OVERVIEW Across the centuries, the long and hoary tradition of the Indian Music, at each phase of its development, was enlivened by a series of significant modifications and creative innovations. To start with, the Sama Svaras (notes) of Nidhana prakriti (diminishing nature) or Vakragati, following Avaroha karma, a descending order (uttarottaram nicha bhavanthi) , which did not have much … Continue reading Sri Shyama Shastry ( 1763-1827) – Part One