During the past couple of weeks I read some richly illustrated posts on Varanasi, as it appears today; and as they experienced it. That stirred in me some memories of Varanasi of old, the ancient city where a great numbers ‘lived and passed by throughout the ages”.
I thought I could talk a bit of Varanasi in the lore and legends of ancient India; and of the Varanasi of the time of the Buddha, where he first taught and wandered.
It is city of light; the City of delight ; the abode of Visveswara; the city of the well of knowledge – Jnanavapi ; the City of purity, where the Mother Ganga purifies all who surrender to her in love and reverence; the City of Maha-smashana the ultimate end of all; and, above all, it is home of the graceful and loving Mother Annapurna.
1.1. As it has often been said; Kashi is without doubt the oldest inhabited city in the world. It never stopped being a living city for over three thousand years. Mark Twain who visited India in the last decade of the nineteenth century said Kashi is “Older than history, older than tradition, older even than legend, and looks twice as old as all of them put together.” The old texts call the city Avimukta, the city that never was abandoned despite invasions, repeated ravages and bigoted violence. Kashi has reigned over the upheavals of time; and, has never stopped being a lively and animated town.
1.2. Kashi is the holy city not only for the Hindus but also for the Buddhists, the Jains and the Sikhs. Sri Guru Nanak is said to have visited the Holy City two times around 1502 and 1506. It has also long been a major center of education, of philosophical debates, of dialectics; and, of traditional medicine (Ayurveda), yoga and astrology.
1.3. As Alain Danielou says:
“Kashi the city of refinement and beauty was the spiritual and cultural capital of ancient India. It had always been a sacred city, a centre of learning (jnana puri), of art and pleasures, the heart of Indian civilization, whose origins are lost in the mists of antiquity”.
[A Geo-exploration study conducted by IIT-Kharagpur – using GPS, one of the latest tech tools – indicates that Varanasi (particularly, the Gomati Sangam area ) has been a continuous human settlement since the days of the Indus Valley Civilization, around 6000 years ago..]
The ancient city has always been at the centre of Indian consciousness. Kashi has a distinct individuality, which it developed over the ages since the hoary past. Its history, culture and people; its temples and tirthas, mathas and institutions; its scholars, some of them the best in the country; its festivals; its literature, music, painting and culture; its silk trade and craft; and, its typical inhabitants: sadhus, courtesans, pundits, musicians, artists, weavers, wrestlers, pandas, babus, thugs and gundas are archetypal of its cultural milieu; and , are uniquely Indian.
Dr. Meenakshi Jain writes :
2.1. Prof. D Sampath elsewhere remarked “Benares has a very strong geo-physical significance…it is one of the navels of earth”. That seems to be supported by R.E. Wilkinson who in Temple India observes that the holy city of Varanasi lies in the arc of Capricorn. According to Wilkinson : “The Capricorn sign’s 30 degrees begin at 60/61 degrees the Capricorn east and continue to the mouth of the Ganges. Its alignment identifies India and Varanasi as the point of the clearest spiritual vision.
“It is the one point”, said the Mother of Sri Aurobindo Ashram, “where the psychic law can and must reign, and the time has come for that to occur.”
[There are interesting varied sets of Tantric interpretations of Kasi’s geography. According to one such mystic geography of Kasi, Manikarnika the Smashana is, truly, symbolic of intrinsic death of the ascetic when his Prana soars up the Shushumna attaining the final release.
Kasi is sometimes identified with the Ajna-chakra, the mystic centre between the nose and the eyebrows.
But as a city, it is also identified with the subtle body as a whole. According to this identification, the central vein of Kasi’s mystical body terminates at the cremation ground, equating it with the highest centre of the anatomy. It is said; “The Rivers Asi and Varua at the extremities of the city, and a third river (invisible) which flows through the centre, represent the three main veins of the yogic body-respectively with the Ida, Pingala and Shushumna “. ]
2.2.Sri Kailasanatha Sukula’s Mirror of Kashi (Kashi Darpana) is said to be the historical map of Varanasi, printed in 1876 at the press named Vidyodaya. According to Sri Kailasanatha Sukula, the map is a representation of the sacred topography of Varanasi, based on puranic textual sources , such as Linga, Siva, Nandi, Skanda, Ganesha and Agni Puranas.
2.3. It is no wonder that a massive literature, in all Indian languages, has grown around the city over the ages. Many myths and legends have gathered round the luminous Kashi or the vibrant Varanasi; celebrating its sacredness as the abode of the recluse Shiva and of the gracious Mother Annapurna who guides the aspirant striving to attain knowledge (jnana) and detachment (vairagya).
City of contradictions
3.1. Kashi is a city of contradictions. It is Anandavana the grove of happiness as also Rudravasa or Maha-shmashana the great cremation ground. The cycle of life and death is nowhere more pronounced than in Kashi; for , this is the ‘City of Good Death’ to where people come to die, to rid themselves of the cycle of birth and death. The fires of cremation burn here ceaselessly; and, Lord Shiva whispers the sacred verse of liberation to the departing.
3.2. In this city of blazing summers and chilling winters, the contradictions hit you in the face; the sublime and the sordid coexist. Varanasi continues to be the holiest city ; and yet, a crass cult of greed thrives and holds sway , as the priests fleece you and the touts sell you custom-made doses of phony spiritualism. Its tight net of dark alleys and lanes hold the depths of human despair , depravity and vulgarity; where fake sadhus and tricksters lay in wait for the gullible. The sight of countless old widows abandoned or driven away by their families, helplessly loitering the narrow lanes , waiting for death to relieve them of pain and humiliation of what is called life , is truly wretched.
3.3. The contradictions are so evident and yet too close. Just a thin line separates the spiritual from the sham; sanctity from the profane; faith from deceit; purity from filth; and, culture from grotesque.
Yet, some manage to find an inexplicable charm in this strange blend of the sublime and the profane. It is said; in Kashi you reach what you walk for; and , you find what you seek.
City of lights
4.1. Kashi was the ancient name of the kingdom; one of the sixteen Maha-janapadas of ancient India. It was also the name of its chief city, which was also called as Varanasi or Baranasi. Since the arrival of the British in India , the city has also come to be known as Banaras or Benares.
4.2. The name Kashi is derived from the root kash meaning light (kashate pra-kashate iti kashihi). Kashi , literally means the city of lights. It is said; as one sails up the river Ganga at night, the city with myriad temples, mansions (prasada) and palaces glows like festival of lights.
Right from the ancient times, Kashi was reckoned among the seven primer sacred cities (Saptapuri) that granted liberation (moksadayikah). Its name also suggests that Kashi was the ‘luminous’ or pre-eminent of all the seven great and holy cities of ancient India: Ayodhya, Mathura, Maya (Haridwar), Kashi (Varanasi), Kanchi, Avanthika (Ujjain), Puri, and Dvaravathi (Dwaraka) .
Ayodhya Mathura Maya Kashi Kanchi Avantika | Puri Dvaravati chaiva saptaita moksadayikah ||
4.3. Some scholars opine that Kashi is in fact a later name; its earlier name being Varanavati. Through the ages, the city had various other names such as: Avimuktaka, Anandakanana, Mahasmasana, Surandhana, Brahma Vardha, Sudarsana and Ramya; besides Kashi and Varanasi. But in most legends and lore , the city is celebrated as the holy city of Kashi or Varanasi.
5.1. Kashi is Varanasi ; because, the city included the land bound between two rivers the Varana and the Asi. The Varana is a rivulet, which rises to the north of Prayaga (Allahabad) ; and, has a course of about hundred miles; while Asi a mere brook , which , as Ether says, is now reduced to a lamentable nullah. The Varana joins the Ganga at the north of the city, while the Asi joins the Ganga at its south. The distance between these two confluences is around 2.5 kosas (One Kosa is about 1 ½ miles; making 2.5 kosa to about 3.75 miles); and, the round trip is known as Pancha-koshi –yatra (about 7.5 miles). The great city of Kashi lies on a higher ground at the confluence of three rivers, metaphorically a trident.
[But it is difficult to ascertain the original topography of Varanasi because the city’s current location may not exactly be the same as the one described in the old texts].
On the bulge of the river bend
6.1. The city of Kashi is situated on the convex side of the river , presenting a semi-lunar phase; and, at a considerable height than the opposite shore. When the river-face of the city is viewed from the breadth of the Ganga or from the low – opposite bank, the city appears as if it is mounted on a pedestal of immense flights of the Ghats lined along the margin of a beautifully formed bay. Because of its elevated location, the city, to an extent, is protected from the ravages of floods and the deluge that the Ganga occasionally causes.
Manasara, an ancient text of Shilpa-sahstra, recommends that if a town has to be located along a river bank, it should then be at a height sloping towards the east or north (praganutham uttara natham samam va bhumi); and, it should be situated on the convex side of the river bend. The text mentions Varanasi as a classic example that satisfies this norm; the other instance being the ancient city of Madurai along the convex side of the Vaigai.
View of the city from the expanse of the Ganga
7.1. The city of Kashi is clustered with temples and magnificent mansions; yet, more than anything else, it was the view of the city from the expanse of the Ganga, the delightful panorama of the Varanasi riverfront that enchanted the hearts of countless travelers and pilgrims over the centuries. Many of them have left behind delightful pictures – in words and sketches- of their impressions.
Hiuen Tsang who visited India in the first half of the seventh century was impressed by the temples of the holy city of Varanasi (Po-la-na-ssu) “several stories high and richly adorned with sculptured decoration” standing at the edge of the waters “set in thickly wooded parks and surrounded by pools of clear water”.
Most British officials were properly shocked by the “impurity and extravagance” of the superstitious reverence of the Hindus for all sorts of idols”. They gave, in their letters to family and friends back home, the graphic descriptions of “hosts of hideous beggars, cripples, and hunchbacks, assembled here (who) torment you with their lamentable cries; and, will not leave you until they have extorted a few coppers.”
The British artists – sketches and paintings
But ; it was the British artists , who were enchanted by the riverfront , which they described as : “one of the loveliest sky-lines in the world”, which no painter could wish to miss. Apart from that, the British, especially the families, who habitually traveled from Calcutta to Allahabad by boat, enjoyed halting at Benares , in the midway.
There was indeed a busy traffic on the Ganga.
The view from the river front was enchanting.The families, on their way, would spend an afternoon in Benares, wandering through its streets.
It was said : Benares was certainly the most interesting and most remarkable city of Hindostan over which the British have any authority. The British artists found the city quite exhilarating.
For instance; the great photographer Richard Lannoy , who made several visits to Varanasi, went into raptures in his description of the city :
“On climbing the Ghats and entering the crowded Banaras streets,” he goes on, “one is assailed by the bewildering variety o the scene, no much as that in the simultaneous assault of the senses, it seems that colours have sound, and sounds colour…Though the crowds wander old men who have come to the sacred city to die, men resembling Father Christmas or King Lear, while on who carried the trident of Siva looked like Neptune. Once I saw what seemed to be a conversation between Leonardo da Vinci and Dante, while Nebuchadnezzar wandered by, quietly reciting some Sanskrit verse.”
William Hodges, the first British professional landscape artist to visit India during 1780 to 1783, not only made several drawings of Varanasi , but also left a vivid account of what he saw. Varanasi, Hodges wrote:
“city is built on the North side of the river, which is here very broad, and the banks of which are very high from the water, its appearance is extremely beautiful; the great variety of the buildings strikes the eye, and the whole view is much Improved by innumerable flights of stone steps, which are either entrances into the several temples, or to the houses. Several Hindoo temples greatly embellish the banks of the river, and are all ascended to by Gauts, or flights of steps. Many other public and private buildings possess also considerable magnificence. Several of these I have painted, and some on a large scale, such as I conceived the subject demanded”.
Lieutenant-Colonel C.R. Forrest, a highly talented amateur landscape artist , visited Varanasi early in the nineteenth century; and, was enthralled by what he saw. Varanasi, he wrote:
“ one of the most ancient cities of India, ranks among the principal cities of the world. It is situated on the left bank of the Ganges, here a noble stream; and its extent along the bank of that river is full five miles; its breadth inland being in proportion. Built upon a rising ground, sloping gradually upwards from the water’s brink, its buildings appear very lofty, when seen from the boats in passing it. .. .Indeed the whole face of the city towards the river is one continued line of ghauts, which are the exclusive ornaments of Benares”.
[The painting depicting two temple towers leaning into the river waters was made by Lt-Col. Forrest perhaps during 1834. The artist William Daniell Writing in The Oriental Annual, 1834, explained :
“One of the most extraordinary objects to be witnessed at Benares and which is generally one of great curiosity to the stranger, is a pagoda standing in the river, there is nothing to connect it with the shore. The whole foundation is submerged, and two of the towers have declined so much out of the perpendicular as to form an acute angle with liquid plain beneath them….It has been surmised, and with probability, that this temple was originally erected upon the bank of the river, which then offered a firm and unsuspected foundation; but that, in consequence of the continual pressure of the stream, the bank had given way all round the building, which, on about of the depth and solidarity of the foundation, stood firm while the waters surrounded it, thought the towers had been partially dislodged by the shock. Or it may be that even the foundation sank is some degree with the bank, thus projecting the two towers out of the direct perpendicular, and giving them the very extraordinary position which they now retain.”
There is another painting of the leaning pagoda by Captain Robert Elliot. He was in the Royal Navy as a Topographical Draughtsman, from 1822 to 1824; and, made a series of sketches, which were later published , in parts, by Fisher & Co., during 1830-3.
Emma Roberts visited India in the first half of the nineteenth century. Her articles and books about her Indian travels are highly interesting and informative. Her description, in flowery language, of the panorama of Varanasi from the river is particularly engaging.
“The views of Benares from the river”, she writes, “are exceedingly fine, offering an infinite and untiring variety of scenery, of which the effect is greatly heightened by the number of trees, whose luxuriant foliage intermingles with the parapets and buttresses of the adjacent buildings. In dropping down the stream in a boat, an almost endless succession of interesting objects is presented to the eye. .. The view of Benares from the ever-shining river must be considered the most beautiful and imposing”.
She also speaks of :
“numerous birds of the brightest and most resplendent plumage, flocks of every variety of the pigeon and the dove common to the plains, blue jays, yellow-breasted sparrows, and whole battalion of ring-necked parquets, with their brilliant feathers gleaming like emeralds in the sun, as they skim along soaring far above the mango trees which bear their nets, yet seldom overtopping the crowning pinnacle of the minaret, whence the spectator surveys the singular and beautiful objects revealed to his admiring gaze”.
The British artist Edward Lear, who visited Varanasi in December 1873, too was struck by the plentiful birds he came across in the city, and noted in his journal: “The pretty myna birds are numerous everywhere; pigeons by 10,000,000.”
Louis Rousselet, a Frenchman who arrived in Bombay in July 1864; and spent about six years travelling widely in India, provides a delightful description of the Dashashvamedha Ghat. In his India and its Native Princes (Chapter LVI –page 564), he wrote :
The Ghat is situated at the Western extremity of the large bend, which the Ganges makes at this point, so that we look in it at a glance, the whole view of the town, standing in tiers like an amphitheater on the right side of the stream. The situation occupied by Benares has often been compared to that of Naples; and, the comparison is not without some accuracy. The bed of the stream, in fact, which is half a mile in width forms a sort of calm blue-bay, in which the picturesque facade of the City ranged along its banks is reflected like Crescent.
We entered an elegant Gondola; and, soon were gliding gently in front of the City, gazing on the long succession of the admirable pictures unfolding themselves before us.
Seen at a little distance from the river, the Ghats of the Dasashvamedh forms a picture no painter could wish to heighten by a single touch . Its large flights of steps crowded by small temples with their bristling spires have for their background, on the one side, the stately masses of a group of palaces surrounding the crest of the plateau ; and, on the other the plain and elegant facade of the Man Mundir , the great observatory of Benares, erected by the celebrated Jey Singh of Jeypore.
And, Lord Valentia , who traveled extensively all over India at the beginning of the nineteenth century, wrote:
“The River forms here a very fine sweep of about four miles in length. On the external side of the curve, which is constantly the most elevated, is situated the holy city of Benares. It is covered with buildings to the water’s edge, and the opposite shore being, as usual, extremely level, the whole may be beheld at once …. Innumerable pagodas of every sizes and shape occupy the bank, and even have encroached on the river, uniformly built of stone, and of the most solid workmanship, they are able to resist the torrents, which in the rainy season beat against them. Several are painted, others gilded, and some remain of the colour of the stone.… The contrast between these elevated masses of solid masonry and the light domes of the pagodas, in singular and pleasing are the trees occasionally overhand the walls”.
Please do read ‘Varanasi Vista (Early Views of the Holy City)-Travellers’ Accounts by Sri Jagmohan Mahajan has written extensively on British landscape artists in India as also on Ganga.
Please do not miss a very rare book : Kashi: The City Illustrious or Benares by Edwin Greaves (1909)
Kashi in Scriptures, epics and puranas
8.1. In early Vedic literature, Kashi does not figure either as a center of pilgrimage or as a center of learning. Rig Veda does not often mention the Ganga; and, it does not also refer directly to Kashi. That might be because they were outside the geography of the Rig Veda, which , basically, was the land of seven waters (saptha sindhavaha).
However, Katyayana in his Veda-Anukramanika (a sort of Vedic glossary), mentions a hymn (RV.10.179.2) composed by a certain Bharatha who attributed the hymn to his ancestor Pratardana King of Kashi (Pratardanaha kasirajah – प्रतर्दनः काशिराजः) ; the son or the descendant of Divodasa (Divodasi) the king of Kashi (Kashi-raja: 10.179.2.).
[There is however a dissenting view on the identity of Pratardana and Divodasa. Yet, the reference in the Anukramanika is taken to suggest that the early Bharata kings of the Rig Veda were descendants of the Kings of Kashi.]
The Sukta No. 179 having three verses in the Tenth Mandala of Rig Veda invoking Indra, is jointly ascribed to the three sons of Madhavi (daughter of the legendary monarch Yayati) : the first is Sibi the son of Ushinara (prathamo ushinarah Sibihi – शिबिरौशीनरः); the second Pratardana King of Kashi (dwithiyo kasirajah Pratardanaha- प्रतर्दनः काशिराजः); and, the third Vasumanasa son of Rauhidasva (thrithiyasha Rauhidashwo Vasumana rishihi – वसुमना रौहिदश्वः) . In this Sukta, Haryasva is named as Rauhidasva.
Here, Pratardhana, son of Divodasa from Madhavi, is described as: the King of Kashi (dwithiyo kasirajah Pratardanaha)
[ Mantra Rig 10.179.001 ; Mantra Rig 10.179.002 ; Mantra Rig 10.179.003 ]
9.1. The earliest reference to the people of Kashi appears in the Pippalada-samhita of Atharva Veda. It is said they were closely connected with the people of Kosala and Videha.
9.2. The Atharva Veda (4.7.1-2) mentions that the waters of the river Varanavati had the magical power to cure the effects of poison: “May this water from Varanavati ward off the poison”.
vār idam vārayātai Varaṇāvatyām adhi | tatrā amṛtasyā-siktaṃ tenā te vāraye viṣam || AVŚ_4,7.1 || arasaṃ prācyaṃ viṣam arasaṃ yad udīcyam |athedam adharācyaṃ karambheṇa vi kalpate ||AVŚ_4,7.2 ||
Based on this reference, the scholars surmise that Kashi is the later name of the town which was known as Varanavati.
Brahmanas and Sutras
10.1. There are numerous references to Kashi in the Brahmanas . For instance; Shatapatha Brahmana (Sa Brh. 13. 22.214.171.124) mentions the defeat of Dhrtarastra the king of Kashi at the hands of a Bharata king Satanika son of Satrajita. Satanika is then said to have taken the ritual horses from the defeated king and performed the Govinata Yajna. Thereafter the King of Kashi (Kasya) again performed the Yajna (Sa.Br.13. 5. 4. 21).
govinatena śatānīkaḥ sātrājita īje kāśyasyā śvamādāya tato haitardavāk kāśayo’gnīnnā-dadhata āttasomapīthāḥ sma iti vadantaḥ – AV. 13.5.4.
tadetad gāthayā abhigītam śatānīkaḥ samantāsu medhyaṃ sātrājito hayam ādatta yajñaṃ kāśīnām bharataḥ satvatāmiveti – AV.13.5.4.
10.2. The Sankhayana Srauta Sutra mentions Kasya, the king of Kashi and Jala Jatukarnya (i.e. Jala son of Jaatukarni) , who became the king’s purohita after performing a Yajna for ten nights (yajña.upavītī.iti.jātūkarṇyaḥ – 3.16.14). That Sutra mentions that one person (Jala Jatukarnya) functioned as the purohita for the kings of three kingdoms: Kashi, Kosala and Videha.
Bahudayana Sutra mentions Kashi and Videha being in close proximity. But, Gopatha Brahmana says Kashi and Kosala were close ; and , calls the two kingdoms by the compound name Kasi-Kausalya (kāśi-kauśaleṣu śālvamatsyeṣu – GBr_1,2.10 )GBr_1,2.10 )
11.1. But in the Upanishads, it is the kingdoms of Kashi and Videha which provide the main backdrop for the philosophical discussions. The Brhadaranyaka (Ajātaśatruṃ kāśyaṃ-brahma te bravāṇīti–Brh.U. 2.1.1) ; Kaushitaki (Kush. 4.1) Upanishads report, in detail, the debates held in the courts of Ajathashatru Kashya, the king of Kashi ; and Janaka Videha the king of Videha. The Upanishads mention Kashi-Videha as being close; while the Buddhist texts describe the close connection between Kashi and Kosala.
11.2. During the time of the Upanishads, the city of Kashi was yet to acquire the esteem of being the holiest of the holy cities. But, Kashi , over a period, gained the glorious reputation of being a center of learning, of culture; and of refinement , although it never rose to the power of an empire or of a major state.
For a long time, however, Taxashila was a more famous center of learning than Kashi. Kings of Kashi used to send their sons to far-off Taxashila. And, many of the teachers of Kashi that figure in the Jatakas were the past-students of the Taxashila. In the course of time, however, they could attract scholars from far and wide , to Kasi (Ja. Nos. 480 and 438)
Even in the Jivaka Sutta (Madhyamanikaya), Jīvaka Komārabhacca (Sanskrit: Jīvaka Kumārabhṛta), the personal physician and a close disciple of the Buddha, had his medical education and training in the city of Taxashila under the well-known teacher Disapamok Achariya. There, he studied medicine diligently for seven years, before he settled down at Rājagṛha, the capital of the Magadha Kingdom , during 6th century BCE.
But, by about the 7th century BCE., Kashi had developed into probably the most famous center of education in Eastern India. And in the later times, with the imperial patronage under Asoka, the Sarnath monastery on the outskirts of Kashi must have become a famous-center of learning. It went on continuously prospering; and, in the 7th century A.D., it possessed resplendent and beautiful buildings , with tiers of balconies and rows of halls.
Unlike the neighboring Nalanda, Kashi does not seem to have organised any public educational institution. Its learned scholars continued to teach individually in the traditional manner. Their fame, however, was gradually reaching to all the corners of India. Scholars and philosophers from other parts of India traveled to city to get their new theories recognized and published. In the 11th century A.D. Kashi and Kashmir were the most famous centers of learning in India.
12.1. According to the Upanishads, the ancient city is said to have been located on the banks of the river Varanavati. The kingdoms of Kashi and Videha were closely connected, as was natural in view of their geographical position. The compound name Kashi-Videha occurs in Kausitaki and Brhadaranyaka Upanishads (kāśye, vaideho vā videhānāṃ vā rājā – BrhUp 3,8.2)
12.2. Videha was situated to the north of Kashi , across the Ganga. The kingdom of Videha corresponded to the present-day Tirhut with Mithila as its capital. The high esteem of the kingdom was due to its sage-king Janaka. Videha was situated to the east of Kosala the Sadanira (Gandaka) serving as the common border for the two; and, it was bound on the east by the Kaushitiki.
[According to the Brahmanas and the Upanishads, during the age of Janaka, besides Videha, there were nine states of considerable importance, viz: 1. Gandhara (north-west part of Punjab and the adjoining western areas); 2. Kekaya (region to the west of Gandhara); 3. Madra (Sialkot area); 4. Usinara (central Punjab); 5. Matsya (former state of Jaipur); 6. Kuru (western UP and Haryana); 7. Panchala (from the Himalayan region extending south) ; 8. Kashi (Kashi – Lucknow region) and 9. Kosala (state of Oudh)]
Kashi in Epics
13.1. Kashi was a famous kingdom in the age of the Ramayana. It is said; Sumitra the wife of King Dasharatha was a princess hailing from Kashi. In the Adi-kanda Vasistha asked Sumantra the minister to invite many pious kings including the king of Kashi (tataḥ sumantram āhūya vasiṣṭho vākyam abravīt – 12th sarga). And, in Kishkinda-kanda (46th sarga), Sugreeva the king of Vanaras instructs Vinata leader of a monkey brigade to search for Sita in the regions of Kashi (adṛṣṭvā Vinataḥ sītām ājagāma mahābalaḥ uttarāṃ tu diśaṃ sarvāṃ – 4.046.008)
14.1. Kashi figures more prominently in Mahabharata. And yet, it is not described as the holiest city or the most preferred place to give up one’s life. Mahabharata narrates the story of four generations of the kings of Kashi (Haryyashwa, Sudeva, Divodasa and Pratardana) who ruled and fought series of battles with Haihayas of the neighboring Vatsas (with its capital at Kausambi – the Kosam Ruins of the present day) to retain possession of the city of Kashi (MB. Book 5, Chapter 117; Book 12, Chapter 233).
Divodasa, the great king (mahāvīryo mahīpālaḥ kāśīnām īśvaraḥ prabhuḥ Divodāsa – MBh.05,115.001) is said to have built (or re-built) the city of Kashi or Varanasi (kāśīśo Divodāsas tu vijñāya vīryaṃ teṣāṃ mahātmanām Vārāṇasīṃ mahātejā nirmame – MBh. 13,031.016) which became richly populated and soon developed in to a great trading center.
His son Pratardana from Madhavi (Mādhavī janayām āsa putram ekaṃ Pratardanam) seems to have been successful in finally beating back the Haihayas who then moved to the Narmada region.
The city of Kashi resplendent as a second Amaravati of Indra, was then described as located on the north bank of the Ganga and to the south bank of the river Gomathl (gaṅgāyā uttare kūle vaprānte rājasattama gomatyā dakṣiṇe caiva śakrasyev Amarāvatīm – MBh. 13. 031.018).
As per the other details scattered over many Texts, one can surmise that : To the direct north of Kashi of was one of the Nishada kingdoms on the banks of Gomati river. Further North was Eastern Kosala ;and, then Central Kosala, which had its capital as Ayodhya. To the south was the Hiranyavaha river . To the west were the southern parts of Vatsa kingdom, including Kausambhi (capital of Vatsa). Maghada and Rajagriha were located west of Kasi. To the northwest was Bharga kingdom and the northern part of Vatsa. To the Northeast was the kingdom of Gopalkasha and southern Malla. To the southwest was Chitrakuta mountain and to the southeast was the kingdom of Suparsava and a Matsya territory
[It is likely, Kashi was then a part of Southern Central Kosala kingdom. And, it appears the site of a city known as Kashi or Varanasi shifted over the centuries. It is difficult to ascertain the topography of the original Varanasi; and, the city’s current location may not exactly be the same as the one described in the old texts].
14.2. And of course, the three luckless sisters Amba, Ambika and Ambalika (the daughters of Hotravahan, the king of the Srinjaya tribe of Panchala) abducted by Bhishma for his sickly younger brother Vichitravlrya were the princesses of Kashi.
14.3. Numerous other references to Kashi occur in the Mahabharata. They refer either to the events in the lives of the kings or to the kingdom of Kashi. However, there are no specific allusions to indicate Kashi being exclusively a holy-center.
It is said; Vapushtama , the wife of Janamejaya, the eldest son of the Kuru King Parikshit, was the daughter of Suvarnavarman, the king of Kasi (Mbh. 1, Chapter 44). And, Sunanda, the daughter of Sarvasena, the king of Kasi, was married to Bharatha, son of Sakuntala and Puru King Dushyanta . They had a son named Bhumanyu- (Mbh.1, Chapter 95).
There are , however, stories of its sages and other wise men who were commoners such as Tuladhara a very pious and well-informed merchant dealing in perfumes, oils, musk, lac and dye etc.
It is remarkable that Tulādhāra being a shopkeeper should impart instructions to a sage . It is said; sage Jājali , who had performed severe austerities had turned highly conceited . He was therefore advised by his teacher to approach the merchant Tulādhāra , living in Kashi, for enlightenment. Jājali , accordingly, approached Tulādhāra seeking clarifications on the true nature of Dharma ( Mahabharata, Śhāntiparva Chapters 255 and 256 ).
The gist of Tulādhāra’s discourse was : One should earn one’s livelihood causing least injury to other beings; one should cultivate equanimous temperament and be a friend of all; one should strive to be free from fear and prejudices; practice detachment and self-control ; and, one should try to understand the true nature of Dharma and practice it with a clear uncluttered mind.
Kashi in the Puranas
5.1. The age of Puranas introduced into the Vedic religion many concepts that were not in the Samhita and the Brahmana texts. Those ideas and concepts have since taken a firm hold on the Indian ethos. These include faith in: a personal god or goddess (Ista-devata); family deities (Griha-devata or Kula-devata) who had to be propitiated on specified days in the prescribed manner; vows (vrata); and pilgrimages etc. In the process , legends were developed for each major pilgrimage-center, proclaiming its holiness and its pre-eminence over the rest; and also detailing the merits to be gained by devotedly worshiping its presiding deities.
It is in this context that in the related Puranas, Kashi gets fully established as the holiest city; as the abode of Kashi Vishwanatha; as one of the twelve revered jyothi-lingas of Lord Shiva; as the home of ever graceful and loving Mother Annapurna; as the kshetra-thirtha where goddess Ganga in her loving kindness washes away the sins of all who seek refuge in her; and, as the most sacred place presided over by Shiva who grants release from the cycle of births and deaths.
Kashi-kshetra located along the banks of the holy river Ganga (Tirtha) came to be recognized and revered as one among the seven primer Sacred cities (Saptapuri) that granted liberation (moksadayikah): Ayodhya, Mathura, Maya (Haridwar), Kashi (Varanasi), Kanchi, Avanthika (Ujjain), Puri, and Dvaravathi (Dwaraka) .
Ayodhya Mathura Maya Kashi Kanchi Avantika | Puri Dvaravati chaiva saptaita moksadayikah ||
It is believed; most of the Puranas were developed during the Golden-age of the Guptas (330-550 CE). It was a period of revivalism, transformation and vitality. During which the Vaishnava traditions, the cults of Skanda, Surya and local guardian deities flowered. The temples of such deities came up in Kashi. And, legends were woven around Shiva, the Ganga and the Ghats.
15.2. Since the time of the Buddha, Kashi is the pilgrim center for the Buddhists. It is also the birthplace of Parshvanatha the twenty-third Jain Thirthankara. Kasi is also associated with Guru Nanak hence a holy place for the Sikhs. Each of these religions have, in a way, their own set of puranas.
Kashi in the Buddhist tradition
City of Kasi and its people
16.1. The Buddhist texts mention that Baranasi city extended over twelve Yojanas (say about 84 miles): (dvadasa yojanikam sakala Baranasi nagaram: — Sambhava Jataka) whereas Mithila and Indapatta were each only seven Yojanas in extent .The Jatakas mention that the resplendent city of Kasi was called by many names, such as:Surundhana, Sudassana, Brahmavaddhana, Puspavati, Ramma and Molini .
In the Chinese texts Kasi is transcribed as Ti-miao meaning ‘reed-sprouts’. That perhaps follows from the derivation of the name Kasi from Kasa meaning kusa grass.
16.2. The Jataka stories mention Varanasi as a great city of abundance; of seven gems; of wealth and prosperity , extending over twelve yojanas (a yojana at the time of the Buddha perhaps meant seven or eight miles). The city extended about four miles along the banks of the river, descending into steep brink. Down the brink , were the flights of steps (Ghats) , where the pilgrims bathed and the dead were cremated.
16.3. Several Jatakas recite the superiority of Kasi over other cities of India; and , speak highly of its prosperity, opulence and intellectual wealth. A later Jataka also remarks that Risi-gana (sadhus) were unwilling to go to Kasi ; because, the people there questioned too much, perhaps Suggesting that the people of Kasi were either argumentative or knowledgeable. (Brahmadatta Jataka- 336).
17.1. The stories in the Jatakas indicate that the people of Kasi were generally of charitable nature ; and , they habitually offered alms to the poor, the wayward and the beggars. They also devotedly fed the hermits and wandering ascetics.
17.2. It appears from the Jatakas that Kasi was ruled with justice and equity; and, the king’s officials were honest. Not many cases or disputes came before the king’s courts. There was a belief current among the people of Kasi that when king rules with justice and equity, all things in nature retain their true character. But, when the king is unjust, all things lose their true nature. Oil, honey, molasses and the like, and even the wild fruits would lose their sweetness and flavor.
17.3. The king occasionally wandered about the town at night, in disguise, to learn people’s true opinion of his rule.
Despite attempts of good governance, the kingdom was not free from crimes. There were instances of organized highway robbery and housebreaking , which were taken up as a family profession.
18.1. The Jatakas also narrate delightful stories of cheats and tricksters who took advantage of the gullible. The Jatakas tell stories of Kasi’s carpenters who promised to make a bed or a chair or a house and took large advances ; but, deliberately failed to do the job. When pursued by the annoyed clients , the carpenters would just flee to another town.
There is also a story of a physician Cakkhupala , who deliberately blinded his patient in one eye when she cheated him of his fee.
18.2. The people of Kasi were prone to superstitions, just as the people of any other city. A king of Kasi paid 1000 kahapanas to learn a mantra that would reveal to him the evil thoughts of people. There were also persons who would predict whether the sword one bought was lucky or otherwise. Slaughter of deer, swine and other animals for making offering to goblins was in vogue in Kasi.
18.3. There was a time-honored drinking festival, in which people got drunk and fought; and, sometimes suffered broken limbs, cracked skulls or torn ears.
18.4. The Jatakas recount some unusual professions; as that of a carpenter who got rich by making mechanical wooden birds to guard the crops. There was also a gardener who could make sweet mangoes bitter and bitter mangoes sweet.
18.5. Jatakas also tell the stories of those who followed traditional professions like farmers; corn dealers; hunters; snake charmers; elephant trainers skilled in managing elephants; horse dealers who imported horses ‘swift-as-the-wind’ from the Sind region; carpenters; stone cutters or experts in working stone-quarrying and shaping stones; ivory workers who had their own market place; rich merchants trading in costly wares by sometimes taking out long business trips; small traders hawking their wares or corn on back of donkeys or by bullock carts; and there were, of course, the gallant warriors.
19.1. Even in those distant days , the city was noted for its fine silks and brocades, for its handicrafts , such as brass-ware, ivory goods, glass bangles and wooden toy etc.
The Jatakas often mention of Kasika-vastra or Kasiyani – exquisite fabrics of silk worked with gold laces. The Majjima Nikaya also refers to Varanaseyyaka (Varanasi textiles) of radiant colors of red, yellow and blue used for wrapping the mortal remains of the Buddha after he attained Maha-pari-nirvana.
19.2. Kasi had close relations with the distant Takshasila about two thousand Kms away to its west. Ardent Students from Kasi went to the Universities of Takshasila , seeking higher learning in scriptures, medicine, archery and other subjects. The traders of both the cities had, of course, close business relations.
Kingdom of Kasi
20.1. Anguttara Nikaya mentions Kasi as one of the sixteen Maha-janapadas [Solasa Mahajanapada :
1.Kasi; 2.Kosala; 3.Anga ;4.Magadha; 5.Vajji; 6.Malla; 7.Chetia (Chedi); 8.Vatsa (Vamsa); 9.Kuru; 10.Panchala; 11.Maccha (Matsya); 12.Surasena; 13.Assaka; 14.Avanti; 15.Gandhara; and , 16.Kambhoja].
The little kingdom of Kashi was surrounded by Kosala on its North; Magadha on its East; and, Vatsa on its West.
20.2. The Mahavagga mentions that Kasi was a great realm in former times. During the seventh century BCE; Kasi was perhaps reckoned as one of the more powerful among the sixteen Maha-janapadas. The Kingdom of Kasi was said to be three hundred Yojanas in extent (Jataka no.391).
21.1. On the political arena; the Jatakas narrate rivalry of Kosala, Anga and Magadha to take possession of Kasi. There was a long struggle among them for gaining supremacy. It is said; all these monarchs aspired for the pride of being the foremost among all the kings (sabba-rajunam aggaraja) ; and, for the esteem and glory of ruling over all of India (sakala-Jambudtpa). All the surrounding monarchs contended for possession of Kasi. And, Kasi was, most of times, forced to fight to defend itself. But, Kasi’s strongest rivalry was with its neighbor Kosala . Kasi, in the mean time, also caused the downfall of Videha, the neighbor on its north.
Kosala , situated on the banks of the Sarayu (roughly corresponding to the erstwhile state of Oudh) , was bound by the Sadanria (Gandaka) on the East; the Panchala country on the West; by the Saprika or Syandika (sai) river on the South; and, by the hills on the North. The kingdom was later divided into North and South Kosala; with the Sarayu demarcating the two. The cities of Savatti and Ayodhya were the capitals.
21.2. The flourishing period of many of the sixteen Maha-janapadas ended in or about the sixth century BCE. The history of the succeeding period is the story of the absorption of small states into powerful kingdoms; and, ultimately merging into one big empire, namely, the empire of Magadha. Kasi was perhaps the first to fall.
21.3. The Mahavagga and the Jatakas refer to bitter struggles that took place between Kasi and her neighbors; especially, Kosala. Kasi seemed to have been successful at first; but later, it gave in to Kosala. Initially , the King Brihadratha of Kasi had conquered Kosala; but later, he lost to the king of Kosala.
Eventually, Kasi was overpowered by Kamsa, the king of Kosala earning him the title ‘Baranasiggaho’– the conqueror of Baranasi-which he added to the string of his titles (Seyya Jataka and Tesakuna Jataka).
During the time of the Buddha, Kosala was an important kingdom ; and , Kasi was a part of the Kosala. But later, both Kasi and Kosala were absorbed into the powerful Magadha kingdom. The Mahavagga mentions that Magadha king Bimbisara’s dominions embraced 80,000 townships; the overseers (Gamikas) of which used to meet in a great assembly.
22.1. During the time of the Kosala King Mahakosala (sixth century B.C. E), Kasi was part of the Kosala kingdom. When the King Mahakosala gave his daughter Kosala Devi in marriage to Bimbisara, the king of Magadha, he gifted his daughter the village of Kasi yielding revenue of a hundred thousand Karsapana to take care of her ‘bath and perfume expenses’ (Ilarita Mata Jataka No. 239; Vaddhaki Sukara Jataka No. 283). It is said; Ajatasatru ascended to the throne after murdering his father Bimbisara; and, thereafter the heartbroken queen Kosala Devi died of loneliness , pining for her departed husband.
22.2. Even after the death of his mother Kosala Devi, Ajatasatru continued to enjoy the revenues from the Kasi village , which had been gifted to her for ‘bath money’. Ajatasatru’s ‘impertinence’ deeply disturbed Pasenadi who by then had succeeded his father Mahakosala as the king of Kosala. He was determined that an unrighteous person (Ajatasatru) who murdered his father, should not undeservedly collect and enjoy, as if by right , the revenues from a village gifted to his widowed mother (Kosala Devi). Pasenadi and Ajatasatru (uncle and nephew) thereafter fought seesaw battles, with no clear winner.
23.1. During the time of the Buddha, Pasenadi had gained control of Kasi ; and, was hailed as the King of Kasi-Kosala. In the Lohichcha Sutta, the Buddha inquires a person named Lohichcha: “Now what think you Lohichcha? Is not king Pasenadi of Kosala in possession of Kasi and Kosala?” Lohichcha replies “Yes; that is so Gotama”. The Mahavagga (17. 195) mentions that a brother of Pasenadi was appointed to administer Kasi.
23.2. The conquest of Kasi by Kamsa (king of Kosala) might have taken place just prior to the rise of Buddhism. That is because; Angutta Nikaya remarks that the memory of Kasi as an independent kingdom was still fresh in the minds of its people during the Buddha’s time; and , the people sometimes seemed to forget that their king was somewhere else.
Kasi in the life of the Buddha
24.1. Kasi played a very important role in the life of the Buddha. It was on the outskirts of Kasi that the Buddha delivered his First Discourse (pathama desana) , introducing the essence of his teachings. It marked a watershed in the Buddha’s life. It was at Kasi that Gautama the Buddha emerged as The Revered Teacher (Bhagava), as the Blessed One (Araha) and as the perfectly enlightened One (Sammaa -Sambuddha).
25.1.After he realized the futility of extreme austerities and self-mortification; and, after his fellow seekers dissented and departed, Gotama retired into the forests of Uruvala in the Maghada country; and , engaged himself in his Sadhana.
25.2. On the full moon night in the month of Vesaka – the sixth month; on one of those nights he spent under the Bodhi tree, he understood the sorrows of earthly existence; and , of the supreme peace, unaffected by earthly attachments. He said to him, “My emancipation is won… Done what is to be done. There is nothing beyond this ” (katam karniyam naa param itthattaya) .
25.3. For several days, he wandered among the woods, enveloped in peace and tranquility. He enjoyed his quiet serene days and lonely walks in the forest. He wished the idyllic life would last forever. He pondered whether he should share with others his newfound wisdom , which helps in seeing things clearly, as they are. He wondered whether anyone would be interested or would appreciate his findings, He debated in himself; there might still be those not entirely blinded by the worldly dirt. He thought of his teachers Alara Kalama and Uddaka Ramaputta (son of Rama) both “wise, intelligent and learned; and of nature scarcely tainted “; and, said to himself they would quickly comprehend the knowledge he had just gained. Then, he sadly realized that Uddaka son of Rama had just passed away; and, Alara Kalama died about seven days ago. Then, the thought came to him of his erstwhile fellow Samanas, those who left him to pursue their ways. He decided to talk to his fellow seekers; and, share with them the new wisdom. (Majjhima Nikaya; Sutta 26)
25.4. He journeyed from place to place from Gaya; and, at length reached the holy city of Varanasi, after nearly seven weeks, covering by foot a distance of about 144 miles. On his way, a monk named Upaka inquired Gautama where he was headed to, “To set in to motion the wheel of Dhamma (Dhamma Chakkam pavattetum)” ,he replied , “I proceed to Varanasi”.
25.5. He reached Kasi after crossing the Ganga. There at Varanasi , he learnt the five ascetics (Kondanna, Vappa, Mahanama, Assaji, and Bhadda) whom he knew before , were at Isipathana or Isipatana (Rishipattana – where the ascetics live; now called Saranath), on the nearby outer area of the city. He found them in Isipatana at the garden Migadaaya (Deer park) , where the deer roamed without fear. They were surprised to see him . They greeted him pleasantly “Look, who comes here; our friend (avuso) Gotama”; and, offered him seat and water for ablution. They were highly impressed by Gotama’s majestic, pure and serene demeanor. They wondered whether he had achieved uttari manusa dhamma, the super human state.
The Buddha then informed the five ascetics , he had done what had to be done. He had attained That. He asked them to listen to his findings : “I teach about suffering ; and, the way to end it”.
25.6. They listened to him in all earnestness. What he spoke to those five ascetics (Pancavaggiya bhikkhus) later gained renown as one of the greatest and most important discourses in religious history. It was the Buddha’s first teaching (Pathama desana), the celebrated Dhamma-cakka-pavattana Sutta, the discourse that set in motion the wheels of Dhamma. At the end of his talk, the Buddha emerged as the Great Teacher. He came to be revered as Bhagava (the Blessed One).
25.7. The Buddha spoke to the five ascetics at the garden of Migadaaya, where the deer roamed unmolested and in peace, located in Isipatana , near the holy city of Kasi, in the evening of the full moon day in the month of Asalhi – the eighth month (Ashada-July). He spoke in simple Magadhi , the language his listeners understood well. The discourse was brief, with short, simple and precise statements. There were no definitions and no explanations. It was a direct, sincere talk. It was a simple and a straight rendering of how Samana Gotama transformed into the Buddha. He spoke from his experience; narrated his unfolding; his findings; explained the four truths and the three aspects of each; and, the middle path (majjhiama patipada)
26.1. It was at Isipatana , Migadaya, that the Buddha delivered many significant sermons that established his doctrine. Later in his life, the Buddha visited Kasi many times; went out for alms on its streets. He met and talked to whole cross-section of its people: kings, queens, noblemen, merchants, bankers, householders, women, youth, the poor, the homeless, the ascetics, the believers and non believers. The Jatakas narrate stories woven around the lives of those impacted by the Buddha’s message.
[Later, by about the tenth century the Risi-patana (Saranath) area, sadly, became a den of Kapalikas, Aghories and the Buddhist Vajrayana tantric cults practicing weird tantric – vamachara (left-handed) rituals, which scared away common people. By the time of the Gahadvala kings (eleventh century), the weird sects of tantrics had grown so powerful that they attacked and beat back king Chandradeva (Ca. 1089–1103), who tried to enforce on them some order, discipline and code of social conduct.
During the latter half of 12th century Saranath was ransacked by Turkish Muslims. It was in ruins until it was re-discovered by British in 1835-6.]
Destruction of the Temples
27.1. During the eleventh and the seventeenth centuries the city, its temples and its people fell victims to series of attacks and atrocities inflicted by the Muslim rulers.
[ Please click here for the general order issued by Aurangzeb for destruction of temples]
But, somehow, the city found strength in itself to survive; and , to rebuild after each attack.The glorious Kashi as of the Puranas that existed till 12th century had almost vanished by 17th century. But, the city was not defaced or totally defeated. I have to mention here the repeated destruction of the Sri Vishvanatha temple and of the final obliteration of the Kritti-vasesvara and Bindu-Madhava temples.
27.2. During the year 1194, Kutbuddin AIbak of the slave-dynaty, plundered the city and destroyed the ancient temple of Sri Vishvanatha, said to have been built during the reign of the King Vinaya Gupta (505-508 AD). Aibak, it is said, carried away about 1,400 camel loads of wealth from Kashi. Later, Razzia Sultana (1236 -1240) raised the Bibi Razziya mosque over the site of the temple destroyed by Aibak , using the pillars rescued from the ruins.
Again, during the thirteenth century a temple of Sri Vishvanatha was erected by the local Hindus, near the adjoining Avimuktesvara temle. This temple too was destroyed , but partially , by the Sharqi kings of Jaunpur (1436-1458). Sikandar Lodi, however, completed the job during 1490 , by destroying it entirely.
About, ninety years thereafter , mainly through the efforts of Raja Todarmal and a scholar Narayana Bhatta (1514-1595) , a temple of Sri Vishvanatha was erected on the site of the one destroyed by Lodi.
But again during 1669 CE, Aurangzeb destroyed this temple; and, built a Mosque in its place. But, he spared its hind portion, perhaps as a sign of warning. He built on the destroyed portion of the temple what is now known as the Jnanavapi mosque. The remains of the erstwhile temple can be seen in the foundation, the columns and at the rear part of the mosque.
[Please click here to view the Firman Issued by Aurangzeb in August 1669 for destruction of the Vishwanath temple (Maasiri Alamgiri, 88) preserved as Exhibit 11 at the Bikanir Musem , Rajasthan]
Jnanavapi Mosque sketched as Temple of Vishveshvur in 1834 by James Prinsep.
Photo was taken by a UK photographer Samuel Bourne between 1863-1870. Under the picture it is written “Gyan Vapi or well of knowledge, Banaras“. Hanuman ji’s statue, bell and pillars carving is visible in the picture
Dr. Meenakshi Jain , in her very well researched book Flight of Deities and Rebirth of Temples, writes :
While temples were destroyed on a considerable scale, also noteworthy were the repeated endeavors to reconstruct them. In each instance of rebirth, the temple retained its original name, even though there was a visible downsizing in its scale and grandeur. The Keshava temple at Mathura, the Vishwanath temple at Kashi, the Somnath temple in Saurashtra, the Rama mandir at Ayodhya were among the shrines continually restored, well after Hindus had lost all semblance of political power. The Bindu Madhava, the most important Vishnu temple in Varanasi, was demolished in 1669 and a mosque constructed in its place. The temple now bearing the name Bindu Madhava is a modest structure in the shadow of the mosque, but continues the traditions associated with the site. Intriguingly, mosques built on temple sites often retained the sacred names —Bijamandal mosque, Lat masjid, Atala masjid, Gyanvapi mosque, and not to forget, masjid-i- janamsthan.
In 1742, the Maratha ruler Malhar Rao Holkar planned to demolish the mosque and reconstruct Vishweshwar temple at the site. However, his plan did not materialize, mainly because of intervention by the Nawabs of Oudh (Lucknow) , who controlled the territory. Around 1750, the Maharaja of Jaipur commissioned a survey of the land around the site, with the objective of purchasing land to rebuild the Kashi Vishwanath temple. However, his plan to rebuild the temple also did not succeed.
Again , in 1780, that is almost a little over a hundred years after its destruction by Aurangazeb, Malhar Rao’s daughter-in-law Rani Ahilyabai Holkar, (formally : Shrimant Akhand Soubhagyavati Devi Shri Ahilyabai Sahib Holkar) – (31 May 1725 – 13 August 1795) – the Queen of the Marathas, ruled the Malwa kingdom with its capital at Indore , caused the construction of the present temple , adjacent to the mosque. Rajamatha Ahilyabai undertook the task out of her personal wealth ; without recourse to the State funds. This is the Sri Vishvanatha temple that now stands in Kashi; and, the one which is in active worship. The reconstruction of the temple also marked the revival of the native spirit. Besides, Rani Ahilyabai , renowned for her benevolence, used her personal funds for the reconstruction and restoration of numerous temples spread across India.
Plan and the elevation of the Ancient Temple of Vishveshvur, by James Prinsep
In 1828, Baiza Bai (1784-1863) , widow of the Maratha ruler Daulat Rao Scindhia of Gwalior; and, who ruled from 1798 to 1833 (renowned as the Banker-Warrior Queen), built a low-roofed colonnade with over 40 pillars in the Gyan Vapi precinct. In 1830, she also built a temple close to the south turret of the Sindhia Ghat, one of the grandest Ghats on the riverfront. During 1833-1840 , the boundary of Gyanvapi Well, the Ghats and other nearby temples were constructed.
Many noble families from various ancestral kingdoms of the Indian subcontinent contributed towards the maintenance of the temple. In 1841, the Bhosales of Nagpur donated silver to the temple. And, in 1859, Maharaja Ranjit Singh of Punjab , donated one tonne of gold for plating the temple’s dome.
27.3. The series of destruction during 1658-59 as ordered by Aurangzeb, of the Krittivasesvara temple and the destruction in 1673 of Veni Bindumadhav temple which stood at the highest spot in Kashi, and erecting mosques on the site of destroyed temples, was the gravest wound inflicted on Kashi. It has not healed even today. The events leading to the destruction form the subplot of Shri SL Bhyrappa’s well written historical novel Avarana , in Kannada language.
27.2. The only available description of the ancient temple of Bindu Madhava dedicated to Vishnu then standing on the Panchganga Ghat comes from the travel accounts of Jean-Baptiste Tavernier, (1605-1689) the celebrated French jeweller and traveller. He travelled extensively round the country in the middle of the seventeenth century. His travelogue is particularly valuable because it is the only account left behind by a foreign traveler of the ancient temple of Bindu Madhava before it was destroyed in 1673. He visited the temple on 12 – 13 December 1665. The mosque constructed on the site has dominated the riverfront ever since.
The following is an extract from Varanasi Vista by Jagmohan Mahajan.
The building, Tavernier says,
“is in the figure of a cross having its four arms equal. In the middle a lofty dome rises like a kind of tower with many sides terminating in point, and at the end each arm of cross another tower rises, which can be ascended from outside. Before reaching the top there are many niches and several balconies, which project to intercept the fresh air: and all over the tower there are rudely executed figures in relief of various kinds of animals. Under this great doe, and exactly in the middle of the pagoda, there is an altar like a table, of 7 to 8 feet in length and 5 to 6 wide, with two steps in front, which serve as footstool, and this footstool is covered with a beautiful tapestry, sometimes of silk and sometimes of gold and silk, according to the solemnity of the rite which is being celebrated. The altar is covered with gold and silver brocade, or some beautiful painted cloth. From outside the pagoda this altar faces you with the idols upon it; for the women and girls must salute it from the outside, as, save only those of a certain tribe, they are ant allowed to enter the pagoda. Among the idols on the great altar one stand 5 to 6 feet in height; neither the arms, legs, nor trunk are seen only the head and neck being visible; all the remainder of the body, down to the altar, is covered by a robe which increases in width below. Sometimes on its neck there is a rich chain of gold, rubies, pearls, or emeralds. This idol has been made in honor and after the likeness of Bainmadou [Bindu Madhav], formerly a great and holy personage among them, whose name they often have on their lips. On the right site of the altar there is also the figure of an animal, or rather of a chimera, seeing that it represents in part an elephant, in part a horse, and in part a mule. It is of massive gold, and is called Garou [Garuda], no person being allowed to approach it but the Brahmans.”
[ Please click here for the report sent to Aurangzeb after the destruction of Bindu Madhav temple : Exhibit No. 27]
Kashi and the British
28.1. The British who travelled in India extensively during the last quarter of the eighteenth century provided an excellent exposure to Kashi . The west became aware of the wonder of the east, mainly through the narratives of their visits to Varanasi, providing varied, detailed and delightful as also fanciful descriptions of life in the city. They were especially struck by the splendid panorama of the Varanasi riverfront, the picturesque Ghats with flights of broad stone steps leading down to the great river swarming with people performing their daily prayers.
28.2. Those who truly immortalized the fabulous riverfront of Kashi were the landscape artists , most of them poor; but, valiant. They had set out into an unknown world in pursuit of the cult of the “picturesque” and the exotic. Their sketches gave the outside world, and , in fact, even to the Indians themselves, the first visual impressions of the spectacular Varanasi Ghats, as also of the magnificent monuments and scenic beauties in India.
(Please click here for many more drawings)
29.1. I cannot resist mentioning here James Prinsep (20 August 1799 – 22 April 1840) who in his short life spent ten of his most productive years in India and contributed to Kashi more than anyone else did in the past several centuries.
James Prinsep was a Fellow of the Royal Society ; and, in fact, the youngest to be elected a Fellow of that body. He was a many sided genius : Assayer, Architect, Engineer, Linguist, Epigraphist, Artist, Demographer, Cartographer, Urban Planner and many other things rolled into one. Prinsep is credited with deciphering the Brahmi and Kharoshti edicts of Asoka and Kanishka; bringing to light the names of the old emperors.
29.2. The twenty year old James Prinsep arrived in Calcutta, together with his younger brother who had got a commission in the East India Company’s Bengal Army. James commenced service in the Calcutta Mint as an assistant to the Assay Master, Horace Hayman Wilson, an eminent Sanskrit scholar and also the Secretary of the Asiatic Society.
30.1. In less than a year thereafter James Prinsep was posted to Benares , as the Assay Master.
James Prinsep fell in love with the city of Kasi, where he arrived in 1820 and where he was to spend the next ten years of his short life. Apart from taking charge of the construction of the Mint building, James surveyed and produced a detailed map of the city by the end of 1821. He later had the map (29 x 19 inches) lithographed in 1825, at his own expense. For long years it remained an outstandingly accurate map of the old city.
30.2. Along with the map, he also produced a comprehensive directory of the various Ghats, Temples, open spaces, important buildings; and also a list of pundits specialized in each branch of learning. Sadly, his directory is unpublished ; and, is now said to be in the archives of the Royal Asiatic Society.
30.3. Following the city map and the directory, Prinsep took up ,during 1826, the census of the city , which was particularly difficult for a city that depended on floating population.
30.4. Then in the beginning of 1825, Prinsep commenced the work of providing the old city with a reliable drainage system, a much needed amenity for a pilgrim city. He successfully completed the project in a matter of 19 months. Prinsep’s drainage system with a few extensions and new outfalls, serves the city to this day.
30.5. Prinsep then went on to design and build a bridge, the Karam Nasha Bridge, over a waterway across the city.
30.6. He also took up the restoration of the Gyaan Vaapi mosque or Aurangzeb’s mosque, built originally in about 1675. It is said; Prinsep dismissed the mosque as an architectural atrocity , but for its soaring minarets.
30.7. He achieved all these in just a matter of ten years, before he turned thirty. He , in the meantime , improved his Sanskrit and astronomy. And, he set up a printing press, the Benares Literary Society as also an observatory. He caused compilation of a meteorological profile of the city, using instruments acquired with his personal money.
31.1. Essays on Indian Antiquities, Historic, Numismatic, and Palaeographic, a collection of Essays written by James Prinsep was brought out in Two Volumes by John Murray , Albemarle Street, London during 1858
Please also check the 1833 Number of the Royal Asiatic Society of Bengal , edited by James Prinsep.
One of his other endearing contributions to the city is his Benares Illustrated published in 1831 with 35 plates. Two further volumes of 13 and 10 plates respectively were issued in 1832 and 1833. These volumes were reprinted in India during 1996 and after. The following are just a couple of his Benares drawings.
32.1 After spending about a decade in Benares, James Prinsep came back to Calcutta. He completed a project, started by his brother, in building a canal to connect the distributaries of the River Ganga near the delta, in order to make them navigable.
Thereafter, he returned to England; and, died in 1840.
A year after Prinsep’s demise, the work was started, in 1841, on the construction of a new Gaht or a landing space, with a flight of stone steps leading to the river , along the banks of the Hooghly River in Calcutta. This was meant to replace the old and dilapidated Chandpal Ghat.
The new Ghat, located between the Water Gate and St. George’s Gate of Fort William beside the Hooghly River, was designed by W. Fitzgerald; and, was completed in 1843.
This Ghat was named as the Prinsep Ghat; and dedicated to James Prinsep, in honour and recognition of the services he rendered to Varanasi, Calcutta and to India.
The Princep Ghat was considered to be one of the finest examples of colonial architecture in Calcutta; and, one among the grandest gateways leading to a river.
The Princep Ghat bears a resemblance to Berlin’s Brandenburg Gate, though on a much smaller scale. The monument is built on 6 sets of Ionian columns holding a 40 feet roof painted in white; and, presents a grand view from a distance.
The Prinsep Ghat was, for a long time, used as the principal point of embarkment and disembarkment for the distinguished visitors to the city of Calcutta. For instance; in 1875, when Albert Edward, Prince of Wales and the eldest son of Queen Victoria visited Calcutta, he was welcomed at the Princep Ghat. Later in 1905, when Prince of Wales (later King George V) and in 1911, the British royal family visited India, the Prinsep Ghat was the witness to all those visits and events.
33.1. James Prinsep died soon after he turned forty. But, the details of his last days are unclear. Some say; Prinsep overworked himself to death.
William Prinsep , the brother of James Prinsep was a noted artist , in his own right. Please click here , for replica of his art works.
[Rajah Ram Mohan Roy came to Britain in 1833, to petition the government to ensure the practice of sati remained illegal. He decided to come and visit Lant Carpenter (father of Mary Carpenter) in Bristol. Sadly, Raja Ram Mohan Roy died of meningitis on 27 September 1833, in Sophia Haldimand’s home at 31 Belgrave Square. And, was originally buried on 18 October 1833, in the grounds of Stapleton Grove, where he had been staying.
His body was placed in its wooden and lead coffin in a deep brick-built vault, over seven feet underground. A large plot on that Ceremonial Way was bought by William Carr and William Prinsep, as they realized that the original burial place of the Raja was not appropriate.
Two years after this, Dwarkanath Tagore helped pay for the Chattri (a small but splendid Mantap, in Indian style) that is raised above this vault.
The mausoleum – Chattri (literally meaning umbrella) – was designed by the artist William Prinsep , the elder brother of James Prinsep, to honour the remains of Raja Rammahun Roy Bahadoor, known as the father of modern India; and, the first Indian to be buried in Britain, in 1833.
Although the Raja’s died in 1833, he was moved to his final resting place on the 29th May 1843.
Rajah Rammohun Roy | Arnos Vale
34.1. The problems of today’s Kashi, as anywhere else, are human callousness and lack of reverence for life; but, they somehow look more pronounced here. You witness here , more than what you would normally put up with, pollution, squalor, ignorance, dirt, deceit and wretchedness. How much and how long can the beleaguered Ganga Maa wash the unrepentant sins of the countless multitudes who pollute her each day …!!
I posted this article several years back. And, till about the end of the year 2021, the temple complex at Kashi looked the same as did for the past few centuries.
But, then a most remarkable transformation has come about.
During 2019, the Kashi Vishwanath Corridor Project was conceived to ease the access between the temple and the sacred Ganga, creating a wider space to prevent overcrowding.
The first phase of the Project has since been completed.
Sri Viswanath Dham, dazzling with bright pink stones of Chunar, has been completed in 21 months. Apart from pink stones, Viswanath Dham, shining with seven types of stones including Milky Marble and Baleshwar, stands as an icon of nationalism, radiating spiritual aura.
There has been a complete revamp of the temple complex, which was earlier an extremely congested area; surrounded by buildings on three sides. The temple complex has now been massively expanded — from 3,500 sq ft to 5 lakh sq ft.
Built over 5.5 lakh square feet, the corridor has decongested the temple complex. The temple, now has a 20-foot-wide corridor connecting its Mandir Chowk to the Holy Ganga’s Lalita Ghat, offering direct view of the temple from the Ghat.
Just before the Kashi Vishwanath Temple, the corridor culminates in a big, majestic square, which can hold 50,000 to 75,000 devotees; while the sanctum sanctorum will now be able to accommodate 5,000 people. A 80 feet long and 40 feet wide Parikrama path has also been designed.
Devotees will now be able to see Sri Vishwanath Darbar and the continuous stream of Ganga , from Ganga View Gallery
Statues of Adi Shankaracharya and Maharani Ahilyabai are also installed.
This is a most extraordinary Vishwanath Dham, in deed.
The newly constructed corridor was inaugurated by India’s Prime Minister Sri Narendra Modi on December 13, 2021.
The Rudraksh Convention Centre, designed like a Shivalinga, with a seating of 1,200 people, with 108 Rudrakshas on its facade, is another major highlight
During the renovation, more than 40 ruined, centuries-old temples were found and rebuilt, including the Gangeshwar Mahadev temple, the Manokameshwar Mahadev temple, the Jauvinayak temple, and the Shri Kumbha Mahadev temple.
Harvard University professor Diana L Eck, the author of Banaras, City of Light (Alfred K Knopf; 1982), who was a student at Banaras Hindu University in the late ’60s, says,
“There are hundreds of temples, large and small, some are inside homes… on the wayside. And none is neglected. It is this density of the sacred that is especially important. In elevating the Kashi Vishvanath Temple to the supreme position and imagining that the Ganga should be visible from the corridor, the plan creates a fiction that has never been part of the history of Kashi.”
Phase 2 of the project moves to the other end – the riverside – and will feature a massive jetty station, and 82 sandstone steps leading from the ghat to the corridor entrance. There will also be escalators and a ramp for easy access. Once this phase is complete, devotees can, purportedly like in ancient times, take a dip in the river, and carry holy water to the temple.
It is said; in the second phase, the sewage treatment plant in front of Lalita Ghat will be relocated. And, new facilities will be created for Manikarnika Ghat.
Sources and References
Ancient Indian tribes by Bimala Churn Law, 1926
Political History Of ancient India By Hemchandra Raychaudhuri, 1923
Varanasi Vistas (Early view of the Holy City) By Jagmohan Mahajan
Benares Illustrated in a series of Drawings by James Prinsep
Luminous Kashi to Vibrant Varanasi by Chandramouli
ALL PICTURES ARE FROM INTERNET