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240 responses to “About

  1. jewelsofsayuri

    September 23, 2018 at 3:19 pm

    Dear Sir, I am a designer who is just beginning her PhD journey. My area of interest is “the fashioning of the self (Alamkara) through jewellery.” I came across your site and am stunned by the vast knowledge you have put up here. I would be really grateful if you could you please point me to some books, papers, articles I could read on this subject. Thanks and regards

  2. Savitha Gurunath

    October 6, 2018 at 11:45 am

    With due regards sir,
    I am interested in the series of barahamasa paintings.Are all the paintings either in Kota, Bundi,Datia school of paintings painted during 15th century and onwards? Are they all based on Keshav dasa’s Rasikpriya only? Which books should I refer? kindly guide Sir…

    • sreenivasaraos

      October 6, 2018 at 1:03 pm

      Dear Savitha Gopinath,

      You are welcome Maa

      I had earlier written about Ritu varnana and Bharamasa – in its aspects of both poetry and paintings

      Please check the following link

      As a part of that article I had written about the poet Sri Kesava Dasa (1555–1617) and his work Rasikapriya composed in Brij-basha . It is a comprehensive compendium of Nayakas and Nayikas, their moods, meetings and messengers. And , it is considered a Lakshana grantha, foundational work, in Riti kavya tradition)

      In that context , I had written about descriptions of Barahmasa according to Rasikapriya., along with illustrations

      As I mentioned , the Barahmasa poetry and paintings are depicted in various types and traditions, not only that of Sri Kesava dasa.

      As I said at Para 12.1

      A vast number of schools of miniature paintings such as Bundi, Krishnagarh, Jaipur, Mewar and Marwar giving expression to the Barahmasa concepts and idioms flourished during the mid centuries under the patronage of Pala Kings of Bengal , the Mughals and the Rajputs of Rajasthan. The hill states and even smaller states from Central India too nurtured the paintings of Barahmasa tradition. Datia, one of the schools of painting in Central India, painted a timeless series of Ashtayama, another form of Barahmasa. . These sublime works of art, which gained fame as iconic representations of the seasons and as metaphors for emotions, have inspired generations of artists, poets and lovers. Over the generations, the artists of the diverse schools of miniature paintings have strained to retain the aesthetic values and technical excellence achieved by their pioneer

      Please also check the ‘References and Sources’ given at the end of the post , for Barahmasa literature, music and paintings

      I trust , these might be of some help. Please let me know

      Cheers Maa

      Wish you the Best

  3. sreenivasaraos

    October 6, 2018 at 12:42 pm

    You are welcome , Dear GuruNath Bhat

  4. Aritra

    October 22, 2018 at 4:20 pm

    Dear Sreenivasa Rao,
    My search on Mahavidyas in connection with something I am writing around Kali puja (I am a journalist) led me to your blog: a source of vidya itself!
    Your work, and its breadth, is fascinating!
    Could you please share your contact details; I’d like to speak to you for the story I am working on, as also in connection with my research on theatre and performance.


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