmaiva teja eva | so ‘haṃ bhagavate sahasraṃ dadāmīti hovāca janako vaidehaḥ || BrhUp_4,4.7 ||
Thus, the serpent, by all accounts, is indeed, the uncanniest of all creatures. Above all, it is the deadly venom they hold and inject that causes the whole species to be looked upon as dreaded beings that are to be feared, respected and worshipped. There is always an aura of mystery surrounding the snakes.
The allure of the silent creeping creatures is so great that the Amarakosha (1,8; 6-8), the Indian lexicon – dated around 400 AD – has as many as thirty-three synonyms for a serpent .
## Snake or serpent (33) ##
(1.8.497) sarpaḥ pṛdākurbhujago bhujaṅgo ‘hirbhujaṅgamaḥ
(1.8.498) āśīviṣo viṣadharaścakrī vyālaḥ sarīsṛpaḥ
(1.8.499) kuṇḍalī gūḍhapāccakṣuḥśravāḥ kākodaraḥ phaṇī
(1.8.500) darvīkaro dīrghapṛṣṭho dandaśūko bileśayaḥ
(1.8.501) uragaḥ pannago bhogī jihmagaḥ pavanāśanaḥ
(1.8.502) lelihāno dvirasano gokarṇaḥ kañcukī tathā
(1.8.503) kumbhīnasaḥ phaṇadharo harirbhogadharastathā
## Body of a snake (1), Fang (2), Pertaining to a snake (1), Hood of a snake(2) ##
(1.8.504) aheḥ śarīraṃ bhogaḥ syādāśīrapyahidaṃṣṭrikā
(1.8.505) triṣvāheyaṃ viṣāsthyādi sphaṭāyāṃ tu phaṇā dvayoḥ
These include terms such as Bhujaga; Bhujanga; Bhujamgama; Bhogin; Pannaga; Uraga; and Jihamaga, all of which refer to the animal’s peculiar way of moving , creeping on their chests. There is also a belief that that a snake has hidden legs (guptapada).
The curious way in which the snake protrudes its tongue as if licking the air , earned it names such as : Lehiha , Lelihana (licker); Dvi-jihva, Dvi-rasana (Double-tongue); and, Vayu-bhakshaka, Vatasin,Pavanasin, Pavanabhuj, Anilasana, Svanasana, marutasana (all suggesting that snakes feed on the wind – the wind-eater).
According to the Nāṭyaśāstra 3.40-44 gods and demigods should be worshipped before the commencement of the play. In that context, the prayer submitted to the Nagas avers: “I bow to all the Pannagas of the nether region, who are devourers of wind, grant me success in the drama we are about to produce.” (Rasātala-gatebhyaśca pannagebhyo namo namaḥ | diśantu siddhiṃ nāṭyasya pūjitāḥ pāpanāśanāḥ ||)
There are also other curious names, inspired by its shape, such as: Dantavati rajju (toothed-rope); Putirajju (putrid-rope); Dhirga-Jathika (the long one) and Nikkamaitva (biting-rope).
Several of the synonyms have reference to the peculiar shape, qualities either observed in the snake or merely ascribed to it by popular belief or by false notion. For instance, the absence of external organs of hearing led to the strange belief that the snake can hear through its eyes. And, hence it was called Chakshu-sravas (hearing-by-sight). There is also a belief that the snakes enjoy listening to music, though they have no external ears; particularly the music played by the snake-charmer on the Been, a folk wind-instrument. They are said to be greatly attracted by the strong fragrance of the Champaka (flowers Michelia champaca).
There is also a belief that large serpents can devour goats ; and, hence are called Ajagara.
The hood of a snake is variously denoted by words such as Phana, Phata, Sphata, Phuta and Dravi (like a ladle or a spoon). Following that; a snake is often referred to Phani or Dravi. The Naga, the hooded cobra, is regarded as the king of snakes (Phanindra).
The Nagas are said to be adorned with half-Swastika (auspicious mystic cross). It is explained that the marks on the back of the hood resembling spectacles may possibly be such Svastika-ardha (half-Swastika).
As the guardians of hidden treasures, they are also said to posses various priceless magical gems (Naga Mani) and other objects of wealth. Thus the possession of treasures, magical gems and spells has come to be regarded as a trait of the Nagas.
The Nagas are said to be endowed with the magical powers of assuming various forms (iccha-dari Naga)
The Nagas are also said to know magical spells, which they impart to the devoted worthy recipients.
The Amarakosa lists nine types of snake venoms (viṣabhedā amī nava) :
(1.8.506) samau kañcukanirmokau kṣveḍastu garalaṃ viṣam
(1.8.507) puṃsi klībe ca kākolakāla-kūṭa-halāhalāḥ
(1.8.508) saurāṣṭrikaḥ śauklikeyo brahmaputraḥ pradīpanaḥ
(1.8.509) dārado vatsanābhaśca viṣabhedā amī nava
The ancient mythical cosmology of ancient India believes that the Earth, on which we live, is held and supported by the enormous thousand-headed serpent, Sesha. He is described as ‘one whose thousand hoods are the base of the world , carrying the load of the orb of the earth ; and, spreading good qualities ( sakala –jagan-mulo-vichakra –mahabhara –vahana-guna-vamana –phana –sahasra).
There is also a close connection between the sacred Naga and the ant-hill. It is looked upon not only as holy abode of the Naga; but, also as the entrance to the mysterious world of snakes (Naga-loka; or Patala), far below the world of humans.
Some mention of a connection between rainbow (Indra-danush) and the anthills (Valmika) where the Nagas reside. Varahamihira, the mathematician (505–587 CE), and Kalidasa (Meghaduta stanza 15) the great poet – Ca. 4th–5th century CE – speak of rainbows that issue forth from the top of the anthill – valmīkāgrāt prabhavati dhanuḥkhaṇḍam ākhaṇḍalasya . Some have tried to explain saying that such phenomenon could possibly occur when the evening sunrays fall on crest jewel atop the hood of the great Nagas, emerging out of the anthill.
While the animal is dreaded on one side, it is admired on another side.
Since there is a faith that the snakes are associated with gods, ancestors (Pitris) and other super-beings, they are even called Deva-jana (god-people). They are mentioned along with other celestial beings, such as: Devas, Gandharva, Apsaras, Yakshas and Pitras (manes).
On the other hand, the most dreadful and awesome attribute of certain varieties of snakes is their lethal power to inflict sudden death. This has given rise to many superstitions. And, its destructive power is compared to that of the all-devouring fire, the Agni or Tejas. There is also a belief that through the mere fiery blast of his nostrils (Nasavata, Nasikavata) an angry Naga can cause destruction. Such ill-wind could also pollute the air and bring about diseases (Ahi vataka roga).
There is also a fear that a snake could kill merely through the power of its poisoned sight (Visha drsti).
At the same time, it is believed that, by nature, the serpents are benevolent; but, they can turn out to be destructive and vengeful, if disrespected or not treated well
Despite the array of its horrific attributes, what is remarkable is that the snake, a deadly reptile, has come to be looked upon with great awe as the titular deity of the house (Vastu sarpa) ; and, as a harbinger of good luck and prosperity. They also protect the environment and the crops from the menace of the rodents.
Having said that; it is not the snake, in general, that is offered worship. But; it is the Naga, the cobra – raised to the rank of a divine being – in particular that is worshipped in large parts of India. Even today, the Indian women desirous of offspring do worship Naga or its replica, in hope and reverence. Killing or even harming a Naga (cobra) is dreaded as the deadliest of the sins. It is feared to haunt generation after generation. The remedial rituals are quite elaborate.
The Nagas enjoy a prominent place in Indian legends and folklore. A range of symbolisms are associated with serpents.
For instance; Anantha or the Adi-Sesha represents both the timelessness and the primal energy (mula-prakriti), reposing, at rest, prior to the manifestation of the created world.
A snake (sarpa) coiling around the drum held by Sri Dakshinamurti is said to symbolize Tantric knowledge.
In the Yoga tradition, the Kundalini Shakthi, the energy at the base chakra (the Muladhara) is represented as a coiled serpent, just about to uncoil. As the Kundalini gets awakened; and as it begins to move up, the serpent gradually ascends through the higher chakras, until it reaches the highest chakra, the Sahasrara.
The serpents, strangely, symbolize both Life and Death. Prana, the vital breath, that keeps the body alive is compared to a serpent. Just as a snake moves in the passages below the earth, the Apana, the outward breath, moves through various channels and exits through the holes in the body. It is the Apana that ensures distribution of vital energy to every segment of the organs in the body.
And, when the Apana (the Prana-vayu) departs from the body, the body dies. That is death, the Kala – the end of one’s time on earth. The serpent as Kala, the Time, devours everything (sarva-bakshaka); all this existence is its food.
The Snake primarily represents rebirth, death and immortality. And, due to its ability to cast off its skin from-time-to-time, it is said to be being symbolically ‘reborn’, each time.
The serpents also represent Kama, the desires and cravings, which drive the beings in this world. It is the motive forces that propel life.
The serpents , thus, summarily represent all aspects and processes that occur in one’s life cycle: creation; good fortune; misfortune; destruction; and death. The serpents also stand for the mysteries, the allures, the dangers as also the rewards in life.
Worship of the Nagas as per ancient texts
You mentioned about the practice of worshipping the Nagas; and, the related ancient scriptures.
Snake worship is a manifestation of one’s devotion towards the serpent deities. The tradition is present in several ancient cultures, religions and mythologies, where the snakes are regarded as entities of strength and rejuvenation. Worship of the Naga goes back to thousands of years.
As regards the Vedic texts, there is no direct reference to snake worship in Rig-Veda, the earliest of the four Vedas. Naga, the name by which the serpent-god became famous in the later texts does not appear in the early Vedic literature. Even when the term appears in Satapatha Brahmana (mahā-nāga-mivābhi-saṃsāraṃ –184.108.40.206), it is not clear whether it refers to a snake or to an elephant. Yet; the serpent as a symbol of life-energy appears at many places.
Here, in the Vedic lore, the serpent Vrtra or Ahi appears as a powerful rival to Indra, the King of the Devas. He lies around or under water. And, he seemed to have control over the waters in the havens and on the earth, alike. Later in the text, there is a reference to Ahi Budhnya, meaning – the serpent of the deep – ahir budhnyaḥ (RV_10,066.11c). And, Ahi Budhnya came to be associated with Aja Ekapada, ‘the supporter of the sky, streams and the oceans’; and, with the thundering flood. And, Aja Ekapada was described as a kind of Agni, Apam Napatu, the raging fire in the ocean-waters. Aja Ekapada, in turn was associated with Rudra. That, it is surmised, might have laid the foundation for linking the Naga cult with Shiva.
śaṃ no aja ekapād devo astu śaṃ no ‘hir budhnyaḥ śaṃ samudraḥ | śaṃ no apāṃ napāt perur astu śaṃ naḥ pṛśnir bhavatu devagopā |RV_7,035.13a |
[The Zend Avesta mentions Azi, as the serpent chief.]
But, it is in the Yajur Veda; and, more particularly in the Atharvana Veda, you find several passages relating to serpent-worship.
In the Maitrayani Samhita (2.7.15) of the Yajur Veda, prayers are addressed to the snakes (Sarpa), which move along the earth, the sky and the heavens; and, which have made their abode in the waters. And, to the snakes which are the tree spirits; as also, to the snakes which are as bright as the rays of the sun.
namo astu sarpebhyo ye keca pṛthivīm anu / ye antarikṣe ye divi tebhyaḥ sarpebhyo namaḥ// ya iṣavo yātudhānānāṃ ye vanaspatīnām / ye ‘vaṭeṣu śerate tebhyaḥ sarpebhyo namaḥ // ye amī rocane divo ye vā sūryasya raśmiṣu / ye apsu ṣadāṃsi cakrire tebhyaḥ sarpebhyo namaḥ /
There are, of course, numerous interesting references in the Atharva Veda to the mysteries, powers, poisons and the healing remedies of the snakes. There are also several magical spells and charms to avert the dangers caused by the snakes. There are prayers that are submitted to the snakes, in order to solicit their protection against demons, as also against their own tribe. At the same time, there are charms to counteract the powers of the wicked snakes.
The Prayers seeking protection mention: Let not the snakes, Oh gods, slay our offspring, our people. What is shut together may it not open. What is open may it not shut together. Homage to the Devas. (It is interpreted; here, the terms ‘open’ and ‘shut’ refer to the jaws of the snakes.)
mā no devā ahir vadhīt satokānt sahapuruṣān | samyataṃ na vi ṣparad vyāttaṃ na saṃ yaman namo devajanebhyaḥ ||1|| namo ‘stv asitāya namas tiraścirājaye |(AVŚ_6,56.2c) svajāya babhrave namo namo devajanebhyaḥ ||2||saṃ te hanmi datā dataḥ sam u te hanvā hanū | saṃ te jihvayā jihvāṃ sam v āsnāha āsyam ||3|| (AVŚ_6,56.1)
In the Atharva Veda Samhita (7. 56.1) homage is submitted, in particular, to four types of serpents named: Tiraschiraji (cross-lined); Asita (black); Pridaku or Svaja (adder); and Babhru (brown) or Kanakaparvan. These four are associated with the guardian deities (Adhipathi) of the four quarters of the space. Asita is associated with Agni as the warden (rakshitar) of the East; Tiraschiraji, with Indra, as the regent of the South; Pridaku with Varuna. as warden of the West; and, Kanakaparvan with Kubera, as the warden of the North.
tiraścirājer asitāt pṛdākoḥ pari saṃbhṛtam | tat kaṅkaparvaṇo viṣam iyaṃ vīrud anīnaśat ||AVŚ_7,56. |
The main remedies employed against snake-bite are herbs and charms; the secret of which is supposed to be held by the seers. But, in Atharva Veda (8.7.23) it is said that the snakes themselves have knowledge of the cure or a remedy for their poisons bites. There is also a belief that the snakes themselves produce an antidote against their own poisons, perhaps on the principle that like-cures-like.
(AVŚ_8,7.23a) varāho veda vīrudhaṃ nakulo veda bheṣajīm | (AVŚ_8,7.23c) sarpā gandharvā yā vidus tā asmā avase huve ||23|
The Grihya-sutras also contain accounts of the Sarpabali, the annual rites (Yajus) conducted during the full moon of the first month of the rainy season and the full moon of Margasira the first month of winter, with the twofold purpose of honouring or gratifying the Nagas; and , the other for , warding off the evils caused by the snakes. Here, the divine snakes are divided into three groups – as those pertaining to the earth, the sky and the heaven.
References in Mahabharata
But, it is truly, in Mahabharata that the history of the Naga race initially gets elaborated. In the first major Canto of the Epic – Adiparva – the Slokas 657 to 2197 are devoted the history of the origin of the Nagas and of their progeny. It starts with the marriage of the sage Kashyapa with Kadru. She becomes the mother of as many as one thousand Nagas, who are the progenitors of the Naga race. The names of some of their principal descendents are mentioned as: Sesha, Vasuki, Airavata, Takshaka, Karkota, Kaliya, Aila, Elapatra, Nila, Anila and Nahusha; and so on.
The story of the Nagas (MB. 1-16,122) is intertwined with that of the sons of the sister of Kadru – that is, Vinata (who also was married to Sage Kashyapa) – the Garuda, the eagle, Suparna, race. As per Mahabharata, the Suparna-s headed by Garuda were formerly servants of the Nagas. With the help of the Devas, Garuda succeeded in ending the slavery of his brothers and their tribe. And later, Suparnas became enemies of the Nagas (MB.1.3.159); and vowed to bring death and destruction on the snake-race (sarpa-kula). Thus, the sons of the two sisters, followed by their descendents grew into bitter enemies, recklessly determined to destroy each other.
Some scholars opine that a tribe called Suparna (to which Garuda belonged) was the archrival of the Nagas. The Suparna-s were probably falcon rising or falcon worshipping tribes
Later, in the Epic, there are more references to the Nagas. And, they are more closely associated with the Pandavas than with their cousins, the Kauravas.
It seems that when the Khandava forest near Hasinapur (near the present Delhi) was burnt down to make place for the new capital, the Naga race was rudely dislodged (Adi parva). Despite that, the Pandava branch of the Lunar race (Chandra vamsa) and the Nagas seemed to have had friendly relations. Later, Arjuna marries Ulupi, daughter of the Naga King, belonging to the race of Airavata. And, shortly thereafter he marries Chitrangada, daughter of another Naga King at Manipur.
But, the enmity between the Pandava and Naga races erupted into serious trouble when Parikshit, the grandson of Arjuna, was cursed by a sage to die of snakebite. Thereafter, Parikshit was bitten by Takshaka, a Naga said to be from the region of Takshashila. It was a city named after Naga King Takshaka Vaisaleya (Taxila, near Peshawar of the present-day), to the west of the river Vitasta (Jhelum); which, was said to be his abode.
In order to avenge his father’s death, Janamejaya, went on a killing spree slaughtering thousands of snakes. Naga race was almost exterminated by Janamejaya, the Kuru king, It is said; that massacre was halted by the intervention of Astika, a nephew of Vasuki, the serpent king of the Eastern Nagas.
.. In the Puranas
And, it was in the Puranas – mythological and often fanciful narrations – that the serpents came to be associated with numerous gods and goddesses, such as: Shiva; Vishnu; Ganapathi; Devi and others. In many of these cases, the serpent is an ornament, a weapon or a symbol of power or knowledge.
The Puranas also mention several large serpentine deities like Kadru, Manasa, Vinata and Asitka. And, Vasuki the king of snakes played a vital role in the churning of the oceans. Several myths, beliefs, legends and scriptures are associated with snakes. And, the Snakes were used in warfare; and, snake poison was often used in palace intrigues.
You will find references to snake deities in both Hindu texts as also in the folklore. Even in Buddhism and Jainism there are abundant references to the practice of the worship of Trees and Serpents. Perhaps, the new religions absorbed the accumulated mass of the Naga-mythologies.
But, it is in the Vaishnava tradition that the serpent occupies a position of far greater significance. The Agamas mention eight lords of the Nagas; the chief of these being Ananta, Sesha or Adi-sesha. It is the Ananta, representing timelessness, on which the Lord Vishnu reposes, contemplating the creation of the world yet to come into existence. It was with the assistance of the King of Serpents that the ocean was churned; and, Amrita, the elixir, was produced, bestowing immortality to the gods (Deva). The other seven Nagas mentioned in the Agamas are: Vasuki; Takshaka; Karkotaka; Abja (Padma); Maha-bhuja; Maha-padma; Shankadhara; and, Kulika.
Worship practices in Indian traditions
The worship of the Nagas has taken a deep root in many of the Indian religions, for a variety of reasons. It could be either for fertility, protection, and eradication of poisons, securing or protecting hidden treasure or in repentance of past sins or to avert the anger of the snakes (Naga-dosha) or for whatever other reasons. Apart from the snakes, the goddesses such as Manasa Devi are worshiped with fear, hope and devotion. In South India, it is a common practice that women desiring to bear children set up Naga-stone-images (Naga shila).
As said, the Nagas, the cobras, have enjoyed a high status in Indian mythology and religious traditions. You will find numerous temples in South India dedicated to Snake-gods (Naga-devata). There are also special forest reserves for the Nagas (Naga-vana or Kavu). Here, in the South, the Naga is identified with Skanda or Subrahmanya; often depicted in serpentine shape, either entirely or is half-human. And, the sixth day of the lunar-month Shasti is regarded particularly sacred for worship of Subrahmanya. There are countless temples of Lord Subrahmanya in South India. Further, in the temples of other deities too, there would normally be snake-stones (Naga-shila) having images of snakes carved on them, placed on specially prepared platforms under the shade of a papal tree conjoined with a Margosa tree. And, in almost every part of India there are carved representations of cobras or Nagas.
On Naga Panchami, the fifth day of the bright half of Shravana (July-August), many Hindus visit temples specially dedicated to snakes and worship the snake, or Naga idols or the anthills. It is also the auspicious day on which the sisters affectionately greet their brothers and pray for their welfare .
In the Bengal region, the worship of the serpent-goddess Manasa Devi is widespread. Further, on the last day of the Bengali month of Shravana the Naga worship is celebrated as a religious festival.
In the coastal regions of Karnataka, Naga Mandala, a unique, an elaborate and a complex ritual tribal dance-worship (Nagaradhane) sequences is performed with great pomp and fervour. The Mandala is the depiction of colourful design of a huge serpent coiled into numerous knots (pavitra). At the centre of the design is painted a small raised mound and a seven-hooded serpent. The ritual dance is performed, around the Mandala, by the priest possessed by the serpent-spirit (Naga-patri) to the accompaniment of music played by two musicians (Vaidya).The inspired Naga-patri dances with abandon mimicking the steps of an excited serpent. The ritual concludes with the possessed Naga-patri uttering oracle-like predictions; and, offering solutions to the problems and prayers submitted by the assembled devotees.
The mythological serpent race that took form as cobras often can be found in Indian iconography. The Nāgas are described as the powerful, splendid, wonderful and proud semi divine race that can assume their physical form either as human, partial human-serpent or the whole serpent.
Therefore, the Nagas are invested with great importance; and, the Naga cult is depicted both in the Vedic and Buddhist texts as also in art, in myriad ways – as divine beings, humans and animals; and also as a blend of all these. A number or of Naga (male) and Nagi (female) deities are described in various texts; and, represented in images. Many of these form a part of the Hindu, Buddhist and Jaina pantheon, representing power, wisdom and fertility. For instance; you find abundant representations of the adoration of snake-deities on the Buddhist topes of Sanchi and Amravati. The Tibetan paintings depict the Buddha with the Naga coiled round him, seven times.
The serpent stones installed under the tree depict two serpents interlocked in an embrace. Sometimes, the serpents are shown as seated in the form of a Linga.
The simplest form in which the Naga appears in Indian art is the serpent form.
The mythical Adi-Sesha is celebrated with as many as one thousand hoods.
The female counterparts of the Nagas, the amorous and charming Nagini, are usually depicted with a crest consisting of a single serpent hood.
The iconography of the Nagas broadly fall into three types : as many headed serpents; as human or divine being characterized by five or seven serpent-hoods , each having two tongues; coiled into diverse kinds of knots; and, as the combination of the two with the upper part of human/divine being combined with the lower half of a snake’s coil (say , like mermaids ).
A Dhyana Sloka (word-picture) of a belligerent serpent (kopakutilam) , in aggressive posture ; with its upper part in human form adorned with multiple hoods , each with two tongues ; its lower part in snake form – reads:
Dhyayeth Nagarupam hinapherudam, narakruthim / sarpakaram adhobhagam , mastake goghimandalam / phanatraye , parijagirda , navagirda, saptadhihi / jihvam , kopakutilam , khadgacharma-dharam tatha //
The texts of the Shilpa-shastra, such as Amsumadbheda-agama, Shilparatna and Maya-mata mention that the image of Nagadeva should have three eyes; four arms a beautiful countenance of red complexion. Shilparatna adds that the image should be half human and half serpentine; and must carry a sword and shield in his hand. And, Maya-mata gives a description of seven great Nagas: Vasuki, Takshaka, Karkotaka, Padma, Mahapadma, Sankhapala and kulika; providing descriptions of their colour, attributes and their Ayudhas.
The Visnudharmottara-Purana (Ca.6th century) makes a special mention of the Great Serpent Ananta. Here, Ananta is not regarded merely as the serpent on which Vishnu reclines; but, is revered as the very incarnation of Lord Vishnu. Thus, Ananta is Vishnu himself.
The Text describes the iconography of such divine Ananta, endowed with countless virtues , powers (ananta-shakthi) and countless forms (ananta-rupastu) . The Ananta-puruṣha, here, is said to be matchless (anantāy-āprameyāya); and, resplendent with: four faces; and, twelve arms. In the hands on his right side, Ananta holds Ayudhas such as: Gada (mace), Chakra (disc), Khadga (sword), Vajra (thunderbolt), and Ankusha (goad); and, he also displays Varada-mudra (assurance and protection). And, in the hands on his left side, Ananta holds the Ayudhas such as: Dhanus (bow), Padma (lotus), Khetaka (shield), Shankha (conch), Danda (rod) and Pasha (Noose).
Ananto-ananta-rupastu, hastau dwadasasa–abhiryutah / ananta-shakthi samvito garudastha chatur-mukhah / gadha-krupanu-chakradyau vajra-ankusha-varnvitah/ shanka khetam dhanuh padmam dandam pasau ca vamatah // Vdha.3,350.
The Nagas also find place in the iconography of the other deities. Vishnu is portrayed as reclining on the Sesha; and, at other times the hooded serpents forms a canopy over his head. Vasuki serpent became the churning rope for churning of the Ocean of Milk. And, Shiva is adorned with King Cobra as garland round his neck; as coiled on his arms as armlets; and on his head. Ganesha uses a serpent as a belt tied around his sumptuous waist; and, as a sacred thread (yajñyopavīta). The Devi as Bhairavi is adorned and served by Shakthi-Naga. The s images of the sages like Sri Dakshinamurthy; the Buddha and Parsvanatha are all depicted as seated under hooded serpents. Nagarjuna, the champion of the Madhyamika Buddhist philosophy is traditionally portrayed with a halo formed by a multi-headed serpent.
Further, Balarama , the elder brother of Sri Krishna; Lakshmana , the younger brother of Sri Rama; and, the Sage Patanjali who composed the remarkable Yoga Sutra – are all revered as the incarnations of Sesha Naga.
You asked; any books to read to get more details?
Yes; there are plenty. There are some comprehensive works on all aspects related to Nagas. You may follow some of these that are available on the net:
Indian Serpent-lore: Or, The Nāgas in Hindu Legend and Art By Jean Philippe Vogel
Tree and serpent Worship, or illustrations of mythology and art in India… By James Fergusson
Encyclopaedia of Oriental Philosophy and Religion: Hinduism – Serpent worship: Pages 774 to 791
You may also follow the links mentioned under ‘Sources and references’.
Nagas in history and anthropology
What was said so far was concerned with the Naga worship.
But, the term Naga has multitude of connotations.
The term , depending upon the context, might refer to the oldest tribal communities in the world; to snake worshipping Aryan tribes; to the Naga royal lines of the Kings of Magadha , viz., Shishunaga dynasty (c. 413 – 395 BCE), believed to have been the second ruling dynasty of Magadha Empire of ancient India (after the Haryanka dynasty) ; to the Bharasiva Nava Naga dynasty who ruled from 150-170 AD; to the linage of Naga kings dating back to the Gupta period (from approximately 240 to 590 CE); and to the various Naga communities settled in different parts of India during the early and medieval periods, such as : the Nagas of Vidisha, Padmavathi, Kantipur and Mathura; the Nagas of Erikina (Madhya Pradesh); the Nagas of Bastar; the Nagas of Kawardha; the Nagas of Bhatgaon ; the Nagas of Eastern India ; and so on .
Apart from these, the literary traditions too mention of the royal dynasties of ancient India, which claimed a Naga or a Nagini as their progenitor. Such instances include those of King Udayana who married a Naga princess, giving rise to Sakya dynasty. The dynasty of Kashmir, which included the famous King Lalitaditya (Ca.8th century), is said to have descended from Naga Karkotaka. The neighbouring Kings of Bhadarwah claimed descent from the serpent king Vasuki. And, the Rajas of Chota Nagpur derive their origin from Naga Pundarika. And, in the South, the Shalivahana of Pratistana as also the Pallavas claimed descent from Ananta Naga. And, so on…
The tradition recorded by Hiuen Tsang suggests that the city of Nalanda got its name from a naga named Nalanda, which was believed to be the guardian deity of the city.
Countless ancient Naga images have been discovered at the various regions of India, as in areas around Mathura; Rajagriha (Modern Rajgir in Patna, Bihar), the ancient capital of Magadha, and its neighborhood; and many other places.
The history of the Naga cult is one of the most interesting chapters in Indian history. And, that, by itself, is a vast subject; and, has been dealt with in great detail by several historians, anthropologists and scholars of social studies.
In case you are interested in such studies, I suggest, you may start with Chapter Seven: Naga, the evolution of tribal culture (from pages 177 to 234) by Dr. Shiv Kumar Tiwari – (Published by Sarup &Sons; New Delhi; 2002-3). It comprehensively deals with numerous legends, traditions, histories and cultures related to the Nagas. The full view of the book is available on the net. You may, thereafter, follow the sources and references listed there under.
Sources and references
Indian Temple traditions by Dr.SK Ramachandra Rao
Indian Serpent-lore: Or, The Nāgas in Hindu Legend and Art By Jean Philippe Vogel
Tree and serpent Worship, or illustrations of mythology and art in India… By James Fergusson
Encyclopaedia of Oriental Philosophy and Religion: Hinduism – Serpent worship: Pages 774 to 791
The Nāgas and the Naga cult in ancient Indian history by Karunakana Gupta (Proceedings of the Indian History Congress – Vol. 3 (1939), pp. 214-229) – http://www.jstor.org/stable/44252377
All images are from Internet.