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Varuna and his decline – Part Three

04 Oct

Continued from Part Two

 

Varuna in other Vedic texts, Mahabharata and Puranas

 

We have seen in the earlier parts that Varuna of the Rig Veda was a highly venerated god. He was hailed as the sole sovereign sky-god; the powerful Asura, the King of both men and gods, and of all that exists. He governed the laws of nature as also the ethical conduct of men. He is very often described as the saviour in times of peril and distress; one who liberates from sin; the merciful god as well as the punisher of the sinners. He is connected with the symbolic waters of creation from which the manifest world emerges.

Let’s see how Varuna fares in the other Vedic texts, and in the epics- Mahabharata and Ramayana – as also in the Puranas.

F. Varuna in Yajur Veda

36.1. Varuna continues to occupy an exalted position even in the Yajur Veda. There are however no references to his sovereignty as the sky-god.  Varuna in Yajur Veda, essentially, is the governor of Rta the order in nature and in the moral conduct among men. He judges, punishes as also pardons the wrongdoers. He is also related to the primeval   waters (mahat salilam) which have mystical connotations.

The lord of physicians

36.2. In the Yajur Veda, Varuna is related to the beneficial life-giving and lifesaving herbs (oushadha) which depend on water for their existence and growth.  Varuna appears not merely as the god of waters but also as the physician (maha- bheshaja) and the lord of physicians (varunam bheshajam patimYV. 21.40). The herbs Osadhayah come from waters, and Varuna protects the waters as also the herbs. As the lord of waters and of the herbs Varuna the physician becomes a revered deity in Ayurveda the science of life.

The child of the waters

36.3. Yajur Veda mentions that the waters with which Varuna is connected are the waters of the atmosphere. These waters are described as Apah, Maha-salilam the great waters which denote primeval matter from which the manifest world emerges. Aditi the great mother of all gods is also said to give birth to the manifest world. Aditi is thus equated with Apah. As Apah, Aditi is the creative energy which is active (YV.10.7).That is, Aditi the mother of all gods is Prakrti and Shakthi the manifesting or the creative power. The notion of her divinity rests upon her power as a woman, a womb or a mother to give birth to and to bring forth life and existence.

Varuna (son of Aditi) who resides among these waters (Apah) is therefore called the child of the waters (Apam shishu) in the best of mothers. It is explained; the expression ‘best of mothers’ refers to the protective and nourishing nature of the waters as mothers. They are the gracious guides and protective mothers; and, Varuna is their child.

[It is also said; since Varuna dwells in waters he was also called Apam Napat (Apam = water; Napat = fire), ‘Son of the Waters’ (RV.1.2.35). Apam Napat is also referred to as the embryo (garbha) of the waters (RV.7.9.3). It is said; the sun when he sinks into waters – to quench his thirst – becomes Varuna the fire in the waters (Apam Napat).

It is believed; the clan of the Bhrigus were the first to introduce the fire-ritual and the Soma-ritual; and were also the first to discover the nexus between fire and water (Apam Napat).The Bhrigus were associated with water as also fire. And, Varuna was the supreme deity of the Bhrigus.

Apam Napat, both in Sanskrit and Avestan, also means ‘grandson of waters’. Pra-napat in the Rig-Veda (viii. 17, 13) denotes ‘great-grandson.’(R V. 2. 35.13).

 It might also mean the fire that is produced when lightning strikes the earth. Let’s say; Clouds (water) –Here, it perhaps, specifically refers to the lightening: The grandson of the waters has descended to this earth in the form of a different fire. > lightening -> fire; then lightening is the son of water and fire (Agni) is the grandson of water.

Otherwise, the term Apama Napat normally refers to Agni who dwells in the water (RV: 10.45.1). It is said; Agni riding on a horse rose from the depths of waters where he resides. He is thus Apam Napat, the son of the waters.

 Agni as Apam Napat is celebrated in one entire hymn (RV: 2.35.6). He is described as: “Brilliant and youthful; he shines without fuel in the waters which surround and nourish him. Clothed in lightning, he is golden in form, appearance, and color. Standing in the highest place, he always shines with undimmed splendor. Steeds, swift as thought, carry the Son of Waters”. ]

In the Yajna

36.4. Yajur Veda is the book of Yajnas. During an Yajna,   Varuna along with Mitra is invoked and invited to take seat on the North side of the altar Yajna-vedi and requested to protect Rta the law of nature ; and also to bring good rains (YV. 2.3; 2.16). The invitation to Varuna to occupy the seat on the North is interesting. North is the direction of the gods; it is the direction of Soma initially (as per Brih. Upanishad) and then of Kubera the sub-divine who is friendly with gods. Thus, in Yajur Veda, Varuna was still the major god of the Yajna. In the later texts Varuna was, however, assigned a seat on the West where the sun sinks into sea and into the night.

Rta in everyday life

36.5. Rta in the Rig Veda generally meant the order in the universe. Yajur Veda gives that principle a practical form, the one that could be applied in the everyday world of men. It says, in heavens Rta could very well be the cosmic order, but on earth   Rta means the social, ethical, religious and such other laws that govern him. Yajur Veda warns, the violation of these laws would bring the wrath of Varuna and his noose. Varuna the abstract god of sky and Rta thus takes a practical shape, especially when misery befalls unseen. He is therefore invoked constantly to save erring men from his noose. “Keep us away from nirriti (the fall from the Rta); deliver us from the sin that we have committed”

His three-fold noose

36.6. Varuna is said to hold a three-fold noose to bind those who sin (enah). The three bonds of that noose are commonly understood as the three-fold misery (taapa –traya) or the bonds that restrict a man in three planes: physical, vital and mental.

But, Yajur Veda, in fact, employs the metaphors of the heavens, the waters and the ocean. It says Varuna has three bonds in heaven (trini ta ahurdivi); three in waters (trinyapsu) and three within the ocean (trinyantah samudre) – (YV.29.15). Many scholars right from Sri Sayanacharya have provided explanations to these mystical metaphors. [I am not quite clear about these interpretations. Let me leave it at that, for now. Sorry.]

G. Varuna in Atharva Veda

37.1. Atharva Veda, the main text of the Bhrigus, has a special relation with Varuna.  Here he is venerated as an aspect of the Supreme: ”He is Varuna, He is Agni, and He is Mitra” (AV.13.3.13). In its philosophical discussions, Varuna is treated as a manifestation of Brahman.

The Atharva Veda does not seem to dwell much on Varna’s sovereignty over the sky or his control over Rta the order in the universe. Yet, the position of Varuna in Atharva Veda continues be exalted

The king who judges and pardons

37.2. Varuna of Atharva Veda is also the king who watches over the world, punishes the guilty; and forgives the sins of those who implore his pardon.

The king Varuna (Varunasya Rajnah) is greeted with respect (Namaste Raajan) – (AV.1.10.1-2). He is Asura the powerful Lord; and is highly celebrated. The king possessed of mystic powers (Maya) is a strict ruler who employs spies to watch over his subjects. He chastises the wrongdoers; and he also pardons those who repent and seek his merciful forgiveness.

Hymns to Varuna

37.3. The hymns in Atharva Veda in praise of Varuna ‘the most impressive deity among all the Vedic gods’ are lofty, more devout and ethical in tone. They pray for purity, forgiveness, and release from sins, and for moral strength against sinning further.   The hymns rise to a pitch of exaltation as they sing the splendour of Varuna. In these hymns Varuna, more than any other Vedic god, appears as a mighty and merciful.

Of the many soulful hymns submitted to Varuna,  the sixteenth hymn in the fourth book of the Atharva Veda  sung by sage Vashista celebrating Varuna’s power and omniscience is often quoted and hailed by scholars as being among the most devote and forceful hymns in the Vedic literature

The gods know all men do, though men would fain their deeds disguise:
Whoever stands, whoever moves, or steals from place to place,
Or hides him in his secret cell, the gods his movements trace.

 Wherever two together plot, and deem they are alone,
King Varuna is there, a third, and all their schemes are known.

His spies descending from the skies glide this entire world around;
Their thousand eyes, all scanning, sweep to earth’s remotest bound.
Whatever exists in heaven and earth, whatever beyond the skies,
Before the eye of Varuna the king unfolded lies.

 The secret winking all he counts of every mortal’s eyes;
He wields this universal frame as gamester throws his dice.
Those knotted nooses which thou flingst, O god! the bad to snare,
All liars let them overtake, but all the truthful spare.”

(AV.4.16.7-8)

(Translated by J Muir, Original Sanskrit Texts, 1870)

Apam-adhipathi

37.4. While mentioning his connection with waters Varuna is referred to as– Apam-adhipathi the Lord who resides in the primeval waters. These waters are described as of golden hue, pure and purifying; and, they are the material cause for creation (AV.1.33.1-3)

H. Varuna in the Brahmanas

38.1. Brahmanas are the books of rites and rituals. Varuna continues to occupy an elevated position even in the Brahmanas. Varuna is the deity who presides over the rule or the order in the proper performance of a Yajna. Varuna removes the bad elements of the Yajna   and protects the auspicious ones (varunah yajnasya   svistam patiAit. Brh.38.7.5). Varuna is vigilant safeguarding Sathya (truth); and is opposed to an-rta (falsehood). Varuna punishes the wrong doers with his knots (granthyah- SB.1.3.1.16).

Offerings to Varuna

38.3. Varuna is a very revered god in the Brahmanas. Oblations are offered to Varuna respectfully along with other deities. He is offered the seat on the North which, according to Taittereya Brahmana, is the direction of Varuna (esa – uttara- varunasya dikTai.Br. 33.8.20.4). This is significant; and is a proof of Varuna’s esteemed position in the Brahmanas and among the Devas. (In the later texts Varuna is sent west)

Varuna is also invoked through an oblation procedure called Varuna-praghasa performed at the commencement of the rainy season in the month of Ashada, seeking deliverance from his noose; and for his grace to lead a healthy and faultless life (SB.2.5.3.1). ”Whatever sins we have committed in the village, forest…in the society and in our own self… from all that we rid ourselves.” This was an occasion devoted mainly to confessions and to seeking varuna’s mercy and forgiveness. Whatever be the practices associated with it, the Varuna-praghasa is essentially a purity-ritual.

In philosophical dialogues

39.1. In the Brahmanas Varuna is celebrated as lord of truth (Gopatha Brh: 1. 1.7); and as one who envelops all existence. The Brahmanas ascribe to Varuna every type of law that relates man with God.

39.2. The Brahmanas talk of   the mystical or the philosophical nature of Varuna through allegories and speculative dialogues.

(i) They mention: the night belongs to Varuna (Varuna Rahtri) Varuna is Rathri (Raathri Varunah) and the black colour belongs to Varuna. Varuna is also identified with waters (Apah) the primal cause of creation; as also with the vital airs: Apana, Prana and Vyana. And, Varuna is Agni too. When Agni burns brightly he then indeed is the purifying Varuna (SB 2.3.2.10).That is because, Varuna symbolizes the notion of essential purity in life and in nature.

(ii).  The Brahmanas, especially the Shatapatha Brahmana (SB) carry elaborate discussions about the relationship that exists between truth (Sathya) and waters. It said; truth is the same as waters for waters are the truth. Hence: ’whereby waters flow that is the form of truth. It is the waters indeed that were first made in the universe. When waters flow everything whatever that exists is produced.”(SB.10.5.4.1). Waters also symbolize the law. Water causes everything to exist and to grow in order. The waters are the reality (SB.7.6.1.4) and represent immortality (Amrtatavam va ApahSB.1.9.3.7). They are the faith (Shraddaha) in life (Tai.Br.3.2.4.1). All gods and all beings are water; as they are the foundation and the ultimate source of the universe; and everything is contained in them (SB 10.5.4.4.15).

[Let’s talk about these issues as also Varuna’s association with waters, separately, in the next section.]

Other identities

40.1. The Kausatakai Brahmana (18.9) says Sri the symbol of prosperity and beauty belongs to Varuna (Sri vai Varunah).

40.2. Varuna is also identified with time. All the movements in time and space belong to him; he is time samvathsara (samvathsaro Varunah- SB. 4.4.5.18).

40.3. Jaiminiyopanishad Brahmana   identifies Varuna with Savita the solar deity. It asks: ’what is Savita?’ what is Savithri?’ Varuna is Savita; waters are Savithri.

Varuna’s identity with Savitar a solar deity perhaps dates back to the early phase of Rig Veda; and it is interesting. To start with, Varuna was one of the solar gods (Adityas) and represented the setting sun; he was also a friend of Aryaman and Mitra another solar god. Varuna and Mitra were invoked together .But, later Varuna’s association with lunar gods (Soma, Yama, Rudra etc.) gets stronger as Varuna slides away from brightness towards darkness.

40.4. The Horse (asva) the epitome of vigour, speed and majesty symbolizes the king and the kingship. Horse is also an emblem of the sun; and, Varuna was one of the solar gods. The horse is thus identified with Varuna and with the power of Asura the king (Varuno vai asvah– Tai.Br.2.2.5.).The much talked about Rajasuya Yaga which establishes the unchallenged supremacy of a king is also about establishing the rule of law in the kingdoms. Since Varuna is associated with the kingship, the horse and upholding the law, it is said, any Rajasuya performed by any king is, in fact, a dedication to Varuna –   the first monarch in the Vedic tradition and the lord of the law Dharmapati (SB.5.3.3.9).

In the legends

41.1. Some Brahmanas carry legends concerning Varuna. The Aitareya Brahmana narrates the legend of the boy Sunahsepa and the king Harischandra who is punished by the god Varuna. This story is also narrated in Puranas and other texts with slight modifications.

41.2. Shatapatha Brahmana and Jaiminiya Brahmana narrate stories of great philosophical merit which depict Varuna as a very wise sage (not as a god or as a king) who has gained the true understanding of the ultimate reality. In these legends, Varuna teaches his son Bhrigu That (tat) by knowing which everything becomes known.

I. Varuna in Aranyakas

42.1. Varuna is briefly discussed in the Aitareya Aranyaka at two places; and both refer to Varuna’s mystical association with waters. There are no allusions to his Vedic glory as the sky-god, or as the king or as the governor of the laws.

42.2. The waters referred to in these passages are philosophical suggestions as they denote the primeval waters or the primeval matter. Here, the creation of waters and of Varuna comes about as an expression of the Supreme Being’s will or desire. It is metaphorically said that they were born out of the manas the mind of the Supreme Being. Varuna is the mythical symbol of primeval matter. Thus, philosophically, waters and Varuna stand for Prakrti or the Becoming. It is the first stage of manifest world.

Aitareya Aranyaka (2.1.7)   says:  “In the beginning One Being was This.  There was nothing else blinking. He desired ‘shall I create the worlds ? He created the worlds, water, light and waters”

Taittareya Aranyaka (1.23) speaks about the dependence of Prakrti on Purusha. “All this That was produced from waters (Prakrti). It needed the support of Purusha. The Atman (Brahman) having manifested itself as the world entered into it”.

J. Varuna in Upanishads

43.1. Upanishads are the fountainhead of philosophical speculations presenting highly idealized metaphysics. It is the idealism of Absolute unity and absence of duality that pervades the Upanishads. In it, the concept of atman outshines all the rest.   It questions:” How could there be a creator, a sustainer or a destroyer? How could there be a king when there is no kingdom to be ordained? How could there be a law or an ordainer of law?

The discussions of individual gods are rather a secondary matter in the Upanishads. All deities are absorbed into the One Absolute. Varuna does not appear in the Upanishads either as a sky-god, or as the governor of Rta or even as the lord of waters.  Varuna appears by name in the discussions that take place in the Upanishads at two levels:  One, in the philosophical symbolisms as an aspect of the Supreme; and the other in elaborate dialogues as a wise teacher imparting knowledge of Truth.

As an aspect of the Supreme

43.2. Varuna in the Upanishads is mentioned along with other gods; and is identified as an aspect of the Supreme reality, as one “whose abode is water, whose world is the heart, whose light is the mind, and  who is the ultimate resort of every being” (Brihad. Upanishad – Sakalya section – 3.9.16).

At the same time, Varuna’s Vedic characteristics and his Vedic associations are also retained.  When Brahman is addressed as Varuna, it is said: “You are Agni, Varuna and Vayu…but this manifold existence is for sake of Prakrti (Chan. Up.5.1). It is also said : ” Mitra , Varuna along with the meters (pankti) , chants (mantra) , seasons (ritu),the breaths (udana) , the Rishis (Angirasa), the moon and celestial gods all issue forth and enter again into That” ( Maitreyi  Up.7.4).

Similarly, Maha-narayano-panishad prays to Varuna the remover of sins.  Varuna is prayed to remove whatever wrong is done by way of thought, speech and deed. And, it also refers to his noose (Mha N Up. 4.12).  Similar prayers addressed to Varuna appear in some other Upanishads too.

The wise teacher

43.3. Just as the Brahmanas, the Upanishads too contain dialogues of Varuna with his son Bhrigu. These are narrated in detail. For instance, in the most celebrated passages of the Taittereya Upanishad, Bhrigu approaches his father Varuna the wise sage to teach him about Brahman (Brighurvai varuni varunam pitara mupasasara). Varuna teaches him about That “from which the food (anna), the vital breath (prana), the eye, the ear, the mind, the speech are born; and, by which, when born they live; and into which they enter and merge” (Tai.Up.2.11).Varuna here is a seer of the highest order.

K. Varuna in Mahabharata

Khandava forest fire

Khandava forest fire

44.1. Varuna in Mahabharata is no longer the sky god; he is neither a powerful king nor even a judge. His association with the most important aspect Rta the order in the natural world, as also his overseeing ethical aspects of men’s life are glossed over.

Varuna in Mahabharata is presented as the son of Aditi the great mother. He   is one of the Adityas and he is also one among the guardians of the directions (Lokapala). He is the regent of the west the direction of the setting sun perhaps because of his association with darkness and night. He is also a water-god.

Water-god

44.2. Varuna is associated with waters in Mahabharata too. But, these waters are just plain and simple waters; nothing more. The philosophical connotations of the waters (Apah) and the metaphysical quality of darkness etc, associated with it, as in the Brahmanas, are not even mentioned in the Mahabharata. Here, Varuna is Salilesvara the king of all rivers, lakes, local water bodies and ocean.

Varuna is described as a water-god who is handsome; and is endowed with the splendour of lapis lazuli (vaidurya bhasayansarvato). He fills all the quarters of the horizon with his brilliance. His home is under the waters (anthah-saliam) in the Nagaloka which is in the heart of the ocean the Samudra (saagaro varunalayah). There he has a magnificent underwater-palace. Mahabharata (Udyoga Parva- 98) provides an elaborate description of Nagaloka and of Varuna’s most splendid underwater dwelling with its myriad palaces, pavilions and assembly halls. Varuna attired in shining robes and adorned with sparkling jewels sits on a great throne with his wife Varuni. He is surrounded by all kinds of aquatic creatures and demons, rivers, nagas, daityas and sadhyas etc” (Mhb. Vanaparva. 41.5-6)

Pasa the noose

44.3. Brief references are made to Varuna’s Pasa the noose (in Vanaparva 40.2-29; and in the Kandava – vana episode in Adiparva – 227.31-32) – as Pasabhrt, Ugrapasa, Pasin, Pasavan etc. Pasa, the noose is mentioned merely as one of his ayudhas or adorations; it does not carry the significance it had in the Vedas. There are also no references to his authority as a judge or as a king who punishes.

Other references

44.4. Varuna also figures in the episodes of burning down the Kandava forest, presenting Arjuna with deadly weapons and Krishna with the mace Kaumudaki capable of slaying the demons. Earlier in the epic, Varuna granted a boon to the king Nala by which Nala could assume any form he wished. Varuna also presented him a garland of fragrant flowers.

L. Varuna in Ramayana

45.1. As in Mahabharata even in Ramayana, Varuna is just a Dikpala (guardian of a direction) and a water-god Salilaraja. He is said to live in stagnant lakes as also under the sea; and is surrounded by aquatic beings. Earlier in the epic, Varuna presents Dasharatha the old king with a set of two mighty bows.

45.2. However later, the hapless Varuna invites the wrath of the annoyed and furious Rama who is impatient to cross the sea and march into the Lanka Island to rescue his beloved queen .On his way to Lanka Rama spends three nights on the shores of the ocean waiting for it to calm down and to provide a safe passage to his monkey-army. When the sea does not subside Rama gets furious, draws his most lethal weapon Brahmastra threatening to burn down the sea with all its creatures and other inmates.  The frightened sea-god Varuna comes out of the waters with folded hands and begs Rama to calm down. The sea subsides and eventually allows Rama’s army to build a stone bridge across the channel to lead up to the Lanka Island.

M. Varuna in Puranas

46.1. The portrait of Varuna in Puranas is similar to that of his in the Mahabharata and Ramayana. Here also he is the regent of the west and the guardian of the water element. He is worshipped for sending down good and timely rains. He is depicted as riding a mythical water-monster (Makara) that resembles a crocodile. Varuna furnished with a white umbrella moves on the waters holding a noose.

Varuna appears in number of episodes in many Puranas; too many to be recounted here. In the Bhagavata Purana, Varuna is depicted as abiding by the will of Sri Krishna. He participated in all the battles that Indra fought

46.2. In the Puranas the gods such as Indra and Varuna had lost much of their esteem. They are reduced to insignificance; are ill-treated and often humiliated by the powerful and belligerent Asuras. The major gods too chastise them and treat them as minor vassals. Indra in particular has fallen prey to faults and failures such as greed, envy and lust. He is ever anxious; and always in fear of losing his throne. He is scared of not only the villainous but also of the most virtuous as he fears they might displace him as the king of the Devas.   He is therefore busy constantly plotting devious schemes to survive and to keep away the possible- contenders to his throne.

46.3. When Indra and Varuna are offered worship in the Puranas, it is not because they are the gods in heaven but because they are viewed as the reflections of some aspects of Vishnu. That notion was guided by the faith that all gods are verily the manifestations of the One Supreme.

Epithets

46.4. In the Puranas Varuna is called by many names such as : Prachetas; Amburaja; Jalapathi; Kesa (all signifying his lordship over water); Uddama (surrounder); Pasabhrta (one who wields the noose); Viloma, Variloma (of watery hair); and Yadahpathi (king of aquatic animals).

*****

In the next part we shall see a bit more closely of Varuna’s association with waters as also the explanations for his decline and eventual fall.

Continued in Part Four

 

References and Sources

1. Indra and Varuna in Indian Mythology by Dr. UshChoudhuri; Nag Publishers, Delhi, 1981

2. The Indian Theogony by Dr.Sukumari Bhattarcharji, Cambridge University Press, 1970

3. Asura in early Vedic religion by WE Hale; Motilal Banarsidass; Delhi, 1986

4. Goddesses in ancient India by PK Agrawala; Abhinav Publications, New Delhi,1984

5. The Hymns of Atharvan Zarathustra by JM Chatterji; the Parsi Zoroastrian Association, Calcutta, 1967; http://www.avesta.org/chatterj_opf_files/slideshow.htm.

6. Outlines of Indian Philosophy –Prof M Hiriyanna; Motilal Banarsidass, Delhi, 2005

7.Original Sanskrit texts on the 0rigin and history of the people of India, their region and institution By J. Muir;Trubner & co., London, 1870.

8. A classical dictionary of Hindu mythology and religion, geography, history, and literature byJohn Dowson; Turner & co, Ludgate hill. 1879.

9. Vaidika Sahitya Charitre by Dr. NS Anantharangachar; DVK Murthy, Mysore, 1968

10. Sri Brahmiya Chitra Karma sastram by Dr. G. Gnanananda

11. Zarathustra Chapters 1-6 by Ardeshir Mehta; February 1999

 http://www.indiayogi.com/content/indgods/varuna.aspx

http://www.bookrags.com/research/varua-eorl-14/

http://www.bookrags.com/wiki/Varuna

http://www.hinduweb.org/home/dharma_and_philosophy/vshirvaikar/Dnyaneshwari/Dnch10pg1.html

http://rashmun.sulekha.com/blog/post/2010/03/vedic-literature-the-degradation-of-varuna-and-indra.htm

http://www.newworldencyclopedia.org/entry/Varuna

http://www.indiadivine.org/audarya/vedic-verses/453851-vak-suktam-aka-devi-suktam.html

http://www.svabhinava.org/HinduCivilization/AlfredCollins/RigVedaCulture_ch07-frame.php

http://en.wikipedia.org/wiki/Ahura_Mazda

http://www.iamronen.com/wp-content/uploads/2010/05/ReadingLila.pdf

 http://www.hummaa.com/player/player.php

All images are by courtesy of Internet

 
8 Comments

Posted by on October 4, 2012 in Varuna

 

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8 responses to “Varuna and his decline – Part Three

  1. sreenivasaraos

    March 18, 2015 at 10:50 am

    Dear sreenivasa rao garu,
    this is fascinating..
    the striking resemblance to poseidon is what occurs to me..
    even as a dikplaka he gives the place of north to yama
    the holder of rta…in the recent times
    the noose is also passed on may be..
    who are the solar deities?
    how come they are solar?
    adityas are who? they are as powerful as our sun?

    DSampath

     
    • sreenivasaraos

      March 18, 2015 at 10:50 am

      Dear Shri Sampath, Thank you for reading promptly and for the observations.

      Yes, the Vedic gods run parallel to Greek gods. The similarities are many; yet there are individual differences. I just stuck to the traditional rendition and avoided going into comparative mythologies for the sheer fear of exacerbating the tedium.

      As Dikpala, Varuna is assigned west (the opposite of sun rise-direction; the way into the night) while Yama is in the down South.

      The question on Adityas is a huge one; and , perhaps deserves to be dealt separately. Let me try to answer in brief.

      Well, the thirty-three deities of Rig Veda are broadly divided into three groups of Adityas, Vasus and Rudras. There is however a slight variation among the different traditions in naming them. According to the Shatapatha Brahmana these thirty-three deities include eight Vasus, eleven Rudras, twelve Adityas, Dyaus, and Prithvi,(which perhaps is the earlier version). The Rishi Yajnavalkya at one stage says “The eight Vasus, eleven Rudras, twelve Adityas, Indra and Prajapati are the thirty-three god”. Then again, according to Yaska_charya, the thirty-three gods are: eight Vasus, eleven Rudras, twelve Adityas and two Asvinis. Since Yaska’s was the last reckoning that generally is being followed now.

      Among these, the Adityas were definitely the dominant group. Though their numbers is now taken as twelve it was not always so. In the early phase of Rig Veda, Adityas were six (Varuna, Mitra, Aryaman, Bhaga, Daksha and Ansa) with Varuna as their chief. Then with Savitar it became seven; and eight with Dhatri. The Adityas derived their group-name because they were all sons of Aditi the mother of gods

      Now; it appears Aditi gave birth to eight sons of which she sent the seven to join the gods. The eighth was, sadly, a dead fetus; and he was called Marthanda (mrutha = dead + anda = fetus or egg). It is said Aditi left behind Marthanda on earth and took the rest seven to heavens; and he is not usually reckoned among the Adityas. According to some, Marthanda was somehow revived and renamed Vivasvat, but he came to represent the setting sun just about to die down into waters. Marthanda is associated with notions of being ‘left behind’ or of imminent death; and he became the god of Shraddha ceremony.

      In the later times the Adityas increased to twelve. One of the Adityas was Surya the sun who is identified with time. Because, the Sun in its daily course defines the day (and night), the basic (shortest) unit of time and governs all life .The twelve (Dwadasaha) Adityas each controlled a month and collectively a year and yearly cycles. They are the spokes of the wheel of Time. Since Sun is the source of life, light and energy the Adityas are regarded highly powerful, radiant and energetic gods .There is no possibility of life without the Adityas, the most commanding group of gods. Adityas, the solar deities, described as bright and pure as streams of water, free from all guile and falsehood, blameless, and perfect personify the laws that govern universe and life on earth.

      With Vishnu gaining dominance as the Supreme god he was included among the twelve Adityas; and Vishnu became their Chief. The names of the twelve Adityas are not uniform in all texts; they vary .According to One: Varuna, Mitra, Aryaman, Bhaga, Daksha, Amsa, Tvstar, Savitar, Pushan, Shukra, Vivasvat and Vishnu are reckoned as the twelve. Another is: Dhatri, Mitra, Aryaman, Surya (Aditya), Bhaga, Vivasvat, Pushan, Savitar, Tvashtir and Vishnu. All these names are the names of the Sun. Varuna is not here in some list; he might be in some other lists.. And in yet another lists Indra, Agni, Sakra, Yama etc are included.

      There is no final or all-accepted list of Adityas. Since Aditi is the mother of all gods any god could be an Aditya. But, generally Adityas follow the names of the Sun.

      Ok, for now

      Regards

       
      • sreenivasaraos

        March 18, 2015 at 10:53 am

        Dear Shri Sampath, I trust you saw my response posted yesterday afternoon. I forgot to mention a bit more about Martanda. Let me say now briefly.

        The story of Martanda turned Vivasvat is a strange one. Given up for dead and left behind he somehow came back to life with a new name and gained immorality and fame. Martanda as Vivasvat becomes an Adtiya again (the sun) and is made Prajapathi Vivasvata Manu the progenitor of the present era. Martanda- Vivasvat escaped death; but his son could not. His son Vivastvata Yama had to die .Yama was the first mortal, the first to die. Following him we all die. Yama is our first guide into land of death .He eventually became the king of the dead; our eventual guardian. Yama, for some reason, becomes very close and friendly with his master Varuna the King of all. Prayers are submitted , in Atharva Veda, to Varuna and to the father and son duo – Yama and Vivasvat who had became the Sun – to let us live long, to die as late as possible, and let us be happily even in the beyond… (Atharva Veda .18.2.32)

        Vivasvat and Yama figure prominently in Atharva Veda, the main text of the Bhrigus. The Bhrigus carried their text to west. Both Vivasvat and Yama walk into the Avesta (in a way Yama was sent West eventually– to Iran). In the Avesta, Vivasvat becomes Vivanghato the Sun and Yama becomes Yima Kshaeta (Yama kshatra (Snkt) – Yama the king) , the son of the Sun.. Yama Raja becomes Jam-shed. It is said; the Kings of Iran descend from Yima. And during Yima’s reign sickness, old age and even death was suspended. Thus the prayers of Atharva were answered in Iran. But Yama (Yima) there again, ruled under his old-master Varuna (Ahura Mazda) and follows his orders.

        According to Iran tradition Vivasvat lived forty generations before Zarathustra .Some say that Yima and Yayathi the old king could have derived from a common source. And they surmise the legends of Yama – Yima could be based on events of some very distant past. It might be, I don’t know.

        Sorry to bother you again.

        Regards

         
  2. sreenivasaraos

    March 18, 2015 at 10:52 am

    Srinivasa rao

    reading you and trying to digest your beautiful articles. one small question – as you know the word yaama is used to indicate hour or time. Is it related to the word yama ? regds. palahali

     
    • sreenivasaraos

      March 18, 2015 at 10:52 am

      Dear Shri Palahali, Thank you for reading. Yama is the controlling or the regulating process. The Yama the god of death too is a great controller (there are of course other meanings applied to the term Yama the death -god). And Yaama too denotes discipline or control as in ‘yaama – niyama’. The three-hour period in a day –Yaama – is a measure or division of time that regulates human activities.

      Please do read the rest of the posts too; and kindly let me know.

      Regards

       
  3. Swetha

    January 6, 2017 at 8:03 am

    Lord Varuna is one of the Trinity of the Vedas. He was originally the god of Rta (universal law and celestial order) during the vedic period. He is the supreme keeper of law and cosmic order. Hence Varuna Gayatri is a very powerful mantra that can be used to bring order to your house, family, body, career, education.
    To get more details about mantras, bhajans and pooja, download this handy guide and get all benefits,http://goo.gl/bQBnUe

     
    • sreenivasaraos

      January 6, 2017 at 9:39 am

      Dear Swetha

      Thanks for the visit and for the observations

      Please do read the rest of the articles in the series

      Regards

       

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