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Ashtavakra Gita

ashtavakra gita 2

The day of full moon, Purnima, in the month of Ashadha is traditionally celebrated as Guru Purnima also as Vyas Purnima. Today, 29 July, 2007 ; Sunday is the Guru Purnima. Think of the Guru.

Guru (Gu- ignorance, Ru-destroyer)is one, who removes the darkness and delusion. Purnima is the effulgent full moon. The true Guru is in our heart. Purify the heart to let the Divinity dwell in it. Guru Purnima is an occasion for cleaning the mind to make it absolutely pure.

In what better way can we do that than by talking of Guru Ashtavakra?

One of my favorite readings is Ashtavakra Gita also called Ashtavakra Samhita. It is in the form of a dialogue between King Janaka and a brilliant but physically deformed boy genius, Ashtavakra. It comprises 298 verses in 20 chapters of varied length. It glorifies the state of Self-realization. The story of Ashtavakra appears in the Vana Parva of the Mahabharata.

The story of Ashtavakra is narrated in a simple form here

Sri Ramana Mahrishi’s rendering of the tale is here

John Richards’s translation of Ashtavakra Gita is simple, lucid and popular.

The translation of Bart Marshall is  brilliant.

Those interested may also see the notes made by Swami Shraddhananda, a sannyasin of Sri Ramakrishna order.

AshtavakraGitaCh-4Of20Slideshow

Ashtavakra Gita is an Advaita text of the highest order, addressed to advanced learners. We do not know who wrote this classic. The estimate of its date varies from third or fourth century BC to post  Sri Shankara period. The author, whoever he was, employed the King Janaka- Ashtavakra episode with great imagination and wove around it a sublime philosophical work , in simple, lucid, classic Sanskrit. The text deals with bondage and liberation, the nature of the Self, means of realizing the Self (atmanu-bhuti) , state of mystic experience  in the embodied state. This is Advaita in its distilled form, devoid of stories, examples, arguments.

Janaka, here, unlike Arjuna , is not a confused person. He is not seeking refuge from despair or delusion. Janaka is mature and knowledgeable; an earnest seeker. The Guru did not have to go through the preliminary exercise of convincing the disciple of the futility of pursuing after objects.

Sage Ashtavakra says that the Self alone exists and all else within the mind-senses vortex is unreal. He draws his disciple’s attention to his restlessness, despite being a model king. This, Ashtavakra recognizes as Janaka’s yearning for truth.

Ashtavakra maintains that all prayers, mantras, rituals, meditation, actions, devotion, breathing practices, etc are secondary. These distract the aspirant from self-knowledge. Knowledge/awareness is all that is required. Ignorance does not exist in itself; it is just the absence of knowledge or awareness. The light of knowledge or consciousness will dispel ignorance revealing the Self. The Self is merely forgotten, not lost, not to be attained. This is not a belief system or a school of thought. This is simply ‘What Is’ and the recognition of ‘What is’.

Admittedly this stringent approach is not suitable for all. A  sharp , discriminating and inward-looking mind is required for understanding Asthavakra’s  teaching. Perhaps due to its  rigor , the text has not been popular

It starts with the King Janaka asking the sage Ashtavakra how he can attain knowledge, detachment and liberation. It quickly becomes a guru-disciple dialogue; however, after Janaka realizes his true Self, they get into an Advaitic discussion of the highest caliber.

white lotus

The sage instructs:

1.2

To be free, Shun the experiences of the senses Like  poison / Turn your attention to/ Forgiveness, sincerity, kindness, simplicity, truth.

muktiṃ icchasi cettāta viṣayān viṣavattyaja । kṣamārjavadayātoṣasatyaṃ pīyūṣavad bhaja ॥ 1-2॥

1.11

It is true what they say: “You are what you think.”/ If you think you are bound you are bound./ If you think you are free you are free.

muktābhimānī mukto hi baddho baddhābhimānyapi । kiṃvadantīha satyeyaṃ yā matiḥ sā gatirbhavet ॥ 1-11॥

1.15

You are now and forever/ Free, luminous, transparent, still./ The practice of meditation/ Keeps one in bondage.

niḥsaṃgo niṣkriyo’si tvaṃ svaprakāśo niraṃjanaḥ । ayameva hi te bandhaḥ samādhi manutiṣṭhati ॥ 1-15॥

1.16

You are pure Consciousness/ The substance of the universe./ The universe exists within you.’ Don’t be small-minded.

tvayā vyāptamidaṃ viśvaṃ tvayi protaṃ yathārthataḥ śuddha buddha svarūpastvaṃ mā gamaḥ kṣudracittatām ॥ 1-16॥

1.17

You are unconditioned, changeless, formless./ You are solid, unfathomable, cool./ Desire nothing./ You are Consciousness.

nirapekṣo nirvikāro nirbharaḥ śītalāśayaḥ । agādha buddhi rakṣubdho bhava cinmātra vāsanaḥ ॥ 1-17॥

The technique of Jnana used here is that of Vichara usually translated as self-enquiry but it signifies examination, reflection, or looking within.Sri Ramana Maharishi was the greatest exponent of this method in recent times. In other types of spiritual practices, the mind is assumed to be an independent entity and therefore efforts are made to control it, purify it and channel it towards the Godhead. Ashtavakra preaches that mind has no existence of its own. It is a bundle of thoughts, he says, take the direct path and plunge into consciousness. A conscious bliss ensues when one abides in Self. Sri Ramana Mahrshi echos these thoughts in his Upadesha Saram (verses 17-21 and 28).

Ashtavakra suggests that there is in reality only the Self and that it is all- pervasive. Just as waves, bubbles or foam have no existence without the sea, so too everything in experience is a phenomenal manifestation of the one great spiritual reality. Ashtavakra speaks of the rising of the winds of the mind and says the worlds are produced, as waves on the sea. He suggests it is the mental activity that gives rise to our experience of the world.

2.23

In the limitless ocean of Myself / The winds of the mind/ Roll the myriad waves of the world

aho bhuvanakallolairvicitrairdrāk samutthitam । mayyanaṃtamahāmbhodhau cittavāte samudyate ॥ 2-23

Upon hearing the Guru, Janaka is enlightened. He bursts into joy and wonder of his new-found state. Ashtavakra is pleased but notices inconsistencies in Janaka’s approach and lets out a series of confrontational verses about attachment to objects. He questions at the end:

3.13

Why should a person of steady mind,/ Who sees the nothingness of objects,/ Prefer one thing to another ? 

svabhāvād eva jānāno dṛśyametanna kiṃcana । idaṃ grāhyamidaṃ tyājyaṃ sa kiṃ paśyati dhīradhīḥ ॥ 3-13॥

Janaka defends by saying

4.1

Surely one who knows Self,/ Though he plays the game of life,/Differs greatly from the world’s/ Bewildered burdened beasts.

hantātmajñānasya dhīrasya khelato bhogalīlayā । na hi saṃsāra vāhīkair mūḍhaiḥ saha samānatā ॥ 4-1॥

4.6

Rare is he who knows himself / As One with no other—The Lord of the Universe./ He acts as he knows/ And is never afraid.

ātmānamadvayaṃ kaścijjānāti jagadīśvaram । yad vetti tatsa kurute na bhayaṃ tasya kutracit ॥ 4-6॥

**

Ashtavakra does not disagree; but in a terse four verses points to the next step—dissolution

5.1

You are immaculate,/ Touched by nothing./ What is there to renounce?/ The mind is complex—let it go./ Know the peace of dissolution.

na te saṃgo’sti kenāpi kiṃ śuddha styaktumicchasi । saṃghātavilayaṃ kurvannevameva layaṃ vraja ॥ 5-1॥

5.2

The universe arises from you/ Like foam from the sea./ Know yourself as One./ Enter the peace of dissolution.

udeti bhavato viśvaṃ vāridheriva budbudaḥ । iti jñātvaikamātmānaṃ evameva layaṃ vraja ॥ 5-2॥

5.3

Like an imagined snake in a rope/ The universe appears to exist/ In the immaculate Self / But does not./ Seeing this you know: “There is nothing to dissolve.”

pratyakṣamapyavastutvād viśvaṃ nāstyamale tvayi । rajju sarpa iva vyaktaṃ evameva layaṃ vraja ॥ 5-3॥

5.4

You are perfect, changeless,/ Through misery and happiness,/ Hope and despair,/ Life and death./ This is the state of dissolution.

sama duḥkha sukhaḥ pūrṇa āśānairāśyayoḥ samaḥ । sama jīvita mṛtyuḥ sannevameva layaṃ vraja ॥ 5-4॥

Ashtavakra makes a remarkable statement; the world however turbulent it may appear is within the infinite being and that it cannot alter the fundamental nature of the Self. He says, it is in the infinite ocean of myself that the mind-creation called the world takes place. I am supremely peaceful and formless and I remain as such.

7.3

In me, the shoreless ocean,/ The universe is imagined./ I am still and formless./ In this alone I abide.

mayya naṃta mahāmbhodhau viśvaṃ nāma vikalpanā । atiśāṃto nirākāra etad evā aham āsthitaḥ ॥ 7-3॥

**

Janaka says “I know that already,” matching him in style and number of verses Janaka goes on to further describes his enlightened state.Still hearing too much “I” in Janaka’s language, Ashtavakra instructs him in the subtleties of attachment and bondage.

Ashtavakra said:

Bondage is when the mind longs for something, grieves about something, rejects something, holds on to something, is pleased about something or displeased about something. 8.1

tadā bandho yadā cittaṃ kiñcid vāñchati śocati । kiṃcin muṃcati gṛṇhāti kiṃcid dṛṣyati kupyati ॥ 8-1॥

Liberation is when the mind does not long for anything, grieve about anything, reject anything, or hold on to anything, and is not pleased about anything or displeased about anything. 8.2

tadā muktiryadā cittaṃ na vāñchati na śocati । na muṃcati na gṛṇhāti na hṛṣyati na kupyati ॥ 8-2॥

Bondage is when the mind is tangled in one of the senses, and liberation is when the mind is not tangled in any of the senses. 8.3

tadā bandho yadā cittaṃ saktaṃ kāśvapi dṛṣṭiṣu । tadā mokṣo yadā cittamasaktaṃ sarvadṛṣṭiṣu ॥ 8-3॥

When there is no “me,” that is liberation, and when there is “me” there is bondage. Consider this carefully, and neither holds on to anything nor rejects anything. 8.4

yadā nāhaṃ tadā mokṣo yadāhaṃ bandhanaṃ tadā । matveti helayā kiṃcinmā gṛhāṇa vimuṃca mā ॥ 8-4॥

**

Ashtavakra goes on to annihilate the false sense of identification of the Self with the mind, saying that “it is bondage when the mind desires or grieves at anything, rejects or accepts anything, feels happy or angry at anything..” In a movingly simple verse, he sums up a free and fearless soul as one who has renounced desire, for “the renunciation of desire alone is renunciation of the world”.

Ashtavakra continues to describe the way of true detachment and stresses the folly of desire—no matter how elevated or subtle. Ashtavakra further describes the state of desireless-ness to which he points

11.6

“I am not the body, nor is the body my possession—I am Awareness itself.”/ One who realizes this for certain/ Has no memory of things done or left undone./ There is only the Absolute.

nāhaṃ deho na me deho bodho’hamiti niścayī । kaivalyaṃ iva samprāpto na smaratyakṛtaṃ kṛtam ॥ 11-6॥

Janaka says he understands what Ashtavakra is saying and summarizes his exalted state with calm indifference. Ashtavakra is impressed but tells the disciple he is not there yet.

15.5

Attachment and aversion/ Are attributes of the mind./ You are not the mind. You are Consciousness itself–Changeless, undivided, free./ Go in happiness

rāgadveṣau manodharmau na manaste kadācana । nirvikalpo’si bodhātmā nirvikāraḥ sukhaṃ cara ॥ 15-5॥

15.16

Leave behind such distinctions/ As “I am He, the Self,”/ And “I am not this.”/ Consider everything Self. / Be desire-less. / Be happy

sarvabhūteṣu cātmānaṃ sarvabhūtāni cātmani । vijñāya nirahaṅkāro nirmamastvaṃ sukhī bhava ॥ 15-6॥

**

Ashtavakra then attacks the futility of effort and knowing.

Being pure consciousness, do not disturb your mind with thoughts of for and against. Be at peace and remain happily in yourself, the essence of joy. 15.19

Give up meditation completely but don’t let the mind hold on to anything. You are free by nature, so what will you achieve by forcing the mind? 15.20

16.1

You can recite and discuss scripture / All you want,/ But until you drop everything / You will never know Truth.

ācakṣva śṛṇu vā tāta nānā śāstrā aṇyanekaśaḥ । tathāpi na tava svāsthyaṃ sarva vismaraṇād ṛte ॥ 16-1॥

**

Ashtavakra does not pay much heed to book learning or to the importance given to mind and its control. You are already free, what will you gain by deliberating or pondering. In other words, remain unattached at all times from all things (including the mind). He advocates direct approach. Teachings of Sri Ramona are remarkably similar to that of Ashtavakra.

Ashtavakra then goes on to describe the nature of a wise person or yogi (chapters 17 and 18) .The characteristics of the true knower as outlined by Ashtavakra are very similar to that of a sthitha_prajna described in Bhagavad-Gita Gita.

17.15

The sage sees no difference/ Between happiness and misery,/ Man and woman, / Adversity and success./ Everything is seen to be the same.

sukhe duḥkhe nare nāryāṃ sampatsu ca vipatsu ca । viśeṣo naiva dhīrasya sarvatra samadarśinaḥ ॥ 17-15॥

17.16

In the sage there is neither/ Violence nor mercy,/ Arrogance nor humility,/ Anxiety nor wonder./ His worldly life is exhausted./ He has transcended his role as a person.

na hiṃsā naiva kāruṇyaṃ nauddhatyaṃ na ca dīnatā । nāścaryaṃ naiva ca kṣobhaḥ kṣīṇasaṃsaraṇe nare ॥ 17-16॥

17.18

The sage is not conflicted/ By states of stillness and thought./ His mind is empty./ His home is the Absolute.

samādhāna samādhāna hitāhita vikalpanāḥ । śūnyacitto na jānāti kaivalyamiva saṃsthitaḥ ॥ 17-18॥

18.9

Knowing for certain that all is Self,/ The sage has no trace of thoughts/ Such as “I am this” or “I am not that.”

ayaṃ so’hamayaṃ nāhaṃ iti kṣīṇā vikalpanā । sarvamātmeti niścitya tūṣṇīmbhūtasya yoginaḥ ॥ 18-9॥

18.10

The yogi who finds stillness/ is neither distracted nor focused./ He knows neither pleasure nor pain./ Ignorance dispelled,/ He is free of knowing.

na vikṣepo na caikāgryaṃ nātibodho na mūḍhatā । na sukhaṃ na ca vā duḥkhaṃ upaśāntasya yoginaḥ ॥ 18-10॥

**

In a final flurry of questions pointing only at their own meaninglessness, Janaka bursts forth into inspired poetry and burns off the last vestiges of personhood and enters dissolution (chapters 19 and 20). He ends with: “No more can be said.” Ashtavakra smiles, nods approvingly, and says no more

Using the tweezers of the knowledge of the truth I have managed to extract the painful thorn of endless opinions from the recesses of my heart. 19.1

20.11

Where is illusion? Where is existence? Where is attachment or non-attachment? Where is person? Where is God?

I am Awareness./ Where are principles and scriptures? Where is the disciple or teacher? Where is the reason for life? I am boundless, Absolute.

kva māyā kva ca saṃsāraḥ kva prītirviratiḥ kva vā । kva jīvaḥ kva ca tadbrahma sarvadā vimalasya me ॥ 20-11॥

kva pravṛttirnirvṛttirvā kva muktiḥ kva ca bandhanam । kūṭasthanirvibhāgasya svasthasya mama sarvadā ॥ 20-12॥

20.14

Where is existence or non-existence? Where is Unity or duality? / Nothing emanates from me. / No more can be said.

kva cāsti kva ca vā nāsti kvāsti caikaṃ kva ca dvayam । bahunātra kimuktena kiṃcinnottiṣṭhate mama ॥ 20-14॥

॥ Om̃ tatsat ॥

 guru charana

white lotus

The approach and treatment of   Ashtavakra are logical and precise like mathematical equations.Yet, the Ashtaavakra Gita may not be read at a streatch , in one straight reading. It is preferable the verses are read few at a time , on a daily basis, and reflected upon .

One rarely comes across a Guru-disciple association as that of Sri Ashtavakra and King Janaka, a mature disciple. To such Sri Guru, who is the Para Brahman, I offer my salutations, on this Guru Purnima !

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https://sanskritdocuments.org/doc_giitaa/ashtgita.html?lang=iast

 
 

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Crazy Wisdom

crazy wisdom

1.1. Crazy wisdom is a way of teaching; and it is prevalent in almost all traditions.  It has been there for a very long-time. Crazy wisdom says: we all are, in truth, interconnected. The separations in the physical world such as human bodies, houses, communities are mere appearances.  Crazy Wisdom seeks to unearth and heal the false beliefs that people have about themselves and of the world around them. It is a means for expressing and maintaining the difference between the conventional point of view and the transcendental point of view.

1.2. The teaching might have gained that name – crazy – because, its teachers were eccentrics who used their eccentricity to bring forth an alternate vision, the one that was different from the pedestrian and dogma-riddled view of existence. They were the masters of inversion, proficient breakers of taboos and lovers of surprises. They relished the delight in contradictions and ambiguity. Sometimes they overdid and went overboard; and were mistaken for tricksters and clowns.

1.3. Crazy wisdom or holy-madness, as it came to be called, does indeed seem crazy to rational mind and commonsense. That is because it is designed, deliberately, to confront, to shock and to confuse an otherwise rational mind. The crazy teacher’s behavior and his teachings turn the ordinary view of life upside down; and, project life in a different perspective. His approach is what one might call “no-holds-bar”. The crazy teacher is willing to employ a wide range of tactics and applications including , but not limited to , provocation, insult, physical and mental abuse, humour, and credulity; and in extreme cases, it might stray in to use of alcohol, drugs and sex. All those unconventional and socially unacceptable ways of behaviour were pressed into service in order to drag the student out of the cocoon, strip him naked and bring him face to face with reality.

1.4. Predictably, such behavioural patterns create scare and conflict in the minds of even the committed followers of the path. It also brings into question, the issues of trust; and abuse of position and power. But a serous seeker will have to face those challenges and resolve the contradictions, all by himself.

1.5. The crazy wisdom or foolish wisdom is thus a two-edged sword, to be handled with extreme caution. The dividing line between wisdom and foolishness is very thin; and it is not possible to say with certainty when a fool is just a fool, or a fool graced by wisdom, or a wise person touched by foolishness.

1.6. In all such traditions, it is said, a genuine crazy –wisdom- teacher will act only in response to the needs of his student, regardless of his own discomfort and personal preferences. His main concern is the awakening of his student .But, it is   the responsibility of the student to understand and learn; and the teacher is not obliged to make it easy for the student.

1.7. It is explained, the teacher, to put it crudely, is like a dispensing machine. The student will have to come up with right questions to get the benefit of the teacher. It is the questions the student frames – internally or explicitly- and the demands he makes in seeking the answers that truly matter. He   can challenge himself to formulate a question that accurately captures the real need; and follow it with intensity. After a period of time, as he begins to endure the heat (tapa), generated by the genuine unanswered questions, the answers start appearing unexpectedly in the most unlikely places or in the most obvious places right under his nose.

That is the basis of the learning process under an Avadhuta or a Siddha or a Zen teacher or the saintly – madman (lama myonpa) of Tibetan Buddhism.

[ By the way, Aryadeva (14th century?), a Buddhist scholar, in his Chatuhsataka (four hundred verses) narrates a story to illustrate (a) madness is a relative concept; and (b) just because one is in a minority he cannot be dismissed as being wrong.

According to his story, a wandering astrologer warned a king that in a week’s time, very heavy rain would pour down on his country; and whoever drinks that rainwater would go insane. The king took the astrologer’s warning quite seriously and ordered to get his well of drinking water tightly covered. His subjects, however, either lacking means or laughing at the astrologer, took no action to secure their sources of drinking water.  It did rain a week hence, as predicted; and the whole of the kingdom’s populace drank the rain water which found its way into their well and tanks. They all, promptly, went mad. The king , who had protected his well, was the only sane person in the whole of his kingdom.

But, the king’s subjects gathered together and laughed and jeered at the king calling him insane. After such repeated heckling, the king – the only sane person in the whole of the kingdom – could no longer endure the irritating jibes. In order to put an end to his agony, the king, at last, decides to drink the rain water. And, he promptly goes mad just, as his subjects. Now, all are alike ; and all are happy in their madness.

Therefore, if one is the sole, single sane person, then he does not get to call the rest as insane. But, at the same time, he would not be wrong if he calls the rest as insane. Then, again, who will listen to him or pay heed to his words …!!

The story also illustrates how ‘madness’ is a relative concept, depending upon each one’s perspective. In the broader view, what defines madness is the social, cultural and other ways of understanding human behavior at different times; and, in different regions. Madness is thus a highly context-sensitive issue.]

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2.1. Avadhuta, the one who has cast off all concerns and obligations, like the Shiva himself, is the typical teacher of wisdom. He does that in a highly unconventional manner. He has no use for social etiquette; he has risen above worldly concerns. He is not bound by sanyasi dharma either. He roams the earth freely like a child, like an intoxicated or like one possessed. He is the embodiment of detachment and spiritual wisdom..

Avadhuta Gita describes him as :

Having renounced all, he moves about naked./ He perceives the Absolute, the All, within himself.

ātmaiva kevalaṃ sarvaṃ bhedābhedo na vidyate । asti nāsti kathaṃ brūyāṃ vismayaḥ pratibhāti me ॥ 4॥

The Avadhuta never knows any mantra in Vedic meter or any Tantra.

 Ashtavakra Gita describes him in a similar manner:

17.15

The sage sees no difference/ Between happiness and misery,/ Man and woman, / Adversity and success./ Everything is seen to be the same.

sukhe duḥkhe nare nāryāṃ sampatsu ca vipatsu ca । viśeṣo naiva dhīrasya sarvatra samadarśinaḥ ॥ 17-15॥

17.16

In the sage there is neither/ Violence nor mercy,/ Arrogance nor humility,/ Anxiety nor wonder./ His worldly life is exhausted./ He has transcended his role as a person.

na hiṃsā naiva kāruṇyaṃ nauddhatyaṃ na ca dīnatā । nāścaryaṃ naiva ca kṣobhaḥ kṣīṇasaṃsaraṇe nare ॥ 17-16॥

17.18

The sage is not conflicted/ By states of stillness and thought./ His mind is empty./ His home is the Absolute.

samādhāna samādhāna hitāhita vikalpanāḥ । śūnyacitto na jānāti kaivalyamiva saṃsthitaḥ ॥ 17-18॥

18.9

Knowing for certain that all is Self,/ The sage has no trace of thoughts/ Such as “I am this” or “I am not that.”

ayaṃ so’hamayaṃ nāhaṃ iti kṣīṇā vikalpanā । sarvamātmeti niścitya tūṣṇīmbhūtasya yoginaḥ ॥ 18-9॥

18.10

The yogi who finds stillness/ is neither distracted nor focused./ He knows neither pleasure nor pain./ Ignorance dispelled,/ He is free of knowing.

na vikṣepo na caikāgryaṃ nātibodho na mūḍhatā । na sukhaṃ na ca vā duḥkhaṃ upaśāntasya yoginaḥ ॥ 18-10॥

**

2.2. Among the classical  texts that describe the nature of the Avadhuta,  the prominent ones  are the Avadhuta Gita , the culminating text of the Dattatreya tradition; the Ashtavakra Gita , a text of the highest order, addressed to advanced learners and  dealing  with the means of realizing the Self (atmanu-bhuti) and  the mystic experience  in the embodied state. The third and  a comparatively a recent text is the Atma-vidya-vilasa of  Sri Sadashiva Brahmendra , an Avadhuta who lived during the eighteenth century.

2.3. The other major sect is the Siddha tradition of South India. The Siddha is one who has attained flawless identity with reality.

Jainism too recognizes Siddha as an enlightened teacher. In the Tibetan Buddhism, Siddha is a yogi who has attained magical powers and the ability to work miracles.

2.4. In so far as the folk tradition is concerned, there are a number of regional groups and subgroups. The better known of them are the Bauls of Bengal; the word meaning mad or confused. They are a religious sect of eccentrics. The Baul synthesis is characterized by four elements: there is no written text and therefore all teachings are through song and dance; God is to be found in and through the body and therefore the emphasis on kaya (body) sadhana, the use of sexual or breathe energy; and, absolute obedience and reverence to Guru.

3.1. Avadhuta Gita the ‘Song of the Ever Free’ does not indulge in debates to prove the non-dual nor does it ask you to control your senses; it sees no distinction between sense perception and spiritual realization. It makes some amazing statements:

The mind indeed is of the form of space. The mind indeed is Omni faced. The mind is the past. The mind is present and future and all phenomena. But in absolute reality, there is no mind.

All your senses are like clouds; all they show is an endless mirage.  The Radiant One is neither bound nor free.I am the Bliss, I am the Truth, I am the Boundless Sky

There is neither knowledge nor ignorance nor knowledge combined with ignorance. He who has always such knowledge is himself Knowledge. It is never otherwise.

How shall I salute the formless being, indivisible, auspicious and immutable, who fills all this with its self and also fills the self with its self?
Know it firmly, freely, independently. And maintain it at all times, all conditions. That is all. Be Avadhuta Dattatreya yourself; because, you are yourself that.

3.2. In the Ashtavakra Gita, sage Ashtavakra maintains that all prayers, mantras, rituals, meditation, actions, devotion, breathing practices, etc are secondary. These distract the aspirant from self-knowledge. Knowledge/awareness is all that is required. Ignorance does not exist in itself; it is just the absence of knowledge or the lack of awareness. The light of knowledge or consciousness will dispel ignorance revealing the Self. The Self is merely forgotten, not lost.

This is not a belief system or a school of thought. This is simply ‘What Is’ and the recognition of ‘What is’.

Attachment and aversion/ Are attributes of the mind./ You are not the mind. You are Consciousness itself–Changeless, undivided, free./ Go in happiness

rāgadveṣau manodharmau na manaste kadācana । nirvikalpo’si bodhātmā nirvikāraḥ sukhaṃ cara ॥ 15-5॥

*
Ashtavakra does not pay much heed to book learning or to the importance given to mind and its control. You are already free, what will you gain by deliberating or pondering. Remain unattached at all times from all things (including the mind). He advocates direct approach. Teachings of Sri Ramana are remarkably similar to that of sage Ashtavakra.
 *

You can recite and discuss scripture / All you want,/ But until you drop everything / You will never know Truth.

ācakṣva śṛṇu vā tāta nānā śāstrā aṇyanekaśaḥ । tathāpi na tava svāsthyaṃ sarva vismaraṇād ṛte ॥ 16-1॥

*

Ashtavakra then attacks the futility of effort and knowing.

Being pure consciousness, / Do not disturb your mind with thoughts of for and against./ Be at peace and remain happily’ In yourself, the essence of joy.   15.19

mā saṅkalpavikalpābhyāṃ cittaṃ kṣobhaya cinmaya । upaśāmya sukhaṃ tiṣṭha svātmanyānandavigrahe ॥ 15-19॥

Give up meditation completely/ But don’t let the mind hold on to anything./ You are free by nature,/  So what will you achieve by forcing the mind? 15.20

tyajaiva dhyānaṃ sarvatra mā kiṃcid hṛdi dhāraya । ātmā tvaṃ mukta evāsi kiṃ vimṛśya kariṣyasi ॥ 15-20॥

I Am Awareness./ Where are principles and scriptures?/ Where is the disciple or teacher?’ Where is the reason for life?/ I am boundless, Absolute

kva māyā kva ca saṃsāraḥ kva prītirviratiḥ kva vā । kva jīvaḥ kva ca tadbrahma sarvadā vimalasya me ॥ 20-11॥

kva pravṛttirnirvṛttirvā kva muktiḥ kva ca bandhanam । kūṭasthanirvibhāgasya svasthasya mama sarvadā ॥ 20-12॥

**

 

3.3. atma vidyaAtma_vidya_vilasa is written in simple, lucid Sanskrit. Its subject is renunciation. It also describes the ways of the Avadhuta, as one who is beyond the pale of social norms , beyond Dharma , beyond good and evil; as  one who has discarded scriptures, shastras , rituals or even the disciplines prescribed for sannyasins;one who has gone beyond the bodily awareness , one who realized the Self and one immersed in the bliss of self-realization. He is absolutely free and liberated in every sense – one who “passed away from” or “shaken off” all worldly attachments and cares, and realized his identity with God. The text describes the characteristics of an Avadhuta, his state of mind, his attitude and behavior. The text undoubtedly is a product of Sadashiva Brahmendra’s own experience. It is a highly revered book among the Yogis and Sadhakas.

One of such Sadhakas who really emulated Sadashiva Brahmendra and evolved into an Avadhuta was the 34th  Acharya , the Jagad-guru  of Sri Sringeri Mutt, Sri Chandrasekhar Bharathi Swamiji. He studied Atma_vidya_vilasa intensely, imbibed its principles and truly lived according to that in word and deed. Unmindful of the external world, he roamed wildly in the hills of Sringeri like a child, an intoxicated, and an insane; and as one possessed, singing aloud the verses from Atma_vidya_vilasa:

Discard the bondages of karma. Wander in the hills immersed in the bliss of the Self -unmindful of the world like a deaf and a blind (AVV-15)

avadhūtakarmajālo jaḍabadhirāndhopamaḥ ko’pi । ātmārāmo yatir āḍaṭavīkoṇeśvaṭannāste ॥ 15॥

Rooted in the Brahman absorbed in the bliss within, he for a while meditates, for a while sings and dances in ecstasy. (AVV-21)

tiṣṭhanparatra dhāmni svīyasukhāsvādaparavaśaḥ kaścit । kvāpi dhyāyati kuhacidgāyati kutrāpi nṛtyati svaram ॥ 21॥

He sees nothing, hears nothing, and says nothing. He is immersed in Brahman and in that intoxication is motionless.(AVV-44)

paśyati kimapi na rūpaṃ na vadati na śṛṇoti kiñcidapi vacanam । tiṣṭhati nirupamabhūmani niṣṭhāmavalambya kāṣṭhavadyogī ॥ 44॥

4. 1.LankavataraThe Lankavatara Sutra of the Mahayana Buddhism is another text of the “crazy wisdom” tradition.  It was the text that Bodhidharma followed all his life and bequeathed it to his disciple and successor Hui K’o . Its basic thrust is on “inner enlightenment that does away with all duality.”  One of the recurrent themes in the Lankavatara Sutra is, not to rely on words to express reality. It holds the view that objects do not owe their existence to words that indicate them. The words themselves are artificial creations. Ideas, it says, can as well be expressed by looking steadily, by gestures, by a frown, by the movement of the eyes, by laughing, by yawning, or by the clearing of the throat, or by recollection, or by trembling.

Bodhidharma instructed his disciples to: “Leave behind the false, return to the true; make no discrimination between self and others. In contemplation, one’s mind should be stable, alert and clear like the wall; illuminating with compassion. “

4.2. In Zen too, the “holy madness” is widely used by the roshi (teacher). The adepts of Zen make use of shock techniques such as sudden shouting, abuses, physical violence, hand­clapping, paradoxical verbal responses, koans and riddles in order to induce satori or enlightenment.

4.3. Tibetan Buddhism also has its share of eccentric Lamas who use unconventional methods to initiate their disciples into enlightenment. Crazy wisdom in Tibetan is yeshe cholwa, where craziness and wisdom walk hand in hand. It is craziness gone wise rather than wisdom gone crazy. Padmasambhava (Guru Rinpoche) and Karma Pakshi the second Karmapa are the celebrated crazy-wisdom – teachers in Tibetan Buddhism. They both were regarded as being able to overpower the phenomenal world. They demonstrated that what we call crazy is only crazy from the viewpoint of ego, custom and habit. Crazy wisdom is natural and effortless; not driven by the hope and fear.

There is also another set of “mad lamas (smyon‑pa) who reject  monastic tradition, ecclesi­astical hierarchy, societal conventions, and book learning.

4.4. Crazy wisdom is also practiced in Sufism, where it is known as “the path of blame.” Some Sufi mystics –majzubs – are known for their strange behaviour as well as for their heretical doctrine of their identification with the divine. The Sufi  practitioners of “crazy wisdom” pursue freedom and humility without concern for worldly consequences.

5.1. The crazy teachers were found not just in the East. Socrates was an archetypal wise fool who claimed that his wisdom was derived from his awareness of his ignorance.  His distinctive teaching method consisted in exposing the foolishness of the wise.

5.2. Even in the Christian tradition, the absurd notion that the fool may be wise and that the wise may be foolish—has long been in existence. It is often expressed as the “fool in Christ” or the “fool for Christ’s sake”. Here, foolish wisdom, the “holy folly”, is akin to “holy simplicity” or “learned ignorance”, which is an alternate way to rekindle the love of wisdom in the hearts of men and women. It is singular and sudden; and, is in contrast with the laborious common wisdom of the learned.

5.3. Europe in the sixth century seemed to be a great period for Crazy Adepts.  For instance, there was St. Simeon who liked to pretend insanity for effect.  Once he found a dead dog on a dung heap.  He tied the animal to his belt and dragged the corpse through town.  People of the town were outraged.  But, he was trying to demonstrate the uselessness of excess emotional “dead weight” that people drag through their lives.

The very next day, St. Simeon entered a church and just as the liturgy began, he threw nuts at the congregation.  St Simeon revealed on his deathbed that his life’s mission was to denounce hypocrisy and hubris.

5.4. Another example of the sixth-century spiritual silliness was Mark the Mad, a desert monk who was thought insane when he came into town to atone for his sins.  Only Abba Daniel saw the method in the monk’s madness, and declared the monk the only reasonable man in the city.

5.5. Saint Francis of Assisi was another example of foolish wisdom. He regarded himself as a fool deserving nothing but contempt and dishonour. He is cel­ebrated for his tender love for God and for God’s creatures, big and small.

6.1. The paradoxical idea that the fool may be wise is perhaps as old as humanity itself. It is a common experience that the untutored and innocent, including children, somehow seem to grasp profound truths, while the lettered and the learned just walk past it. Jesus alluded to it  when he thanked  and praised  God  for having hidden from the learned and the clever what he revealed to the merest children (Mt 11:25).

6.2. Without love, foolishness is just foolishness; and wisdom a mere collection of inflated bits of information. Ultimately, the fool­ish wisdom is a gift, a revelation received in humility of mind and simplicity of heart; an un-bounded, luminous, loving energy. It attains the power to convince and transform, more effectively than the sword and rhetoric.

That is possible only when it is graced by tender love for the fellow beings and for the fellow seekers.

 wisdom

 

Sources and References:

 http://www.spiritual-endeavors.org/basic/crazy.htm

Crazy Spirituality

http://eapi.admu.edu.ph/eapr002/wisdom.htm

Wisdom of the Holy Fools

http://www.onelittleangel.com/wisdom/quotes/book.asp?mc=319

Avadhuta

http://www.shambhala.org/teachings/view.php?id=131

Crazy Wisdom

Ashtavakra

Sri Sadashiva Brahmendra

 Zen Stories by Sylvan Incao

 

 

 
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Posted by on September 17, 2012 in Bodhidharma, Buddhism, Indian Philosophy, Vedanta, Zen

 

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The Early Buddhist women- Stories – Five – Visakha

[This story could be treated as an addendum to the main post-The Early Buddhist Women- stories]

visaka

The story of Visakha is the most delightful one among all the stories of the early Buddhist women.

Visakha was a person of great charm and independent spirit. She had certain poise and calm authority around her. She had a mind of her own and believed in her convictions. Though her family, on either side, was wealthy she ran a business of her own independently. She was known as an able manager and an effective communicator.

Visakha was the first female lay disciple of the Buddha;  and, was  also the chief female lay benefactor of the Sangha. The Pubbarama monastery which she dedicated with love and reverence to the Sangha was one of the favorite places of stay of the Buddha in the later 25 years of his life.

She was well respected in the Sangha for her wisdom, generosity and for her managerial skills. She took charge of the Bhikkhuni Sangha (Order of the Nuns) and managed it efficiently. She was authorized to arbitrate the issues and disputes that arose among the nuns; and between nuns and monks.

The Pali Canon enumerates a number of discourses imparted to her by the Buddha, on a variety of subjects.

Visakha lived a long life. It is said she retained her poise, youthful charm; and sharp inquisitive mind even in her later years. Visakha is truly one of the most remarkable persons of the early Buddhist era.

image

1. Savatthi

1.1. It is said; the beautiful garden city of Savatthi (Snkt.Shravasthi) on the banks of the River Aciravati was the capital of the Kosala kingdom ruled by the king Pasenadi (Snkt.Prasenajit), an ardent disciple of the Buddha. The city of Savatthi occupied a significant position in the history of the early Buddhism.

1.2. The garden city of Savatthi, on its outskirts, had two major Buddhist monasteries: one was the Jetavana built in the Buddha’s service (thirty-one years after his Enlightenment) by the divot wealthy merchant Anathapindaka; and the other was the Pubbarama (Snkt. purva_rama, the eastern monastery), located to the east of Jetavana, and dedicated to the Sangha lovingly by Visakha the leading lay female disciple of the Buddha. In addition, Savatthi had another monastery, Rajakarama, built by king Pasenadi opposite the Jetavana.

1.3. The Master spent a greater part of his later years (25 vassas – rainy seasons or rains retreats) in Savatthi, dividing his time between Jetavana and Pubbarama, spending the day in one and the night in the other; or in whichever way it was convenient to him.It was in Savatthi; the Buddha dispensed a large number of his discourses and instructions; guided and helped large number of persons who came to him seeking remedy for their sorrows. (SNA.i.336)

Sravasti

2.  Pubbarama

2.1. As regards Pubbarama, the Canon records several important discourses (suttas or sutras) preached by Our Teacher while he was staying there. The better known among those suttas are:

The Aggañña-suttaṃ:  It was imparted to two Brahmins Bharadvaja and Vasettha  (Snkt. Vashista ) who desired to enter the Sangha as monks, when the Buddha was staying at the Pubbarama (Ekaṃ samayaṃ bhagavā sāvatthiyaṃ viharati pubbārāme migāramātupāsāde) . The sutta elucidated that caste and lineage cannot be equated with moral (shila) and chaste conduct (Dhamma); and righteousness was beyond such artificial limitations. Dhamma is universal and anyone from four castes can become a monk and attain enlightenment. (D N. 27)

On one occasion at Pubbarama  the Buddha said ,”Him I call a Brahmana , who , in this world has transcended both ties-good and evil; who is sorrow-less and , being free from the taints of moral defilement, is pure”(Dhammapada- Verse  412)

yo ‘dha puññañ ca pāpañ ca ubho saṅgaṃ upaccagā / asokaṃ virajaṃ suddhaṃ tam ahaṃ brūmi brāhmaṇaṃ. // Dhp_412 /

The Utthana Sutta: It was imparted to practicing monks stressing the imperative need to be vigilant. The Teacher instructs “Rouse yourself..! Sit up..!Resolutely train to attain freedom and peace. Do not be careless; do not let weakness lead you astray. Go beyond any clinging. Do not waste your opportunity. (Sn.vv.331-4; SnA.i.336f)

On another occasion the Master declared that a Bhikkhu who though young devotes himself to Dhamma lights up the world as does the moon freed from the clouds. (Dhammapada Verse 382- 25 Bhikkhuvagga 107)

yo have daharo bhikkhu yuñjate Buddhasāsane / so ‘maṃ lokaṃ pabhāseti abbhā mutto va candimā.4 // Dhp_382 /

The Ariyapariyesana Sutta: It is rather a rare sort of sutta. For, it contains fleeting autobiographical glimpses   of Our  Teacher before he attained his goal. He mentions, in passing, how he too in his quest approached many teachers; how they could not lead to what he was searching for; and how he then went to the forests of the Uruvela country and practiced until he attained enlightenment. The Awakened-one also mentions how he was initially reluctant to go forth into the world preaching what he had found. The sutta then leads to the Buddha’s first sermon (pathama desana) addressed to five ascetics at the deer park of Isipattana on the outskirts of the ancient city of Varanasi. (M.i.160-75 and is repeated in the Vinaya and the Digha Nikāya).

2.2. The Vighasa Jataka was also narrated at the Pubbarama. This  Jataka tells the story of Bodhisattva in one of his past lives as Sakka (Shukra), when he  assumed the form of a parrot in order to  reform the ascetics who were about to go astray.(J No. 393)

2.3. It was here at the Pubbarama, the Buddha accorded permission for recitation of Patimokkha in his absence. It contained a set of 227 rules to be observed by the members of the Sangha. The rules pertained mainly to regulating the conduct of the Bhikkus towards one another and in regard to matters concerning the clothing, dwelling, furniture, and utilities etc that were held in common by the community.(Sp.i.187)

2.3. On one occasion while he was staying at the Pubbarama, the Buddha expressed his satisfaction with the way the   Bhikkus there were progressing. The Buddha therefore announced that he would remain at the Pubbarama until the following full-moon of the fourth month when Kaumudi the White-Lilly would bloom (sometime in Oct-Nov, perhaps corresponding to Sharad Purnima). As its news spread, the monks in the surrounding regions moved to Pubbarama.

On the night of the Kaumudi full-moon the Buddha seated in open amongst a vast congregation of enrapt monks and divot lay, addressed the Sangha. He praised those Bhikkhus for their good conduct (shila), their adherence to Dhamma practice and their attainments. The Teacher then spoke about Anapanasati– Mindfulness of Breathing- and his experiences with it. He imparted instructions on using breath (apana) as a focus for practicing mindfulness (sati) meditation. The Buddha stated that mindfulness of the breath, “developed and repeatedly practiced, is of great fruit, great benefit.” (Anapanasati Sutta-MN 118) 

buddha pubbarama

Pubbarama monastery, therefore, is frequently mentioned in the Buddhist texts.

2.4. How the Pubbarama monastery came into being, is a very interesting story. It is narrated in the Dhammapada Commentary (Vol. I, 384-420).

***

3. The early years

3.1. Visakha, bright and beautiful, was the daughter of Dhananjaya_Settthi and Sumana Devi who resided in the city of Bhaddiya in Anga, a province of the Magadha kingdom. Dhanajaya was the son of Chandapaduma and Mendaka_setthi a wealthy merchant and one of the five financiers or treasurers to the king of Magadha Bimbisara.  The family lived a life of comfort and luxury.

[ Visakha’s younger sister was Sujata who later married   Kala (?), son of Anathapindaka one of the leading benefactors of the Sangha and who constructed and dedicated in service to the Buddha the Jetavana monastery at Savatthi. Sujata was described as haughty, obstinate and harsh in speech; but, later reformed   on listening to Buddha’s discourse (Sujata Jataka).]

3.1. When Visakha was about seven years old, the Buddha visited Bhaddiya with a large company of monks. Mendaka offered several gifts to the Sangha; and invited the Buddha and his monks to his mansion and offered hospitality for a fortnight. Visakha an active, inquisitive and a lively child played around the monks and the Buddha. She was always questioning about the things that the monks did and said; and about Dhamma. The Buddha was fond of the little girl.

3.2. It is said when the Buddha departed from Bhaddiya for Anguttarapa (another city in Anga province), Mendaka instructed his servants to follow the Buddha with abundant provisions, food and fresh milk; as also ghee and butter until the party reached its destination. (DhA.i.384)(Viii.i.243ff)

3.3. Later, at the request of Pasenadi of Kosala, Bimbisara the king of Magadha asked Dhananjaya to move over to Kosala and function as a financier – treasurer (Bhandari) to king of Kosala. Accordingly, Dhananjaya with his wife Sumana and daughter Visakha, shifted to Saketa in Kosala, located about seven leagues (yojanas) away from its capital city Savatthi.

(Some accounts mention that Dhananjaya founded Saketa)

4. Marriage

4.1. Meanwhile in the city of Savatthi, a wealthy and a miserly merchant Migara was in search of a suitable bride for his son Punnavaddhana. The boy Punnavaddhana was, however, averse to marriage. It was not easy to convince him either. After much persuasion, Punnavaddhana agreed to the marriage but stipulated some tough conditions. He insisted the bride should be

“an exquisite beauty who possessed the five maidenly attributes: beauty of hair, teeth, skin, youth and form. Her hair had to be glossy and thick, reaching down to her ankles. Her teeth had to be white and even like a row of pearls. Her skin had to be of golden hue, soft and flawless. She had to be in the peak of youth, about sixteen. She had to have a beautiful, feminine figure, not too fat and not too thin”.

4.2. Soon thereafter, the relieved Migara dispatched a pair of well-fed Brahmins with instructions to scout for a girl who answered the specifications stipulated by his son Punnavaddhana. The Brahmin pair roamed the Magadha and Kosala countries in search of a suitable girl who would make Punnavaddhana happy. They, however, could not spot the precious one.

4.3. Having given up their search and loitering in Kosala rather aimless, the Brahmins got busy cooking up a ruse to appease the “angry-old- bull “, the miserly and grumpy old Migara.

While they were so engaged, a sudden burst of storm caught them unaware. As they were running for shelter, they noticed, to their amazement, a young and a beautiful girl walking calmly, unhurriedly and gracefully through the storm towards a nearby shelter, just as her friends ran in all directions. The Brahmins quite impressed by the pretty girl’s poise and composure, went up to her and questioned why she did not run to the shelter, as her friends did, to avoid getting wet.

The fair maiden replied in her unhurried and measured voice, “It is not appropriate for a maiden in her fine clothes to run, just as it is not appropriate for a king in royal attire, a royal elephant dressed for the procession, or a serene monk in robes, to run.” Pleased with her reply, her calm bearing and her exquisite beauty, the Brahmins realized in a flash that their prayers were answered. They post-haste returned to Savatthi and reported to their master Migara about the amazing discovery they made of the most suitable bride for Punnavaddhana.

4.4. Migara then sent his messengers to Dhananjaya with a bouquet of flowers (malangulam) as a token of proposal seeking the hand of Visakha in marriage to his son Punnavaddhana. The proposal and its acceptance were later formalized by exchange of letters. It is said; since the wedding involved two wealthy and powerful financiers, Pasenadi the king of Kosala accompanied the wedding party as a mark of signal favor. At Saketa, the wedding was celebrated with great pomp and splendor.

4.5. Visakha entered Migara’s house with cart loads of dowry consisting money, gold, silver, various silks, ghee, as also rice- husked and winnowed. She brought with her suitable furniture, sets of vessels, retinue of personal attendants, milk- cows, bulls, oxen and a variety of farm equipments such as ploughs ploughshares etc. (DhA.i.397).

5…And after

5.1. Visakha and Punnavaddhana lived happily in Migara’s house at Savasthi. Migara though wealthy was not a generous person. One afternoon, while Migara was taking his lunch in a golden bowl, a Buddhist monk came to his doorsteps seeking alms. Migara noticed the monk, but ignored him and continued with his lunch. Visakha who was watching the proceedings went up to the monk and requested him to leave by saying, “Pass on, Venerable Sir, my father-in-law eats stale food.”

Visaka

Migara who overheard the remark was furious and demanded an explanation. Visakha, in her usual calm and measured voice, explained that he was eating the benefits of his past good deeds and he did nothing to ensure his continued prosperity. She told him, “you are eating stale fare”.

5.2. Migara was enraged and threatened to send her back to her parents. Visakha unruffled promptly ordered her servants to pack all her money, gold, jewelry etc and prepare for leaving to Saketa. Migara duly chastened, requested her to stay back. She agreed to that on condition that Migara changed his ways, invited the Buddha and his monks for their meal.

5.3. Migara invited the Buddha with his monks and arranged for rich food. But, he asked Visakha to entertain the guests and supervise the hospitality. Migara, from behind a curtain, listened to the Buddha’s sermon imparted at the end of the meal.

5.4. Visakha then prayed to the Buddha to grant her boons. She requested, as long as she lived, she be allowed to give robes for the rainy season to the bhikkhus; rice gruel to the bhikkhus daily; food to the monks entering Savatthi and to those leaving the city; diet and medicine to the sick bhikkhus; food for those attending the sick; and clothes to the bhikkhunis (nuns) to wear taking bath.(Vinaya 290-292)

As from a collection of flowers many a garland can be made by an expert florist, so also, much good can be done (kattabbam kusalam bahum) with wealth, out of faith and generosity”.

yathāpi puppa-harāsimhā kayirā mālāguṇe bahū /evaṃ jātena maccena kattabbaṃ kusalaṃ bahuṃ. // Dhp_53 //

(Dhp .Verse 53)

 

6. How the Pubbarama came into being

pubbarama

Visakha supervising construction of Pubbarama

6.1. After that event, Visakha continued her acts of generosity to the Buddhist monks and to the Sangha. One day, while on a visit to Jetavana monastery where the Buddha then resided, she forgot to bring back home her priceless jeweled headdress and other jewels. She did not notice their absence for a couple of days and later gave them up as lost.

6.2. Then, one fine morning a couple of clean shaven Buddhist monks presented themselves at her doorsteps carrying basketful of jewels and enquired whether they belonged to her. Visakha recognized the jewels as hers and was happy to see them. She, however, refused to accept them; remarking it was not proper to take back an item that was left behind in the monastery. She asked the monks to retain the jewels with them. The monks, bemused, said the jewels were of no value to them and walked back to the monetary, empty handed, singing songs praising virtues of renunciation.

6.3. Thereafter, Visakha offered the jewels for sale, with the intention of donating the sale proceeds to the Sangha or using it for building a new monastery. But, she did not succeed in finding a buyer; because none could afford to buy the exquisite jewelled headdress. There was none in Savatthi rich enough to buy it.

6.4. That ornament of extraordinary beauty and immense value was named Mahalata; and it reached all the way down her long hair to her ankles. It was a wedding gift to Visakha from her parents. It appears, going by its description, one had to be strong to wear the ornament with comfort and to walk about freely.

In its construction were used four pint pots (nāli) of diamonds, eleven of pearls, twenty two of coral, thirty three of rubies, one thousand nikkhas of ruddy gold, and sufficient silver. The thread work was entirely of silver; the parure was fastened to the head and extended to the feet. In various places, seals of gold and dies of silver were attached to hold it in position. In the fabric itself was a peacock with five hundred feathers of gold in wing, a coral beak, and jewels for the eyes, the neck feathers and the tail. As the wearer walked the feathers moved, producing the sound of sweet music. (DbA.i.393ff. MA.i.471)

6.5. Having failed to find a buyer to her expensive ornament Visakha decided to buy it herself. She thereafter spent the money on building a new monastery to house the Buddha; and his retinue of monks and nuns. It was a magnificent two-storied structure built of wood and stone. Besides the prayer and conference halls, it had a number of rooms. The mansion like monastery was richly furnished and tastefully decorated. The work was completed in nine months. That monastery came to be known as Pubbarama (Purva_rama) or the Eastern monastery because it was located to the East of Jetavana.

6.6. On the day Visakha dedicated the monastery to the Buddha, she was overjoyed. She sang and danced with immense delight.”Today is the day of fulfillment; my prayers are granted and I am truly blessed”. She ran like child in ecstasy, with her children and grandchildren around the monastery, many times. Her joy was infectious; even the Buddha was touched.(DhA.i.416f)

The ex-miser Migara too was touched. He requested his daughter-in-law to accept him as her son. He called her Migara_ mata (Mother of Migara).From that day the Pubbarama monastery also came to be known as Migara_matu_pasada (the mansion of Migara’s mother).

That was how the Pubbarama came into being.

chakra

7. Discourses imparted to Visakha

The Canon recounts number of discourses imparted to Visakha. They cover a range of interesting subjects.

7.1. Sometime after the completion of Pubbarama, Visakha took charge of managing the nuns’ section of the Sangha; and a number of nuns were housed in Pubbarama. One evening she faced a problem which she found it difficult to handle. While on her rounds, she was horrified to find some nuns fully drunk; dancing and singing crazy songs. When she asked the nuns to stop whatever they were doing, they did not listen to her. Instead, they asked her to join the party, get drunk and raise a toast to the Buddha.

The next day Visakha sought the Buddha’s counsel. Visakha bowed to him and asked, “Venerable sir, what is the origin of this custom of drinking an intoxicant, which destroys a person’s modesty and sense of shame?” The Buddha in response to her request dispensed the Kumbha Jataka, where a man found fermented fruit and water in the crevice of a tree and started to consume the fermented liquid to obtain a false feeling of well-being.

7.2. On one hot afternoon, Visakha visited Pubbarama where the Buddha was then staying. She was looking tired and distressed .The Master asked her “well now, Visakha, where are you coming from in the middle of this hot day?’ Visakha moaned that she was tired, annoyed and angry with the tax collectors, who were arbitrarily over charging duty on her goods; and her costs were going up unduly. The king Pasenadi too was not heeding to her plea. It was not fair, she said.  She needed to confine her pain in someone who could comfort and offer her solace. That is the reason she came despite the burning hot sun. The Buddha then calmed her mind by singing

Sabbaṃ paramasaṃ dukkhaṃ ; sabbaṃ issariyaṃ sukhaṃ; Sādhāraṇe vihaññanti;yogā hi duratikkamā

Painful is all subjection,
Blissful is complete control.
People are troubled by common concerns,
Hard to escape are the bonds .  

 (Ud.2.9)

It is written, those words of the Buddha comforted Visakha.

7.3. On another occasion, Visakha asked the Buddha, what qualities in a woman would enable her to conquer this world and the next. The Buddha replied:

“She conquers this world by industry, care for her servants, love for her husband and by guarding his property. She conquers the other world by confidence, virtue, generosity and wisdom.”

7.4. On the sudden death of her granddaughter Sudatta, who was very dear to her, Visakha broken-hearted approached the Buddha in the middle of the day, in wet clothes and wet hair. Visakha was much afflicted with grief. The Buddha consoled her by imparting a sermon.

The Buddha asked her “Visakha, would you like to have as many children and grandchildren as there are people in Savatthi?”

“Yes, lord, I would like to have as many children and grandchildren as there are people in Savatthi.”

“But how many people in Savatthi die in the course of a day?”

“Sometimes ten people die in Savatthi in the course of a day, sometimes nine… eight… seven… six… five… four… three… two… Sometimes one person dies in Savatthi in the course of a day. Savatthi is never free from people dying.”

“So what do you think, Visakha: Would you ever be free from wet clothes and wet hair?”

“No, lord. Enough of my having as many children and grandchildren as there are people in Savatthi.”

“Visakha, those who have a hundred dear ones have a hundred sufferings. Those who have ninety dear ones have ninety sufferings. Those who have eighty… seventy… sixty… fifty… forty… thirty… twenty… ten… nine… eight… seven… six… five… four… three… two… Those who have one dear one have one suffering.

For those with no dear ones, there are no sufferings. They are free from sorrow, free from stain, free from lamentation, I tell you.”

The Buddha told her, “Just think whether you would be free from wet clothes and wet hair”.

Visakha said that she did not want so many children  and grandchildren, because acquisition of more children  and grandchildren  would bring greater suffering.

Endearment begets sorrow, endearment begets fear. For him who is free from endearment there is no sorrow; how can there be fear for him? (Udana, 91-92).

Pemato jāyatī soko, pemato jāyatī bhayaṃ  Pemato vippamuttassa, natthi soko kuto bhayaṃ?

All sorrows, griefs and sufferings which appear
In great variety here in this world
They all originate from what is dear
And, if there is nothing dear, do not arise.
 
Hence, those are happy and free from grief
Who in the world hold nothing dear at all,
If you aspire to be sorrowless
Do not hold anything dear in this world.

 

8. 1. In appreciation of her wisdom, her ability and generosity to the Sangha, the Buddha declared that Visakha be his chief female lay benefactor. In addition to serving the Buddha and the Sangha, Visakha was authorized to arbitrate issues and disputes that arose among the nuns; and between nuns and monks. She was a well-respected person in the Sangha.

8.2. Visakha was a person of great charm and independent spirit.She had certain poise and calm authority around her. She led a long and healthy life;  and lived for over a hundred years.

Visakha, it is written, retained her youthful charm and her sharp and inquisitive mind even in her later years.

I have always had great admiration and affection for the girl in Visakha. A great girl she was.

rose

The Issues:

1.  As mentioned at the end of the earlier stories, the society at the time of early Buddhism, despite its flaws, did provide space to women to participate in its social and commercial spheres.

They were respected for their wisdom and ability, as in the case of Visakha.

2. The girls were married after they came of age. Their consent was essential. Interestingly, in the Visakha story, the proposal from the groom’s side and its acceptance by the bride’s side was formalized by exchange of letters of agreements, as if the parties to the transaction were negotiating a business contract.

3. The women, at least the wealthy among them, were free to do pretty much what they liked. Some just walked out of their homes, roamed about the countryside without a care or fear, with a sort of bravado that bordered on recklessness. They were even free to walk out their marriage and take another husband.

Most of such women had their say in family matters; and, they decided on all internal matters. In that respect, I reckon, very little has changed in the Indian households.

Again, the parents were always very supportive of their daughters.

4 . In the case of Visakha, she was free to manage her resources; run her own business independently. Her business was apart from the family business managed by her husband and father-in-law. She was free to donate or gift away her money as she pleased.

She even had the nerve to browbeat her grumpy father-in-law when he threatened to dispatch her back to her parents. She could afford doing that .

pubbarama ruins

Ruins of Pubbarama  _ Asoka period 

Notes:

1. Anga:  One of the sixteen Powers or Great Countries. It was to the east of Magadha, from which it was separated by the River Champa, and had as its capital city Champa, near the modern Bhagalpur. In the Buddha’s time it was a province of Magadha, whose king Bimbisara. The people of Anga and Magadha are generally mentioned together, so we may gather that by the Buddha’s time they had become one people.

2. Bhaddiya: A city in the Anga kingdom. The Buddha visited there several times and stayed sometimes at the Jatiyavana and with Mendaka who lived there.

4. Anguttarapa: A part of Anga on the other side of the river Mahi. The town was probably rich because as many as 1,250 monks accompanied the Buddha to this region.

3. Kosala: A country to the north-west of Magadha and next to Kasi. It is mentioned second in the list of sixteen Mahajanapadas. The river Sarayu divided Kosala into two parts, Uttara Kosala and Dakkhina Kosala. In the Buddha’s time it was a powerful kingdom ruled by Pasenadi. During his time Kasi was under the subjection of Kosala. At the time of the BuddhaSavatthi was the capital of Kosala. Next in importance was Saketa.

4. Savatthi: or Sravasti was one of the  six large cities of ancient India. The city located in the fertile Ganga valley was the capital of the Kosala kingdom. The ruins of Savatthi are in the Gonda district of UP state.

5.Saketa: A town in Kosala. It was regarded in the Buddha’s time as one of the six great cities of India, the others being Champa, Rajagaha, SavatthiKosambī and Varanasi. The distance from Saketa to Savatthi was seven leagues (yojanas).

AshtavakraGitaCh-4Of20Slideshow

Abbreviations:

A… Anguttara Nikaya; D… Digha Nikaya; Dhp.. Dhammapada; M.. Majjhima Nikaya; S… Samyutta Nikaya; Sn .. Sutta Nipata; Thag… Theragatha; Thig.. Therigatha; Pac… Pacittiya (Vinaya); J. Jataka; Ud. . Udana; Mil. .. Milindapañha; Jtm.. Jatakamala; Bu… BuddhavamsaDivy..  Divyavadana;   Ap… Apadana.

 

References and Sources

http://www.palikanon.com/english/pali_names/vy/visaakhaa.htm

www.palikanon.com/english/pali_names/vy/visaakhaa.htm

http://www.palikanon.com/english/pali_names/vy/vighaasa_jat_393.htm

http://www.accesstoinsight.org/tipitaka/mn/mn.118.than.html

http://www.palikanon.com/english/pali_names/me_mu/migaramatupasada.htm

http://en.wikipedia.org/wiki/Anapanasati_Sutta

http://www.palikanon.com/english/pali_names/vy/vighaasa_jat_393.htm

http://www.palikanon.com/english/pali_names/am/agganna_sutta.htm

http://www.palikanon.com/english/pali_names/u/utthaana_s.htm

http://www.palikanon.com/english/pali_names/ay/ariyapariyesanaa_sutta.htm

http://www.palikanon.com/english/pali_names/ay/ariyapariyesanaa_sutta.htm

http://www.palikanon.com/english/pali_names/pa/pasadakampana.htm

http://www.accesstoinsight.org/tipitaka/kn/ud/ud.8.08.than.html

http://www.dharmaweb.org/index.php/Jataka_Tales_of_the_Buddha,_Part_III

Pictures are from Internet

 
11 Comments

Posted by on September 28, 2012 in Buddha, Buddhism, Buddhist Women, Story

 

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Sri Sadashiva Brahmendra

The Southern India recognizes and adores Sadashiva Brahmendra as the celebrated composer of divine kirthanas; but not many may be aware he, in his later years , was an Avadhutha, a jeevan_muktha who lonely wandered the hills and dales; ran along the river banks, naked or semi naked, in a state of divine bliss. He , unmindful of the scorching sun, pouring rain, blowing chill winds roamed in wilderness without ever uttering a word; slept under starry sky; shunned all human contact ; and, was ever in a supreme intoxicated state.

Today he is revered not merely for his musical compositions; but also for his sublime Advaita text “Atma Vidya Vilasa”,  the most favorite spiritual text of Sri Chandrasekhara Bharathi Swami the 34th Jagadguru of Sringeri Peetha. The swami , himself an Avadhuta, a week before his passing away, parted with all his meager passions; but retained, on second thought, a copy of Atma Vidya Vilasa till the day prior to his departure.

Not many facts are known about his life. It is believed Sadashiva Brahmendra lived in the time of Sharabhoji, ruler of Tanjore (1712 -1728). This is based on the oral tradition that Sadashiva Brahmendra presented a copy of his work Atma Vidya Vilasa to King Sharbhoji, when the king called on the Avadhuta to pay his respects.

His childhood name was Shivarama_krishna . He was the son of Somasundaram Avadhani, a Vedic scholar of Telugu Niyogi origin, who lived in Madurai in Tamil Nadu. It is said Shivarama’s family name was ‘Moksham’; and his mother was Parvathy. He was born in Nerur, situated by the quiet flowing Cauvery, near Karuru. He had his early education in traditional subjects under Ramabhadra Dikshitar who lived in Tiruvisai_nallur a.k.a. Shahajipuram. There the young Shivarama came under the influence of what were renowned as the triumvirate of Bhajana tradition viz.  Sridhar Venkatesha Iyer, Sri Bhodendra Sarasathi and Bashyam Gopala_krishna Sastry.

On his return, Shivarama still in his early teens was promptly married. He however, soon thereafter ran away from home never to return. He went to Tiruvisai_nallur ; and, while wandering aimlessly in the woods nearby, he met his Guru Sri Paramashivendra Sarasvati, who initiated Shivarama into sanyasa; and named him as Sadashiva_Brahmendra.

The identity of Sri Paramashivendra Saraswati is a matter of debate. Some say he may have been an Acharya of the Kanchi-peetham , guided by the suffix ”Indra Saraswathi” to his name. But; an Acharya  of that name appears in the annals  of the Kanchi tradition as the 45th Jagadguru  who presided over the Mutt for 27 years from 1061 AD , that is about seven hundred years before the time of Sadashiva Brahmendra.  The 57th(?) Jagadguru Sri Paramasivendra Saraswathi II, recognized as the author of the treatise Dahara Vidya* Prakashika , presided over the mutt from 1539 to 1586; that is about a hundred years before Sadashiva Brahmendra.

[Dahara Vidya is an ancient form of meditation on Self dwelling in the small ethereal space within the heart-Chandogya Upanishad –VIII. Sri Ramana Maharshi was a great exponent of this method.]

(http://www.tamilnation.org/sathyam/east/ramana/self_enquiry.pdf)

In any case ; Sadashiva Brahmendra considered Sri Paramashivendra Saraswati as his Guru , named him as such in all his works and composed poetic works Navamani mala , Guru_rathna_maalika and Dakshina_murthi_dhyana in tribute to the Guru.

Sadashiva was an active young man , talkative and always chirping away. On one occasion his incessant talk so annoyed his Guru  that he in despair  called out “Sadashiva..! When will you learn to be quiet?”. The disciple promptly replied, “Right now, Master”. He fell into silence and never talked again the rest of his life. He gradually withdrew from the world, introspected and plunged into intense penance. He discarded all norms of accepted behavior, wandered naked aimlessly in the hills and along the Cauvery. He looked wild and insane. When some one reported to Sri Paramashivendra that his disciple had gone insane, the Guru was delighted and exclaimed “Will I ever be so fortunate!” He realized that his disciple was now  an Avadhuta.

Sadashiva Brahmendra remained in that state; beyond body consciousness, not bound by ordinary social conventions and worldly concerns for a long period. A number of stories and myths grew around his mystical powers.

On one occasion , when he met his past associate Sridhar Venkatesha Iyer;  the later remarked that it was laudable to be a mauni in worldly matters; and, questioned what prevented him from singing the praise of the Almighty. Then, Sadashiva Brahmendra saw reason in the argument.

He thereafter created a series of musical compositions in praise of :

Sri Rama:

  • Pibare Rama rasam,
  • Khelathi mama hridaye,
  • Bhajare Raghuveeram,
  • Cheta Sriramam,
  • Prathi varam varam manasa etc.

Sri Krishna 

  • Smara nandakumaram ,
  • Gayathi vanamali,
  • Bhajare Gopalam maanasa ,
  • Bhajare Yadu natham maanasa ,
  • Kridathi vanamali ,
  • Bruhi mukundethi etc.

and of Brahman

  • Sarvam Brahma maya re ,
  • Khelathi Brahmande Bhagavan ,
  • Manasa sanchara re ,
  • Tadvad jeevanam Brahmani etc.

His poetic signature was “parama_hamsa” . About twenty-two of his compositions have been recovered.

Plese check here for a collection of compositions of Sri Sadasiva Brahmendra. and  their  MP3 links 

And, for the list of known compositions of Sri Sadashiva Brahmendra– compiled by Sri P.R. Ramachander, some with translation into English

He also wrote a number of philosophical works of high quality such as Brahma sutra Vrithi, Yoga_sudhakara, Kaivalya_amrutha _bindu (based on Upanishads); Siddantha_kalpa_valli (a poetic treatise on Appaiah Dikshitar’s work), Advaita rasa manjari, Brahma tattva prakaashikaa and Mano_niyamana. His Navamani_mala, Guru_rathna_malika and Dakshina_murthi_dhyana are in praise of the Guru.

But his Atma_vidya_vilasa a true classic is the best known.

[Please check here for the text and the  translation of Atma Vidya Vilasa by Shri SN Sastri]

Atma_vidya_vilasa is a poetic work running into 62 verses in simple, lucid Sanskrit. Its subject is renunciation. It describes the ways of the Avadhuta, one who is beyond the pale of social norms , beyond Dharma , beyond good and evil; one who has discarded scriptures, shastras , rituals or even the disciplines prescribed for sanyasins; one who has gone beyond the bodily awareness , one who realized the Self and one immersed in the bliss of self-realization. He is absolutely free and liberated in every sense – one who “passed away from” or “shaken off” all worldly attachments and cares, and realized his identity with God. The text describes the characteristics of an Avadhuta, his state of mind, his attitude and behavior. The text undoubtedly is a product of Sadashiva Brahmendra’s experience. It is a highly revered book among the Yogis and Sadhakas.

Sadashiva Brahmendra lived in that exalted state on the banks of the Cauvery until he discarded his mortal body at its age of one hundred years or a little more, some time between 1750 and 1753. His Samadhi in Nerur, Karur district is now a shrine to a large number of devotees. His Aaradhana is celebrated annually on the tenth day of dark half of the month of Jeshta (some time during May each year).

Sringeri Jagadgurus  and Atma_vidya_vilasa

Sadashiva Brahmendra and his classic work Atma_vidya _vilasa wielded an enormous influence on the life and Sadhana of the Sringeri Jagadgurus.

It was the 32nd Jagadguru of Sringeri Sharada Peetam, Sri Nrusimha Bharathi VIII (1817-1879) that first recognized the greatness of Sadashiva Brahmendra and arranged for the upkeep and maintenance of his Samadhi.

His successor Sri Sacchidananda Shivabhinava Nrsimha Bharathi (1879-1912) made a seminal visit to the samadhi of the saint at Nerur. He became an ardent admirer and devotee of Sadashiva Brahmendra in whose praise he composed two poetic works (Sadashivendra Stava  and Sadashivendra Panchrathna stotram) .

Please visit the following link for the text  of Sadashivendra Panchrathna stotram

[The Adhyatma Prakashana Karyalaya, Holenarasipur, Hasan District, Karnataka, has published in Kannada the texts and translation along with explanatory notes of Atmavidya Vilasa and Sadashivendra Stuthi]

Sacchidananda Shivabhinava Nrisimha Bharati

He considered Sadashiva Brahmendra his ideal, tried to emulate his principles. He modeled his attitude, his ideals and his way of living in the light of Atma_vidya_vilasa. He gradually withdrew from the active administration of the Mutt starting from the year 1901and devoted increasingly to spiritual practices. Listening to Atma_vidya_vilasa and contemplating on it became a part of his daily spiritual exercise. He in his last days lived like an Avadhuta. He instructed his disciples that in the last moments of his life while he would be drawing his last breaths they should recite aloud the verses from the Atma_vidya_vilasa. He wished to die with those verses ringing in his ears. Such was his devotion to that text.

Chandrasekhara Bharti swamigal

But the one who really emulated Sadashiva Brahmendra and evolved into an Avadhuta was the 34th Jagadguru  Sri Chandrasekhar Bharathi Swami. He studied Atma_vidya_vilasa intensely, imbibed its principles and truly lived according to that in word and deed .Unmindful of the external world he roamed wildly the hills of Srngeri like a child , an intoxicated , an insane and as one possessed singing aloud the verses from Atma_vidya_vilasa:

Discard the bondages of karma. Wander in the hills immersed in the bliss of the Self -unmindful of the world like a deaf and a blind (AVV-15)

avadhūtakarmajālo jaḍabadhirāndhopamaḥ ko’pi ।
ātmārāmo yatirāḍaṭavīkoṇeśvaṭannāste ॥ 15॥

      Rooted in the Brahman absorbed in the bliss within, he for a while meditates,            for a while sings and dances in ecstasy. (AVV-21)

tiṣṭhanparatra dhāmni svīyasukhāsvādaparavaśaḥ kaścit ।
kvāpi dhyāyati kuhacidgāyati kutrāpi nṛtyati svaram ॥ 21॥

He sees nothing, hears nothing, and says nothing. He is immersed in Brahman and in that intoxication is motionless.(AVV-44)

paśyati kimapi na rūpaṃ na vadati na śṛṇoti kiñcidapi vacanam ।
tiṣṭhati nirupamabhūmani niṣṭhāmavalambya kāṣṭhavadyogī ॥ 44॥

Sri Chandrasekhar Bharathi was the living epitome of the Atma_vidya_vilasa.  He was an Avadhuta – a liberated soul, one who “passed away from” or “shaken off” all worldly attachments and cares, and has realized his identity with Self. He was an enlightened being who lived in a state beyond body-consciousness.

Avadhuta – a brief remark

Avadhuta (he who has shed everything) is a radical type of renouncer of an unconventional type. Avadhuta is one who has risen above bodily consciousness, duality and worldly concerns. He has no use for social etiquette. He is not bound by sanyasi dharma either. He roams the earth freely like a child, like an intoxicated or like one possessed. He is pure consciousness embodied.

Avadhuta Gita describes him

The Avadhuta alone, pure in evenness of feeling, Abides happy in an empty dwelling place,

Having renounced all, he moves about naked .He perceives the Absolute, the All, within himself.

 The Avadhuta never knows any mantra in Vedic metre or any Tantra.

This is the supreme utterance of the Avadhuta, purified by meditation

And merged in the sameness of the Supreme Being.

 Ashtavakra Gita describes him in a similar manner:

17.15
The sage sees no difference / Between happiness and misery,/ Man and woman,/ Adversity and success. / Everything is seen to be the same.

bubhukṣuriha saṃsāre mumukṣurapi dṛśyate । bhogamokṣanirākāṃkṣī viralo hi mahāśayaḥ ॥ 17-5॥

17.16
In the sage there is neither / Violence nor mercy, /Arrogance nor humility, / Anxiety nor wonder. /  His worldly life is exhausted. / He has transcended his role as a person 

dharmārthakāmamokṣeṣu jīvite maraṇe tathā । kasyāpyudāracittasya heyopādeyatā na hi ॥ 17-6॥

17.18
The sage is not conflicted /  By states of stillness and thought. /  His mind is empty. / His home is the Absolute. 

kṛtārtho’nena jñānenetyevaṃ galitadhīḥ kṛtī । paśyan śṛṇvan spṛśan jighrann aśnannāste  yathā sukham ॥ 17-8॥

18.9
  Knowing for certain that all is Self, /   The sage has no trace of thoughts /  Such as “I am this” or “I am not that.” 

ayaṃ so’hamayaṃ nāhaṃ iti kṣīṇā vikalpanā । sarvamātmeti niścitya tūṣṇīmbhūtasya yoginaḥ ॥ 18-9॥

18.10
  The yogi who finds stillness /   is neither distracted nor focused. /   He knows neither pleasure nor pain. /   Ignorance dispelled, / He is free of knowing. 

na vikṣepo na caikāgryaṃ nātibodho na mūḍhatā । na sukhaṃ na ca vā duḥkhaṃ upaśāntasya yoginaḥ ॥ 18-10॥

Not all Sanyasis are Avadhutas and not all Avadhutas are Sanyasis. Of the four types of Avadhutas, Shaiv-avadhuta and Brahma-avadhuta need not be sanyasis they could even be householders. The Dashanami_avadhutas (those that bear names such as Vana, Aranya, Giri, Thirtha, Bharathi etc.) and Bhaktha_vadutas are the other two.

Of these, the Shaivadhutas and the Brahmavadutas indulge in Tantric practices.

The Bhaktavadutas form the prominent group. It consists Paramahamsa (fully realized) and Parivrajaka (incomplete, wandering) classes. The former is considered incarnation of Shiva. He could be a sanyasi or a householder; he could wear clothes or could be naked. He is not bound by any restrictions. He has no fixed place of stay. Practices like meditation, rituals, worship etc. are irrelevant to him. He is beyond conflicts of pain and pleasure, gain or loss, joy or sorrow. He is ever immersed in bliss of Self-realization.

Dattatreya

Dattatreya is the supreme Avadhuta. There is a belief that Dattatreya composed the Avadhuta Gita, which describes the characteristics of an Avadhuta.

Nath Sampradaya is a sect of Avadhutas that places great importance on the Guru and on Yoga.Avadhuta Gita is its text and Sri Ghorakhnath is its prime Avadhutha.

The worship of  Datta is more prevalent in Maharashtra and North Karnataka. The Datta kshetras such as Ganagapur, Agadi and Baba Budan Giri in Karnataka are prominent centers of Datta worship.

Resource

Sahradapeetada Manikya by Prof SKR Rao

003Dakshinamurthi.jpg

 
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Posted by on September 1, 2012 in Indian Philosophy, Vedanta

 

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